• Home
  • About
  • New Music Calendar
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services
Atwood Magazine - For the Love of Music For the Love of Music
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
Danielle Evans

Danielle Evans

Danielle is an Atlanta native with a love for electronic music, R&B, and Chick-fil-A biscuits. While ATL remains her first love, she spends her summer weekends making friends at music festivals and live shows along the east coast.

Maple & Beech - RUNDAWDAW - Cover Art
Music, Music Videos, PremieresApril 28, 2017<April 28, 2017

Video Premiere: Maple & Beech Defy Monotony in “Wedding Season”

Time - Goss
Columns, Music, Today's SongMarch 8, 2017<March 6, 2017

Today’s Song: Goss Trades Love for Anger in “Time”

Luxxury © Eli Green
Features, Music, PremieresFebruary 17, 2017<February 21, 2017

Exclusive Premiere: Daft Punk Meets Disco on Luxxury’s “Feel the Night”

Animal Eyes © Joshua Veldstra
Features, Music, Music Videos, PremieresFebruary 9, 2017<February 9, 2017

Exclusive Premiere: Animal Eyes Takes a Psychedelic Trip in “Guava”

Shy Girls © Jaclyn Campanaro
Columns, Music, Today's SongJanuary 25, 2017<January 24, 2017

Today’s Song: Shy Girls Gains Perspective in the Midst of Loss on “Say You Will”

Lido © 2016
Columns, Music, Today's SongJanuary 18, 2017<January 18, 2017

Today’s Song: Lido’s “Falling Down” Invites Us to Share the Heartbreak of a Young Lover

Recent Posts

  • “Shake Up the Scene”: Burlington Indie Rockers Brunch Reexamine Rock ’n’ Roll Mythology Through a Modern Lens November 4, 2026
  • “I Don’t Want a Picket Fence”: Bekah Bossard Finds the Sweetness in Letting Go with “American Dream,” a Tender, Towering Indie Pop Anthem November 4, 2026
  • “Subconscious Exfoliation”: London’s Bone China Bare Their Souls on “Heaven Now,” a Blistering, Grunge-Soaked Debut November 4, 2026
  • Festival Feature: Same Same But Different Creates a Home for Music, Creativity, and the Joy of Being Present November 3, 2026
  • Live Review: Geese Play to the Living and the Dead at Hollywood Forever November 3, 2026
  • “Music Is Meant to Be Shared”: Carlin Tripp on ‘Dead Reckoning,’ Community, and More Than Two Decades of Songwriting November 3, 2026
  • “Just to Write a Name in the Dust”: Asha Wells Honors the Love That Couldn’t Last on the Beautifully Spellbinding “Gift Horse” November 3, 2026
  • “Won’t You Follow Me Now”: Chicago’s The Back Alley Carry Love and Longing into a New Era on “Pick Me Up,” a Magnetic Reintroduction November 3, 2026
  • Editor’s Picks 170: PASH, Matilda Mann, Evan Honer & Medium Build, Pamela., Stevie Bill, & The Hails! October 31, 2026
  • “I’m Leaning Into the Off-Kilter”: total tommy Embraces Imperfection and Her Darker Side on ‘Trapezoid,’ a Blistering Indie Rock Portrait of Love, Chaos, & Self-Sabotage October 30, 2026
ABOUT US
PITCHING US
Privacy policy
GET INVOLVED!

Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
Back to top
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
  • Home
  • About
  • New Music Calendar
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services