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James Crowley

James Crowley

James is a New York-based writer and comedian. His writing has appeared in Newsweek and Hollywood Life. He also publishes the newsletter Doom & Groove. He is the co-producer of the comedy variety show Ugly Flamingos, and he is planning to release his debut comedy special soon.

The Dirty Nil © Sam Tomlinson
Music, Reviews, Today's SongApril 10, 2021<April 9, 2021

Today’s Song: The Dirty Nil End the Night with “One More and the Bill”

The Byrds... Or Are They?
Does Anybody Remember Laughter?April 1, 2021<April 1, 2021

The Byrds Aren’t Real

Harmony Woods © Brooke Marsh
Interviews, MusicMarch 30, 2021<March 30, 2021

Interview: Harmony Woods Reckon with Trauma on ‘Graceful Rage’

Rebecca Black © Jade DeRose
Columns, Music, Today's SongMarch 1, 2021<March 1, 2021

Today’s Song: Rebecca Black Is Getting Back with Her “Girlfriend” for the Better

Jensen McRae
Columns, Music, Today's SongFebruary 24, 2021<February 23, 2021

Today’s Song: Jensen McRae’s “Immune” is Much More than a Phoebe Bridgers Meme

Rebecca Black © Jade DeRose
Features, Interviews, MusicFebruary 12, 2021<February 12, 2021

Interview: Rebecca Black on a Decade of “Fridays” and Her New Single “Girlfriend”

Slaughter Beach Dog © J. Flynn
Features, Interviews, MusicJanuary 13, 2021<January 13, 2021

A Modern Lay: A Conversation with Slaughter Beach, Dog

3OH!3 © 2020
Columns, Music, Today's SongDecember 29, 2020<December 28, 2020

Today’s Song: 3OH!3 Have Brought Beef Back to 2020 in “LONELY MACHINES”

Bartees Strange © Bao Ngo
Debut, Music, ReviewsDecember 8, 2020<December 8, 2020

Review: Bartees Strange’s Unexplainable Art Will ‘Live Forever’

Ruby Ryan
Music, Music Videos, PremieresOctober 8, 2020<October 8, 2020

Premiere: NJ Singer/Songwriter Ruby Ryan Details Romantic Games with “Phosphenes”

Into It. Over It.
Interviews, MusicSeptember 22, 2020<September 22, 2020

Courtesy Greetings: A Conversation with Into It. Over It.

Future Teens © 2020
Columns, Music, Today's SongSeptember 21, 2020<September 21, 2020

Today’s Song: Future Teens Break the Meme with Their “All Star” Cover

Thank You, I'm Sorry
Columns, Music, ReviewsAugust 25, 2020<August 25, 2020

Review: Thank You, I’m Sorry Spill Their Guts on ‘I’m Glad We’re Friends’

Juice WRLD © Nabil Elderkin
Music, Reviews, Today's SongAugust 13, 2020<August 13, 2020

Today’s Song: Juice WRLD Would’ve Been a Pop-Punk Prince with “Come & Go”

Punisher - Phoebe Bridgers
Music, ReviewsJuly 9, 2020<December 1, 2020

On Being Gone Forever: Phoebe Bridgers’ ‘Punisher’ as a Meditation on Death

Posts pagination
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Recent Posts

  • “Every Person You Love Is Their Own Universe”: BAILEN Surrender to Love & Wonder on “Kansas Tornado,” a Spellbinding, Windswept Folk Triumph August 25, 2026
  • A Decade of Outside Lands: Growing Up With San Francisco’s Favorite Festival August 25, 2026
  • “Too Young to Feel This Tired”: Glasgow’s Ferguson Hi-Fi Break Free on Feverish Debut Single “Get Over It” August 25, 2026
  • “Everything Changes, and the Pain Comes From Believing That It Won’t”: Josaleigh Pollett Makes Room for Every Version of Us on “The Witness” and ‘If I Let It Quiet’ August 25, 2026
  • Turning the Page: Billie Marten on New Sounds, New Places, and Keeping Things Unfamiliar August 25, 2026
  • “Push the Envelope While Retaining the Roots”: Mayday Parade’s Brooks Betts Explores Musical Philosophies and Intentions Behind ‘Sugar’ August 25, 2026
  • “I Wanted to Paint a Picture of 2026 America”: Tristan Tritt Reckons With a Fractured American Dream on “Living The Dream” August 24, 2026
  • “Pain Can Change Its Shape But It Never Disappears”: Chicago’s Edens Reckon With Memory & Time on “Empty Details,” a Propulsive Portrait of Lives in Motion August 24, 2026
  • “It’s in the Cracks. That’s Where the Light Pours In”: Brazil’s D’Clair Chooses Love in the Face of Doubt on “Lights,” a Dreamy Indie Folk Reverie August 24, 2026
  • Editor’s Picks 164: Kam Franklin, Laz Lo, SOFY, venbee, Lottie McLeod, & Damin Tyler! August 21, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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