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Josh Weiner

Josh Weiner

I am a Washington, DC native and graduate of Tufts University and Georgetown University. I have been a contributing writer for Atwood Magazine since spring 2015.

Love you later
Columns, Music, Today's SongDecember 17, 2019<December 17, 2019

Today’s Song: On “Said That You’d Be There,” Love You Later Makes the Most of Past Misfortunes

Cellar Door Moon Crow
Music, ReviewsDecember 4, 2019<December 4, 2019

Northern England’s Rock Scene Proudly Repp’ed by Cellar Door Moon Crow

Sara Diamond 2019
Columns, Music, Today's SongNovember 27, 2019<November 22, 2019

Today’s Song: Sara Diamond Is Loved By the NHL, Less So By the “Baby” She Desires

Asher Knight
Interviews, MusicNovember 21, 2019<November 21, 2019

Interview: UK’s Asher Knight Steps Back to Reflect on a Year of Many Firsts

Surf Rock Is Dead © Shamshawan Scott
Features, Interviews, MusicNovember 12, 2019<November 12, 2019

Interview with Surf Rock Is Dead: How to Put “Surfgaze” on the Indie Map

Jesus Is King - Kanye West 7.3
Music, Our Take, ReviewsNovember 8, 2019<December 15, 2020

Our Take: Kanye West Combines Hip-Hop and Gospel Surprisingly Well on ‘Jesus Is King’

Kaleb Mitchell
Interviews, MusicOctober 24, 2019<October 24, 2019

Patience and Internet-Savviness Rewarded: A Conversation with Kaleb Mitchell

Rosie O’Sullivan
Interviews, MusicOctober 4, 2019<October 4, 2019

Singing Soul and Striving for Acceptance: A Conversation with Rosie O’Sullivan

Denis Coleman 2019
Columns, Music, Today's SongSeptember 27, 2019<September 27, 2019

Today’s Song: “Imperfect” Is an Anti-Bullying, Pro-Young Love Hit for Denis Coleman

DJ ST. THOMAS
Interviews, MusicSeptember 20, 2019<September 20, 2019

A Conversation with DJ ST. THOMAS: A Fresh Psychedelic Slice of Electronic with Some Persian Flavoring

The Big Day - Chance the Rapper album art 7.1
Debut, Music, Our Take, ReviewsAugust 19, 2019<December 15, 2020

Our Take: Five Months After ‘The Big Day’, Chance the Rapper Is Still a Joyful, Skillful Young Man

The Lost Tapes II - Nas 7.1
Music, Our Take, ReviewsAugust 6, 2019<December 15, 2020

Our Take: Nas Salvages Solid Compilation from Formerly-Discarded Tracks in ‘The Lost Tapes 2’

Let's Rock - The Black Keys 8.2
Music, Our Take, ReviewsJuly 9, 2019<December 15, 2020

Our Take: “Let’s Rock” Is a Comeback to Admire for Long-Dormant The Black Keys

Delena © 2019
Music, PremieresJune 27, 2019<June 27, 2019

Premiere: No Rearview Mirror Needed as Delena Drives Off on “One Night”

Phourist and the Photons © Phourist and the Photons 2019
Music, PremieresMay 3, 2019<May 3, 2019

Premiere: Phourist & the Photons Deliver in Full Gear on “Tired of My Medication”

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Recent Posts

  • Atwood Magazine’s Weekly Roundup: July 8, 2026 July 8, 2026
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  • Album Premiere: Bobby Freemont’s Debut ‘the death of bobby freemont’ Is a Masterpiece That Finds Hope in Mortality July 8, 2026
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  • “Life Is About the Now”: James Smith Steps Fully into His ‘Golden Age’ With a Rousing, Triumphant Portrait of Youth Under Pressure July 7, 2026
  • Live Review: Eileen Carey Turns the San Diego County Fair into a Country-Rock Party July 6, 2026
  • “The Happiest Sadness I’ve Ever Felt”: Phillip Phillips on Balancing Music and Family in “Homesick” July 6, 2026
  • “The Shadow Is Holy”: WILLOW’s “She’s My Religion” Is a Mesmerizing Hymn to the Divine Feminine July 6, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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