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Jamie Kahn

Jamie Kahn

Jamie Kahn is a Brooklyn-based writer and music journalist whose work has been featured in Huffington Post, The Los Angeles Review, Far Out Magazine, Yes Poetry, Capsule98, X-R-A-Y Literary Magazine, The Spotlong Review, and elsewhere. She serves as the contributing features editor for Epiphany.

Sarah and the Sundays © Miles Ellisor
Concerts, Music, ReviewsApril 9, 2025<April 9, 2025

Live Review: Austin’s Sarah and the Sundays Bring Their Sunshine to NYC

Say Yes To Heaven - Lana Del Rey
Columns, Music, Today's SongMay 31, 2023<May 31, 2023

“Say Yes to Heaven, Say Yes to Me”: A Love Letter to Lana Del Rey’s Magical, Not-So-New Single

Olivia Jean © Erica Salazar
Concerts, Music, ReviewsMay 17, 2023<May 17, 2023

Live Review: Olivia Jean’s ‘Raving Ghost’ Comes to NYC in a Heavy & Sophisticated Performance

The Backseat Lovers © Allyson Lowry
Features, Interviews, MusicNovember 3, 2022<November 2, 2022

Waiting to Spill: Exploring Intention & Emotion with The Backseat Lovers

Gabriels' Jacob Lusk © Melodie McDaniel
Debut, Features, Interviews, MusicOctober 20, 2022<October 23, 2022

Interview: Gabriels Remind Us We’re All Spiritual Beings with ‘Angels & Queens’

Dayglow © Dana Trippe
Features, Interviews, MusicOctober 10, 2022<October 10, 2022

Interview: Dayglow’s New Record ‘People in Motion’ Was Made to Be Heard Live

Dayglow © Dana Trippe
Columns, Music, Today's SongSeptember 20, 2022<September 20, 2022

Today’s Song: Dayglow’s “Then It All Goes Away” Captures an Elusive Recipe of All the Right Feelings

globe - carwash
Columns, Music, Today's SongJune 30, 2022<June 30, 2022

Today’s Song: DIY Darling carwash Breathes Summer Nostalgia into “globe”

Recent Posts

  • Today’s Song: Stock Band Return with “Today’s Song,” an Indie Anthem That Checks All the Boxes April 1, 2026
  • “I Just Got My Heart Broken, But I Look F**kin’ Fabulous”: MEEK Breaks Out with “Fabulous,” a Loud, Unapologetic, & Utterly Irresistible Pop Anthem April 1, 2026
  • “I Needed to Make Something Beautiful as Things Fell Apart”: Maria Taylor Finds Renewal in the Ruins on ‘Story’s End’ April 1, 2026
  • Premiere: Oliver Pinder Shatters Halos in “Such an Angel,” a Catchy, All-Consuming Indie Rock Anthem of Broken Trust & Disillusionment March 31, 2026
  • “F**k That, Trust That”: Babes in Canyon Chase Freedom on “Echo,” an Intoxicating Indie Pop Mantra March 31, 2026
  • “Don’t look down, baby, don’t let go”: Fantastic Cat Turn Stubborn Hope into a Roaring Folk Rock Rallying Cry March 31, 2026
  • “Don’t Wanna Be My Enemy”: Eliza Edens Finds Freedom in Life’s Darker Impulses on “Leash,” a Bold and Breezy Indie Rock Song March 30, 2026
  • Meet Smag På Dig Selv, a Danish Trio Modernizing Jazz to EDM Lovers’ Delight March 30, 2026
  • “I Hope People Feel Something When They Listen to It”: Odhrán Murphy Shows a More Reflective and Dreamy Side on ‘Roots & Reverie’ March 30, 2026
  • Today’s Song: The Liberating Torment of Annalisa’s “Canzone Estiva” March 30, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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