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Bethan Harper

Bethan Harper

I'm a music-obsessed, guitar-playing Brit who adores writing. I love the moon, Bruce Springsteen and the winter. If you want to find me on a rainy day I'll probably be at the beach.

James Gillespie © 2020
Music, Music Videos, PremieresFebruary 26, 2020<February 25, 2020

Video Premiere: James Gillespie’s “ICFTI” Is Awash in Autumnal Hues & Seductive Visuals

Boardmasters Festival 2020
Festival, Music, PreviewsFebruary 25, 2020<February 25, 2020

Preview: Boardmasters Festival 2020 Lineup Features Musical Giants King of Leon, The 1975 & More

Temporary Love - April Ivy
Music, PremieresFebruary 20, 2020<February 19, 2020

Premiere: April Ivy’s Tender & Seductive Song “Temporary Love”

Hit and Run EP - Larkins
Music, ReviewsFebruary 14, 2020<February 14, 2020

EP Review: Larkins’ ‘Hit and Run’ Is the Perfect Mash-Up of the Old, New, and Unexpected

Circa Waves © 2020
Features, Interviews, MusicJanuary 29, 2020<February 6, 2020

Making Music Videos, Self-Deprecation and the End of the World: An Interview with Circa Waves

Marigold - Pinegrove
Music, ReviewsJanuary 16, 2020<January 17, 2020

Review: Pinegrove Touch on Themes of Isolation & Monotony in 4th Album ‘Marigold’

Larkins
Columns, Music, Today's SongJanuary 15, 2020<January 15, 2020

Today’s Song: Larkins Search for Human Connections During Turbulent Times on New Song “Flood”

John Mayer
Columns, Music, Nostalgia TracksJanuary 10, 2020<January 9, 2020

Nostalgia Tracks: John Mayer’s “Vultures” Is a Truly Timeless Song

Fickle Friends © Bethan Harper
Concerts, Music, ReviewsDecember 11, 2019<December 10, 2019

Live Review: A Night of Perfect Pop with Fickle Friends at The Joiners, Southampton

Will Joseph Cook
Columns, Music, Today's SongDecember 2, 2019<December 2, 2019

Today’s Song: Will Joseph Cook Playfully Addresses Societal Issues in His Single “The Dragon”

Posts pagination
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Recent Posts

  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthe April 3, 2026
  • The Clockworks’ Sophomore Album ‘The Entertainment’ Is Where the Noise Softens and the Truth Slips Through April 3, 2026
  • MONSTA X Rework Their English Sound With a More Personal Edge on ‘Unfold’ April 3, 2026
  • “Chose Faith Instead of Facing the Past”: Brooklyn’s Myra Lee Erupt with “Magpie,” a Feverish, Slow-Burning Indie Rock Reintroduction April 2, 2026
  • “I Know How to Hurt Myself on You”: MUNA Turn Heartbreak into Kinetic Euphoria on “Dancing on the Wall” April 2, 2026
  • Editor’s Picks 151: The Temper Trap, Lola Blue, Mount St. Helen, Eliza Edens, Radium Dolls, & Local the Neighbour! April 1, 2026
  • Today’s Song: Stock Band Return with “Today’s Song,” an Indie Anthem That Checks All the Boxes April 1, 2026
  • “I Just Got My Heart Broken, But I Look F**kin’ Fabulous”: MEEK Breaks Out with “Fabulous,” a Loud, Unapologetic, & Utterly Irresistible Pop Anthem April 1, 2026
  • “I Needed to Make Something Beautiful as Things Fell Apart”: Maria Taylor Finds Renewal in the Ruins on ‘Story’s End’ April 1, 2026
  • Premiere: Oliver Pinder Shatters Halos in “Such an Angel,” a Catchy, All-Consuming Indie Rock Anthem of Broken Trust & Disillusionment March 31, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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