• Home
  • About
  • Upcoming Album Releases
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services
Atwood Magazine - For the Love of Music For the Love of Music
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
Ilana Kalish

Ilana Kalish

Ilana Kalish was a jazz fed baby, pop-synched child, emo-soaked teenager and indie-rocked coed. Between working at the friendly corner record store, singing in a garage (sometimes with a band) and sitting under trees while writing short fiction, Ilana also got her degrees in modern dance and creative writing from the University of MD in College Park. All of these adventures eventually resulted in www.skiptothis.com where she shares her adventures down the rabbit hole of the musiverse. A self-proclaimed neologista, Ilana is always dancing with words to music, usually while drinking coffee and smirking. As a writer for Atwood Magazine, Ilana hopes to make you smile and nod happily with her whimsy and impeccable (smirk) taste in music.

Delta Rae © Shervin Lainez
Features, Interviews, MusicFebruary 19, 2020<February 28, 2020

Interview: Delta Rae’s Ian Hölljes on the Band’s Witchy Ways & New Album ‘The Light’

Come on Up to the House - Women Sing Waits
Music, ReviewsNovember 29, 2019<November 29, 2019

Review: ‘Come On Up to the House: Women Sing Waits’ Is a True Gift to Us All

Miles Mosley
Columns, Music, Today's SongNovember 13, 2019<November 13, 2019

Today’s Song: Miles Mosley’s “BROTHER” Will Catapult You Through the Funk’esphere

Features, Interviews, MusicOctober 9, 2019<October 9, 2019

Interview with Barns Courtney: Productive Procrastination & Enjoyable Distraction

ThebandIvory © Bob Sweeney
Music, PremieresAugust 19, 2019<August 19, 2019

Premiere: ThebandIvory’s “After It’s Said and Done” Is a Sagely Indie Rock Aria

Black Pumas © Greg Giannukos 2019
Debut, Music, ReviewsAugust 12, 2019<January 12, 2023

Black Pumas’ Eponymous Debut Album Is a Sonic Box of Chocolates

Opeongo © 2019
Music, PremieresAugust 1, 2019<October 22, 2019

Premiere: Opeongo’s Expansive Single “Less of Me” Gives Us More

Joseph © Louis Browne
Features, Interviews, MusicJuly 18, 2019<August 22, 2019

Interview with Joseph: Peace and Love Like a “Fighter”

Columns, Music, Music Videos, Today's SongJuly 17, 2019<July 17, 2019

Today’s Song: Lola Marsh’s “Echoes” is a Library Fantasy, Almost

Matthew Frederick
Music, ReviewsJuly 12, 2019<July 11, 2019

Review: Matthew Frederick’s “Tell Me” Truly Wants to Know

Columns, Music, Today's SongJuly 8, 2019<July 8, 2019

Michael Kiwanuka and Tom Misch Collaborate and It’s “Money”

Sydney Franklin, Luke James Shaffer © Edward Benitez
Music, PremieresMay 9, 2019<May 9, 2019

Premiere: Sydney Franklin & Luke James Shaffer’s “Blood in the Water” Swells with Heartache in Harmony

Keith Johns
Music, PremieresApril 24, 2019<April 24, 2019

Premiere: Keith Johns’ “Runaway” and “Hold on to Me” Are a Pound of Rock and a Pound of Flow

Pelle Kuipers © 2019
Columns, Music, Reviews, Today's SongMarch 26, 2019<March 26, 2019

Pelle Kuipers Charms Us with Deeply Resonant “My Darling”

D'Angelo
Columns, Music, Today's SongJanuary 24, 2019<May 14, 2024

Today’s Song: D’Angelo’s “Unshaken” is the Guarded Knock on a Hidden Door

Posts pagination
1 2 3 4

Recent Posts

  • “I Love Weird Sounds with a Lot of Texture”: Fig Tape Serves Up ‘Forcefed Serenity,’ a Genre-Blurring Fever Dream December 5, 2025
  • Today’s Song: Vân Scott’s “Turn Off the Tears” Is an Expansive Anthem of Resilience & Unshakable Spirit December 5, 2025
  • “I’ve heard happiness starts here”: East London’s Lucia Rivero Finds Abundance in Absence on “Nowhere” December 4, 2025
  • “What a Beautiful Thing”: Dijon Triumphs with ‘Baby,’ an All-Consuming Fever Dream of Love, Devotion, & the “Mania of Domesticity” December 4, 2025
  • “Hope Isn’t This Constant Flame; It Flickers a Bit”: Amanda Bergman on Musical Acts of Protest, Refusing to Go Numb, and Staying Grounded in a World Coming Undone December 4, 2025
  • “There Is No Right Path”: Katelyn Tarver on Choosing Herself and Becoming the Example That Was Missing December 4, 2025
  • “We’re Coming Home Again”: Of Monsters and Men Reset, Reconnect, & Rediscover Themselves on the Communal Odyssey of ‘All Is Love and Pain in the Mouse Parade’ December 3, 2025
  • “I Want to Be Able to Speak Openly About What Hurts”: Marem Ladson Confronts Her Past & Finds Her Voice on “Cavity,” a Dreamy Indie Folk Reverie December 3, 2025
  • “I’m Not the Bootleg Version of Any Artist”: Gabriel Jacoby Stakes His Claim with Swagger, Sweat, and Southern Fire on ‘gutta child’ December 3, 2025
  • “Love Is Not the Antidote”: Dove Ellis Reckons with Love’s Limits on “Love Is,” an Aching & Unrestrained Unraveling December 3, 2025
ABOUT US
PITCHING US
Privacy policy
GET INVOLVED!

Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
Back to top
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
  • Home
  • About
  • Upcoming Album Releases
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services