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Josh Weiner

Josh Weiner

I am a Washington, DC native and graduate of Tufts University and Georgetown University. I have been a contributing writer for Atwood Magazine since spring 2015.

Music, PremieresSeptember 14, 2017<September 14, 2017

Album Premiere: Church Girls Acknowledge the Trials of Everyday Life in ‘Hidalgo’

TLC - TLC album art
Music, Our Take, ReviewsAugust 8, 2017<August 8, 2017

Our Take: TLC Return for a Strong Curtain Call

Everybody - Logic
Music, Our Take, ReviewsJune 12, 2017<November 8, 2018

Our Take: ‘Everybody’ Is in for a Good Time on Logic’s Latest

Teddy and the Rough Riders © 2017
Music, PremieresJune 8, 2017<June 8, 2017

Premiere: Teddy and the Rough Riders’ Intoxicating “Martini”

Kendrick Lamar DAMN. © Top Dawg Entertainment 8
Music, Our Take, ReviewsJune 1, 2017<August 30, 2021

Our Take: Kendrick Lamar’s Status as a Hip-Hop Legend is Getting DAMN. Strong

Weekend Mountain Man - Former Faces still
Music, Music Videos, PremieresMay 25, 2017<May 25, 2017

Video Premiere: Former Faces Return to Nature on “Weekend Mountain Man”

Steady Sun © 2017
Interviews, MusicMay 23, 2017<May 23, 2017

Indifferent World, Psychedelic Dream: A Conversation with Steady Sun

Kate Grom - Whistle Cry still
Debut, Music, Music Videos, PremieresApril 28, 2017<April 28, 2017

Video Premiere: Kate Grom’s “Whistle Cry,” a Tale of Longing & Love Gone Wrong

Calan © Richard P Walton
Music, PremieresMarch 29, 2017<March 29, 2017

Premiere: Calan’s “Apparition” Tells Tales of Silent Singing Through Great Neo-Folk Music

Run the Jewels 3 © Timothy Saccenti 8
Music, Our Take, ReviewsFebruary 15, 2017<September 5, 2023

Our Take: Run the Jewels 3 is the Boldest, Most Urgent of the Lot

Sky Chefs © Devin O'Brien
Features, Music, PremieresFebruary 14, 2017<February 15, 2017

Exclusive Premiere: Sky Chefs’ “Lucite Wands” Are Gone, But Terrific Chemistry Remains

A Tribe Called Quest (left to right): Ali Shaheed Muhammad, Jarobi White, Q-Tip and Phife Dawg © Aristos Marcopoulos 8.1
Music, Our Take, ReviewsDecember 13, 2016<September 5, 2023

Gettin’ It Together Forever: A Tribe Called Quest Comes Back for a Curtain Call

Green Day © Frank Maddocks 8.8
Music, Our Take, ReviewsOctober 24, 2016<March 2, 2025

Our Take: Green Day Return to Peak Form on ‘Revolution Radio’

and the Anonymous Nobody... De La Soul 8.4
Music, Our Take, ReviewsOctober 17, 2016<September 5, 2023

Our Take: De La Soul… Still Going Strong After 27 Years

The Get Down 9.2
Music, Our Take, ReviewsSeptember 9, 2016<September 5, 2023

Our Take: Get Down with This Sound – Music from Luhrmann’s Latest Delivers Big

Posts pagination
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Recent Posts

  • Break On Through: Examining the Content, Comportment, and Quantum Entanglement of The Doors June 18, 2026
  • Vansire Invite You to Take Solace: A Conversation on Love, Creativity, & Connection June 18, 2026
  • Fresh Northern Rockers Florentenes Are Impassioned and Authentic on “Undiscovered Colours” June 18, 2026
  • ‘WASTED POTENTIAL’: Skylar Grey on Her Nostalgic “Bubble Grunge” Album and Living the “Most Realized Version” of Her Life June 17, 2026
  • “A Coming-of-Age Anthem in Corporate Drag”: Nymphlord Blooms Through the Messy Magic of Becoming on “Garden” & Debut Album ‘Shedding Velvet’ June 17, 2026
  • “This Is an Ode to Eternity”: Fruit Bats Find Holy Visions in the Wreckage on ‘The Landfill’ June 16, 2026
  • Roundtable Discussion: A Review of Robyn’s ‘Sexistential’ June 16, 2026
  • “I Think We All Know a Rosey”: Precious Pepala Made an EP About the Kind of Relationship You Know Is Bad for You June 16, 2026
  • “Radical Empathy in This Time Is Its Own Form of Resistance”: Young the Giant on Cultivating Hope, Brotherhood, and Their Life-Affirming ‘Victory Garden’ June 16, 2026
  • Our Take: Olivia Rodrigo Delivers Heartbreak, Hope, and Healing on ‘you seem pretty sad for a girl so in love’ June 16, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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