• Home
  • About
  • New Music Calendar
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services
Atwood Magazine - For the Love of Music For the Love of Music
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
Michael Greco

Michael Greco

Michael is a self-professed music festival junkie and correspondent based out of the greater Philadelphia area and works in media finance. If not traveling to festivals, he can usually be found (or not found) in the backcountry of America's national parks on backpacking and rock climbing trips or continuing to learn to play guitar, poorly. "Music can uncomplicate anything."

Daisy the Great © Kristen Jan Wong
Features, Interviews, MusicOctober 20, 2022<October 20, 2022

Interview: Daisy the Great Explore the Size of Their Sound with Sophomore Album ‘All You Need Is Time’

Ship Wrek © Zach Scheibel
Interviews, MusicOctober 18, 2022<October 18, 2022

Interview: LA Duo Ship Wrek Discuss Touring, Collaborations, and New EP ‘Metaphysical’

Firefly Music Festival 2022 preview
Festival, Music, PreviewsSeptember 19, 2022<September 19, 2022

2022 Firefly Music Festival Preview: Ten Years at the Woodlands

Mad Cool Festival © Jaime Erice Torán
Festival, Music, ReviewsSeptember 12, 2022<September 16, 2022

Inside Mad Cool Festival 2022: Alt Rock, Tapas, and a New Beginning?

L'Imperatrice at Coachela 2022 © Mickey Pierre-Louis, Goldenvoice 2022
Interviews, Music, ReviewsMay 23, 2022<May 23, 2022

L’Impératrice: Shifting Pop Disco from Genre to Art Form

Posts pagination
1 2

Recent Posts

  • “Dirty Hotel Blues”: Django Django and Nostalgia for Things That Weren’t Actually Good August 15, 2026
  • Editor’s Picks 163: Sebastian Schub, Aubory Bugg, Tig3r Lewis, Roe Kapara, Jack Cullen, & Marfa! August 14, 2026
  • “To Name It Is to Overpower It”: Hank Heaven Lets Their Guard Down on “Thread” and Comes Out Swinging on ‘Welterweight’ August 14, 2026
  • “We’re Just Trying to Represent Ourselves”: Sailor Honeymoon Channel Life’s Frustrations into Playful Indie-Punk Rebellion on Their Irrepressible Debut Album August 14, 2026
  • “I’ve Always Wanted to Be Chosen”: Dani Stocksdale Turns 20-Something Yearning and Uncertainty into Dreamy Indie Pop on ‘Whatever This Is’ August 14, 2026
  • “I can’t see any stars in the sky”: Phoebe Bridgers Comes Back to Earth on ‘Lost Weekend’ August 14, 2026
  • “It’s a Sick Twist of Fate and It Chills Me”: Don’t Tell Iris Wrestle with the Past’s Pull on “Through the Gate,” a Haunted Alt-Rock Reckoning August 13, 2026
  • “I Want to Be Known”: Oh Louise Debuts with Melodic Grace, Bruising Honesty, and Haunting Intimacy on “Do You Lie To Everyone” August 13, 2026
  • “I’ve Lost the Feeling of How to Be Loved by You”: Portair & Joy Williams Grieve the Slow End of Love with Haunting Indie Folk Beauty August 13, 2026
  • “I Spent My Life Feeling ‘A Little Off’”: An Essay by Kind Villain’s EV Frederick August 13, 2026
ABOUT US
PITCHING US
Privacy policy
GET INVOLVED!

Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
Back to top
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
  • Home
  • About
  • New Music Calendar
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services