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James Crowley

James Crowley

James is a New York-based writer and comedian. Besides Atwood, he's also written for Sensations Press and his own blog Burgeraday.com. He hosts the comedy/music podcast James Crowley's Infinite Playlist. He also co-hosts the Burger-a-Day Podcast.

Pet Symmetry © Sam Porter
Columns, Music, Today's SongSeptember 2, 2021<September 2, 2021

Today’s Song: Pet Symmetry Get “Simply Irresponsible” on ‘Future Suits’

Music, ReviewsAugust 13, 2021<August 13, 2021

Review: Kississippi Will Show You Every Color Of The ‘Mood Ring’

latewaves
Music, ReviewsJuly 1, 2021<July 1, 2021

New Jersey’s latewaves Debut with Raucous Punk & ‘Hell to Pay’

Kevin Devine © Shervin Lainez
Music, ReviewsJune 30, 2021<June 29, 2021

EP Review: Kevin Devine Expands Himself on ‘No One’s Waiting Up for Me Tonight’

Deafheaven © George Clarke
Columns, Music, Today's SongJune 23, 2021<June 21, 2021

Today’s Song: Deafheaven Turn a New Leaf with ‘Great Mass of Color’

The Wonder Years
Features, Music, ReviewsJune 14, 2021<June 14, 2021

I’ve Given You All: A Decade of The Wonder Years’ ‘Suburbia I’ve Given You All and Now I’m Nothing’

Niiice © Bethünni Schreiner
Covers, Interviews, MusicMay 14, 2021<May 14, 2021

Interview: Niiice. Have Fun & Honor The Boss with Dynamic “Born To Run” Springsteen Cover

Remember Sports © Sonia Kiran
Features, Interviews, MusicApril 21, 2021<April 21, 2021

Interview: Remember Sports Face “Super Daunting” Life Choices on ‘Like a Stone’

The Dirty Nil © Sam Tomlinson
Music, Reviews, Today's SongApril 10, 2021<April 9, 2021

Today’s Song: The Dirty Nil End the Night with “One More and the Bill”

The Byrds... Or Are They?
Does Anybody Remember Laughter?April 1, 2021<April 1, 2021

The Byrds Aren’t Real

Harmony Woods © Brooke Marsh
Interviews, MusicMarch 30, 2021<March 30, 2021

Interview: Harmony Woods Reckon with Trauma on ‘Graceful Rage’

Rebecca Black © Jade DeRose
Columns, Music, Today's SongMarch 1, 2021<March 1, 2021

Today’s Song: Rebecca Black Is Getting Back with Her “Girlfriend” for the Better

Jensen McRae
Columns, Music, Today's SongFebruary 24, 2021<February 23, 2021

Today’s Song: Jensen McRae’s “Immune” is Much More than a Phoebe Bridgers Meme

Rebecca Black © Jade DeRose
Features, Interviews, MusicFebruary 12, 2021<February 12, 2021

Interview: Rebecca Black on a Decade of “Fridays” and Her New Single “Girlfriend”

Slaughter Beach Dog © J. Flynn
Features, Interviews, MusicJanuary 13, 2021<January 13, 2021

A Modern Lay: A Conversation with Slaughter Beach, Dog

Posts pagination
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Recent Posts

  • “I’ve heard happiness starts here”: East London’s Lucia Rivero Finds Abundance in Absence on “Nowhere” December 4, 2025
  • “What a Beautiful Thing”: Dijon Triumphs with ‘Baby,’ an All-Consuming Fever Dream of Love, Devotion, & the “Mania of Domesticity” December 4, 2025
  • “Hope Isn’t This Constant Flame; It Flickers a Bit”: Amanda Bergman on Musical Acts of Protest, Refusing to Go Numb, and Staying Grounded in a World Coming Undone December 4, 2025
  • “There Is No Right Path”: Katelyn Tarver on Choosing Herself and Becoming the Example That Was Missing December 4, 2025
  • “We’re Coming Home Again”: Of Monsters and Men Reset, Reconnect, & Rediscover Themselves on the Communal Odyssey of ‘All Is Love and Pain in the Mouse Parade’ December 3, 2025
  • “I Want to Be Able to Speak Openly About What Hurts”: Marem Ladson Confronts Her Past & Finds Her Voice on “Cavity,” a Dreamy Indie Folk Reverie December 3, 2025
  • “I’m Not the Bootleg Version of Any Artist”: Gabriel Jacoby Stakes His Claim with Swagger, Sweat, and Southern Fire on ‘gutta child’ December 3, 2025
  • “Love Is Not the Antidote”: Dove Ellis Reckons with Love’s Limits on “Love Is,” an Aching & Unrestrained Unraveling December 3, 2025
  • “So What This, So What That”: Plain Mister Smith Turns Zen, Humor, & Human Messiness into Indie Rock Exhilaration on “Andy Warhol” December 2, 2025
  • “Bold, Honest, & Alive”: Louie Blue on Crafting the Warm, Moody, Instinct-Driven World of ‘Blood & Bones’ December 2, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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