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Jason Brillon

Jason Brillon

Hi, my name's Jason. I'm a recent graduate from Tufts University, where I studied Computer Science and English. I'm currently working as a Software Engineer. Music is one of my biggest interests, and I spend a lot of my time attending small shows and big concerts in the greater Boston area. I like basically every type of music (except country… sorry), but my go-to genre is "Alternative" which includes most everything under the sun. Some of my favorite acts include Glass Animals, Slenderbodies and Yoke Lore.

Brillboard 2019-02-06
Brillboard, Music, PlaylistsFebruary 6, 2019<February 6, 2019

The Brillboard: Communication, 02/06/2019

Brillboard 1/30/2019
Brillboard, Music, PlaylistsJanuary 30, 2019<February 5, 2019

The Brillboard: Blue, 01/30/2019

Brillboard 2019-01-22
Brillboard, Music, PlaylistsJanuary 23, 2019<January 23, 2019

The Brillboard: Cozy, 01/23/2019

Brillboard 2019-01-09
Brillboard, Music, PlaylistsJanuary 9, 2019<January 9, 2019

The Brillboard: New Beginnings, 01/09/2019

Brillboard 2018-12-25
Brillboard, Music, PlaylistsDecember 31, 2018<January 2, 2019

The Brillboard: Holidays, 12/25/2018

Brillboard 2018-12-19
Brillboard, Music, PlaylistsDecember 19, 2018<December 27, 2018

The Brillboard: Relationships, 12/19/2018

Posts pagination
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Recent Posts

  • “Your Songs Are Smarter Than You”: Jordan Joy Makes Her Debut with Shimmering Indie Pop Anthem, “Don’t Kill the Vibe” June 1, 2026
  • “The Thing About Having Nowhere to Sit, Is You Have to Stand Out”: Kat Cunning Finds Hard-Won Power in “Sore Thumb,” an Open-Hearted Anthem for Queers, Freaks, & Shapeshifters June 1, 2026
  • “I Don’t Sleep Anymore”: Harvey Street Turn Sleepless Nights into an Indie Rock Confession on “Insomnia” May 31, 2026
  • “We Just Didn’t Wanna Be Lonely”: Bleachers Drift Through Memory-Laced Americana on “the van,” a Softly Cinematic, Road-Worn Reverie May 30, 2026
  • “Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full May 29, 2026
  • “I’m a Maximalist at My Core”: Maya Engen Arrives Breathtaking and Unafraid with “Fool,” a Soulfully Smoldering Debut That Finds Power in Feeling Everything May 29, 2026
  • “I’ma Gonna Tell You How It Is”: A Good Hard Look At Primus’ ‘A Handful of Nuggs’ EP May 29, 2026
  • “I Think the Dance Floor Is Dead”: Charli xcx’s “Rock Music” Is a Kick-Off into a Dauntless Idea, But Not a Pivot May 29, 2026
  • Atwood Magazine’s Weekly Roundup: May 29, 2026 May 29, 2026
  • Finding the Way Back: Hudson Ingram on Nostalgia, Growth, and ‘The Long Way Home’ May 28, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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