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David Buyze

David Buyze

David is a writer on music and culture for Atwood Magazine. He has a PhD from University of Toronto, and is a professor at several universities including TCU where he teaches courses on David Bowie; British Music & Memoir; and Music, Fashion & Style in the MLA program. He enjoys exploring innovative ways to write on music and culture and review music through the prism of his own experience and as a surveyor of cultural dynamics. David views the transformative power of music as an existential force that transcends cultures, identities, and one that shapes human relationships in highly illuminating ways across time and memory. Connect with him on Instagram (@davidbuyze) or at d.buyze@tcu.edu!

Editors © Rahi Rezvani
Music, ReviewsSeptember 23, 2022<September 23, 2022

Potency & Emancipation: The Wonders of Editors’ 7th Album, ‘EBM’

Danna Paola © 2022
Columns, Music, Today's SongSeptember 22, 2022<September 22, 2022

Today’s Song: Danna Paola’s “XT4S1S” and the Ecstatic Ingenuity of Her Global Stage

Editors © Rahi Rezvani
Columns, Music, Today's SongSeptember 1, 2022<September 1, 2022

Today’s Song: The Intense Empowerment of Editors’ “Kiss”

Carla Morrison © Esteban Calderón
Music, ReviewsJuly 1, 2022<July 1, 2022

Carla Morrison Across Borders: A Review of ‘El Renacimiento’

Andy Fletcher
Essays, MusicJune 20, 2022<June 20, 2022

In Memoriam: Tribute & Lament for Andy Fletcher, Depeche Mode

Rosalia © Greg Swales
Music, ReviewsApril 25, 2022<April 25, 2022

Rosalía at the Margins: A Review of ‘Motomami’

Tears for Fears © Frank W. Ockenfels
Features, Music, ReviewsMarch 17, 2022<March 17, 2022

Illustrious Youth & Depths of Experience: A Review of Tears for Fears’ ‘The Tipping Point’

Paul Weller (L) & Dave Gahan (R) © 2022
Features, Music, ReviewsJanuary 24, 2022<January 24, 2022

The Late Style of Dave Gahan & Paul Weller: Imprints of Bowie

David Bowie © Andrew Kent
Features, MusicMarch 2, 2021<March 2, 2021

Dreaming of Bowie

Posts pagination
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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