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Caitlin Ison

Caitlin Ison

My name is Caitlin, I am 22 years old, born and raised in Southern California. Like most of the human population, music is something that has played a very important role in my life. Writing about music allows me to share my fascination with artists and their work and their process of creating it. I attended the University of California, Irvine and I spent a lot of my time volunteering at the school's radio station, KUCI. This definitely expanded my love and knowledge for non-mainstream music. Outside of the music realm, I spend my time taking photos (concert photography being my favorite), practicing my calligraphy, and spending time with my family, friends, and dogs. I am definitely a home body but learning about different cultures, hobbies, foods, places, and the world around me all excite me.

Pale Waves Live at The Fonda Theatre, Los Angeles 2018 © Caitlin Ison
Concerts, Music, ReviewsDecember 12, 2018<December 12, 2018

Live: Pale Waves Rock Los Angeles with Contagious Goth Pop Charm

Pyxis © 2018
Debut, Music, PremieresOctober 17, 2018<October 17, 2018

Premiere: Pyxis Wants All of Us to Do Our “Own Thing”

"Love It If We Made It" - The 1975 © Dirty Hit
Columns, Music, Today's SongOctober 9, 2018<December 5, 2018

The 1975 Revive Their Jazz Sound & Discuss Inevitable Feelings in “Sincerity Is Scary”

Painkiller - Beach Bunny music
Columns, Music, Today's SongSeptember 4, 2018<September 4, 2018

Unraveling the Headache of Anxiety as Told by Beach Bunny in “Painkiller”

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Recent Posts

  • “Your Songs Are Smarter Than You”: Jordan Joy Makes Her Debut with Shimmering Indie Pop Anthem, “Don’t Kill the Vibe” June 1, 2026
  • “The Thing About Having Nowhere to Sit, Is You Have to Stand Out”: Kat Cunning Finds Hard-Won Power in “Sore Thumb,” an Open-Hearted Anthem for Queers, Freaks, & Shapeshifters June 1, 2026
  • “I Don’t Sleep Anymore”: Harvey Street Turn Sleepless Nights into an Indie Rock Confession on “Insomnia” May 31, 2026
  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie May 30, 2026
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full May 29, 2026
  • “I’m a Maximalist at My Core”: Maya Engen Arrives Breathtaking and Unafraid with “Fool,” a Soulfully Smoldering Debut That Finds Power in Feeling Everything May 29, 2026
  • “I’ma Gonna Tell You How It Is”: A Good Hard Look At Primus’ ‘A Handful of Nuggs’ EP May 29, 2026
  • “I Think the Dance Floor Is Dead”: Charli xcx’s “Rock Music” Is a Kick-Off into a Dauntless Idea, But Not a Pivot May 29, 2026
  • Atwood Magazine’s Weekly Roundup: May 29, 2026 May 29, 2026
  • Finding the Way Back: Hudson Ingram on Nostalgia, Growth, and ‘The Long Way Home’ May 28, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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