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James Crowley

James Crowley

James is a New York-based writer and comedian. Besides Atwood, he's also written for Sensations Press and his own blog Burgeraday.com. He hosts the comedy/music podcast James Crowley's Infinite Playlist. He also co-hosts the Burger-a-Day Podcast.

Tara Beier © 2017
Music, PremieresDecember 14, 2017<December 14, 2017

Premiere: Tara Beier is Liberated with “Forgiveness”

The Opener - Camp Cope
Columns, Music, Today's SongNovember 28, 2017<November 28, 2017

Today’s Song: Camp Cope Expose the Closeted Misogyny of the Punk Scene in “The Opener”

Gayle Skidmore © 2017
Music, Music Videos, PremieresNovember 16, 2017<November 16, 2017

Premiere: Gayle Skidmore’s “Pale Ghosts” World Fully Encompasses You

Irrevery © 2017
Debut, Music, PremieresNovember 9, 2017<November 9, 2017

Premiere: Irrevery’s In-Your-Face, Cartoonish Debut “Desert Song”

Natti Vogel © Haley Varacallo
Music, PremieresNovember 1, 2017<November 1, 2017

Premiere: Natti Vogel Rallies Against Loveless Relationships in “I Don’t Wanna Find the One”

Jim Andralis & The Syntonics © 2017
Music, PremieresOctober 18, 2017<April 16, 2020

Premiere: Jim Andralis & The Syntonics Bring Hope to the Hopeless on “Don’t Blame New York”

Listener © Kevin Scullion
Music, PremieresOctober 10, 2017<October 10, 2017

Premiere: Listener Marry Poetry and Post-Hardcore with “Shock and Value”

Music, Reviews, This Just InSeptember 29, 2017<September 29, 2017

The World Is A Beautiful Place & I Am No Longer Afraid To Die Recall the Past and Call for Action in the Future on ‘Always Foreign’

Music, Music Videos, PremieresSeptember 21, 2017<September 22, 2017

Premiere: Todd Kessler Brings All of Autumn’s Melancholy on “The Letter”

Interviews, MusicSeptember 19, 2017<September 19, 2017

Unconscious Stream-of-Consciousness: A Conversation with Lina Tullgren

Modern Crowds album art 2017
Debut, Features, Music, Premieres, ReviewsJuly 27, 2017<July 27, 2017

Album Premiere: Modern Crowds’ Debut Fits a Lifetime into Late Summer

Alan Getto © Andrew Hafnor
Music, PremieresJuly 19, 2017<July 19, 2017

Premiere: Alan Getto Sobers Up with a Little “Soap in My Whiskey”

LCD Soundsystem © LCD Soundsystem
Concert Conversations, Music, ReviewsJune 30, 2017<June 30, 2017

Live: LCD Soundsystem Are the Perfect Band to Play New York Any Day of the Week

Goths - The Mountain Goats
Music, ReviewsJune 7, 2017<June 7, 2017

Review: The Mountain Goats Brighten their Sound for Goths’ Dark Exterior

Manifest - Brett Gleason
Music, Our Take, ReviewsApril 14, 2017<April 14, 2017

Our Take: Brett Gleason Creates a Comfortable Album with ‘Manifest’

Posts pagination
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Recent Posts

  • “These Emotions Are a Reminder That I Am a Human Being”: Lucia Lets Pain Breathe on “Wash you clean” January 11, 2026
  • “When Will the Highs and Lows Level Out?”: Chelsea Jordan Navigates Grief & Hope with Grace on Her Breathtakingly Beautiful “level out” January 10, 2026
  • Atwood Magazine’s Weekly Roundup: January 9, 2026 January 9, 2026
  • “We Were Never the Same”: Indie Rock Duo Witch Post Embrace Unease, Myth, & Transformation on “Changeling” January 9, 2026
  • Brigitte Calls Me Baby Turned Fear of Death into Romantic Rock Songs Full of Hope, Drama, and Existential Dread January 8, 2026
  • “Rudimentary Questions About the Afterlife”: TOLEDO Embrace Wonder and the Unknown with Dreamy Grace on “Nothing Yet” January 8, 2026
  • “Dream About Beaches”: Kings of Leon Bask in the Glow of a Fresh Sonic Space on ‘EP #2’ January 7, 2026
  • Interview: Fiji Blue’s Trevor Dering Gets Candid on ‘Hug’ and the Moments That Shaped His Music January 7, 2026
  • “Throw Your Arms Around”: Melbourne Duo Wishlist Embrace Experimental Pop & Partnership on Dreamy Debut “Even When I’m Leaving” January 7, 2026
  • The Best Music of 2025, According to Our Favorite Artists! January 7, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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