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Josh Weiner

Josh Weiner

I am a Washington, DC native and graduate of Tufts University and Georgetown University. I have been a contributing writer for Atwood Magazine since spring 2015.

Everybody - Logic
Music, Our Take, ReviewsJune 12, 2017<November 8, 2018

Our Take: ‘Everybody’ Is in for a Good Time on Logic’s Latest

Teddy and the Rough Riders © 2017
Music, PremieresJune 8, 2017<June 8, 2017

Premiere: Teddy and the Rough Riders’ Intoxicating “Martini”

Kendrick Lamar DAMN. © Top Dawg Entertainment 8
Music, Our Take, ReviewsJune 1, 2017<August 30, 2021

Our Take: Kendrick Lamar’s Status as a Hip-Hop Legend is Getting DAMN. Strong

Weekend Mountain Man - Former Faces still
Music, Music Videos, PremieresMay 25, 2017<May 25, 2017

Video Premiere: Former Faces Return to Nature on “Weekend Mountain Man”

Steady Sun © 2017
Interviews, MusicMay 23, 2017<May 23, 2017

Indifferent World, Psychedelic Dream: A Conversation with Steady Sun

Kate Grom - Whistle Cry still
Debut, Music, Music Videos, PremieresApril 28, 2017<April 28, 2017

Video Premiere: Kate Grom’s “Whistle Cry,” a Tale of Longing & Love Gone Wrong

Calan © Richard P Walton
Music, PremieresMarch 29, 2017<March 29, 2017

Premiere: Calan’s “Apparition” Tells Tales of Silent Singing Through Great Neo-Folk Music

Run the Jewels 3 © Timothy Saccenti 8
Music, Our Take, ReviewsFebruary 15, 2017<September 5, 2023

Our Take: Run the Jewels 3 is the Boldest, Most Urgent of the Lot

Sky Chefs © Devin O'Brien
Features, Music, PremieresFebruary 14, 2017<February 15, 2017

Exclusive Premiere: Sky Chefs’ “Lucite Wands” Are Gone, But Terrific Chemistry Remains

A Tribe Called Quest (left to right): Ali Shaheed Muhammad, Jarobi White, Q-Tip and Phife Dawg © Aristos Marcopoulos 8.1
Music, Our Take, ReviewsDecember 13, 2016<September 5, 2023

Gettin’ It Together Forever: A Tribe Called Quest Comes Back for a Curtain Call

Green Day © Frank Maddocks 8.8
Music, Our Take, ReviewsOctober 24, 2016<March 2, 2025

Our Take: Green Day Return to Peak Form on ‘Revolution Radio’

and the Anonymous Nobody... De La Soul 8.4
Music, Our Take, ReviewsOctober 17, 2016<September 5, 2023

Our Take: De La Soul… Still Going Strong After 27 Years

The Get Down 9.2
Music, Our Take, ReviewsSeptember 9, 2016<September 5, 2023

Our Take: Get Down with This Sound – Music from Luhrmann’s Latest Delivers Big

Ariana Grande Dangerous Woman review 8.3
Music, Our Take, ReviewsMay 31, 2016<September 5, 2023

Our Take: Ariana Grande Pulls Off a Hat Trick with ‘Dangerous Woman’

Kendrick Lamar at Øyafestivalen 2013 // Photo © Kim Erlandsen 8.9
Features, Music, Our Take, ReviewsApril 19, 2016<September 5, 2023

Untitled, but Masterly: Kendrick Lamar Extends His Stunning Repertoire

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Recent Posts

  • “It’s an Ugly Old Trick to View ‘Different’ as Dangerous”: Luke Beling Humanizes the Immigrant Experience on “Just Like Your Mama,” an Urgent Protest Song April 19, 2026
  • Today’s Song: Anthony Arya’s Warm & Wistful “Sugar on Your Shades” Is an All Acoustic Folk Dream April 18, 2026
  • Atwood Magazine’s Weekly Roundup: April 17, 2026 April 17, 2026
  • “I Hit the Floor and It’s Breaking My Heart”: CASTLEBEAT Drifts Through Distance & Longing on “My Love,” a Hypnotic Dream-Pop Spiral April 17, 2026
  • Interview: LAPêCHE Discuss Vulnerability, Distance, & Finding Meaning in the Process on ‘Autotelic,’ an Album Where Creation Was the Point April 16, 2026
  • “I Was Born a Clown, But Now I’m Known to Cry”: Royel Otis Stir the Heart with “Sweet Hallelujah,” an Achingly Beautiful Love Letter of Goodbye April 16, 2026
  • Live Review: Sophia Galaté Is Meant to Perform April 16, 2026
  • Music You Should Know: Father John Misty Keeps It Together for His “Mental Health” April 16, 2026
  • “I Owe You My Life”: Sublime Pay Homage to Bradley Nowell with “Until the Sun Explodes,” a Stunning Tribute to Legacy and Loss April 16, 2026
  • “Swimming on the Surface”: Ivory Layne Faces the Fear of Falling on “Skim,” a Cinematic Surge of Desire and Self-Protection April 16, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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