• Home
  • About
  • New Music Calendar
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services
Atwood Magazine - For the Love of Music For the Love of Music
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
Brianna Corrine

Brianna Corrine

Brianna is a Colorado-based writer, audiophile, and occasional photographer. You can usually find her in a vintage shop continuing to curate a collection of leather jackets and worn records- that is if she isn't at a concert, or somewhere with her nose stuck in a book, or twirling around her bedroom to the croon of Stevie Nicks.

Ben Barnes © Ciara McMullan
Debut, Features, Interviews, MusicApril 7, 2025<April 7, 2025

Interview: Ben Barnes on His Move from Screen to Stage, Authenticity as an Artist, & Debut LP ‘Where the Light Gets In’

Maya Delilah © Abeiku Arthur
Debut, Features, Interviews, MusicApril 1, 2025<April 1, 2025

Interview: Maya Delilah Embraces Nostalgia & Creative Freedom in Her Genre-Warping Debut Album, ‘The Long Way Round’

Forever Is a Feeling - Lucy Dacus
Music, ReviewsMarch 28, 2025<March 28, 2025

Review: Lucy Dacus Is Learning ‘Forever Is a Feeling’ and Writing a Beautiful Tale As She Goes

NAVY © 2025
Columns, Music, Today's SongMarch 7, 2025<March 7, 2025

Today’s Song: NAVY’s “No Man’s Land” Is a Gritty and Honest Exploration of Internal Chaos

Sam Fender © Sarah Louise Bennett
Music, Reviews, Track-by-TrackMarch 5, 2025<March 5, 2025

“I’m Not Preaching, I’m Just Talking”: Sam Fender’s ‘People Watching’ Is a Masterpiece of Reflection, Resilience, & Raw Humanity

Fontaines D.C. © Peter Joseph Smith
Columns, Music, This Just In, Today's SongFebruary 21, 2025<February 21, 2025

Today’s Song: Fontaines D.C. Confirm “It’s Amazing to Be Young” With an Uplifting, Nostalgia-Soaked Indie Rock Reverie

Lucy Dacus © Shervin Lainez
Columns, Music, Today's SongJanuary 29, 2025<January 29, 2025

Today’s Song: Lucy Dacus’ “Ankles” Is a Lush Landscape of Yearning

Inhaler © Lewis Evans
Columns, Music, Today's SongNovember 26, 2024<November 26, 2024

Today’s Song: Inhaler’s “Your House” Is Gospel for the Nonchalant

Nieve Ella © Mollie McKay
Columns, Music, Today's SongNovember 19, 2024<November 19, 2024

Nieve Ella, the GOAT of Grunge Indie Pop, Arrives With “Ganni Top (She Gets What She Needs)”

Suki Waterhouse ‘Memoir of a Sparklemuffin’ album art
Music, ReviewsOctober 21, 2024<October 21, 2024

Review: Slip into a Euphoric Reverie with Suki Waterhouse’s ‘Memoir of a Sparklemuffin’

The Japanese House ":)" © Carissa Gallo
Music, Reviews, This Just InJune 24, 2024<June 24, 2024

“I feel happier”: The Japanese House Is All Smiles As of Late :)

Iron and Wine © Kim Black
Columns, Music, Today's SongApril 6, 2024<April 5, 2024

“Let it be the song on your little radio” and Listen to Iron & Wine’s “You Never Know”

Declan McKenna © Henry Pearce
Features, Interviews, MusicApril 5, 2024<April 6, 2024

Interview: Declan McKenna on the Need for Authenticity in Music and His New Album ‘What Happened to the Beach?’

Jeremiah Fraites © Rachel Deeb
Features, Interviews, MusicMarch 29, 2024<March 29, 2024

Interview: The Lumineers’ Jeremiah Fraites on the Intimacy of Piano Music

Sam Fischer © Oscar J Ryan
Debut, Features, Interviews, MusicJanuary 19, 2024<January 19, 2024

“Fragments of my life”: Sam Fischer on the Five-Year Journey to Debut Album ‘I Love You, Please Don’t Hate Me’

Posts pagination
1 2

Recent Posts

  • “Our Sounds and Energy Just Blend”: Ginger Winn and Lost Leaders Bring Songs & Shared Spirit to Woodstock’s Third Annual Waterfall Sessions July 31, 2026
  • Mad Cool Festival 2026: Ten Years of Music and World Community July 31, 2026
  • Atwood Magazine’s Weekly Roundup: July 31, 2026 July 31, 2026
  • Roundtable Discussion: A Review of RAYE’s ‘THIS MUSIC MAY CONTAIN HOPE.’ July 31, 2026
  • The Man Behind the Music: How Jason Crisp Became One of Rock’s Most Trusted Guitar Techs July 31, 2026
  • “It’s Only Ever Been You”: Tom Iansek’s #1 Dads Celebrates Love with Sun-Soaked Devotion in “Already Something” July 31, 2026
  • “Music Is Meant to Feel Human”: Berlin’s Paul Holland Melts Time into a Dreamy Haze on His Spellbinding Debut ‘SUNFLOWER’ July 30, 2026
  • “Hey Steve, Who Broke Your Heart?”: Medium Build Humanizes the Emotionally Unavailable Man on “Home Depot” July 30, 2026
  • “It’s Easy to Lose Sight of What’s Real”: Essence Martins Reclaims Presence on “Can We All Slow Down,” a Soul-Stirring Reminder to Reconnect with the World July 30, 2026
  • “I No Longer Have the Privilege to Be Ambiguous”: Genesis Owusu Is Rallying Against a World in Disarray with ‘REDSTAR WU & THE WORLDWIDE SCOURGE’ July 30, 2026
ABOUT US
PITCHING US
Privacy policy
GET INVOLVED!

Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
Back to top
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
  • Home
  • About
  • New Music Calendar
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services