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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

The Brook & The Bluff © Noah Tidmore
Features, Interviews, MusicSeptember 19, 2023<September 30, 2023

Interview: The Brook & The Bluff Chase Melancholic Joy on ‘Bluebeard,’ a Soulful, Swashbuckling Triumph

Phosphene © Jeffrey Placencia
Features, Interviews, Music, Track-by-TrackSeptember 18, 2023<September 19, 2023

“A technicolor hug”: Phosphene ‘Transmute’ Pain into Human Connection on Kaleidoscopic Third LP

Frankie Bird © 2023
Music, PremieresSeptember 18, 2023<September 18, 2023

“Now I know to just go with the flow”: Frankie Bird Finds Herself Anew in “Float,” a Song of Renewal, Surrender, & Self-Love

Briscoe © Philip Lupton
Features, Interviews, Music, Track-by-TrackSeptember 15, 2023<September 15, 2023

Track-by-Track: Austin’s Briscoe Debut ‘West of It All’ With Warm Folk Rock Wonder & Spirited Passion

The Beaches © Becca Hamel
Features, Interviews, Music, Track-by-TrackSeptember 15, 2023<September 19, 2023

“Sad Girly Triumph”: The Beaches Go Track-By-Track Through ‘Blame My Ex,’ Their Anthemic & Aching Sophomore LP

Sofía Valdés © Olivia Parker and Parker Hao
Features, Interviews, Music, Track-by-TrackSeptember 14, 2023<September 14, 2023

Feature: Sofía Valdés Dives into ‘Silvia,’ Her Intimate, Vulnerable, & Soul-Stirring Seduction

Ava Della Pietra © 2023
Music, Music Videos, PremieresSeptember 14, 2023<September 14, 2023

Premiere: NYC’s Ava Della Pietra Steps into a Bold New Era with “ego,” an Unapologetic Anthem of Empowerment

Winten © Matthew Shaw
Debut, Features, Interviews, Music, Track-by-TrackSeptember 13, 2023<September 13, 2023

“A Love Letter to Myself”: Melbourne’s Winten Dives into Her Breathtaking Debut Album ‘Waving to My Girl’

Scotch Mist © Carina Allen
Features, Interviews, Music, Track-by-TrackSeptember 13, 2023<September 13, 2023

Feature: Scotch Mist’s ‘Cabo Blanco’ Is a Sweaty & Seductive Fever Dream of 21st Century Funk

Buxton © Karolina Cantu
Music, PremieresSeptember 13, 2023<September 13, 2023

Premiere: Buxton’s “Mane of Gold” Shines With the Weight, Warmth, & Western Wonder of ‘A Family Light’

Cry Baby © Gabe Ruckus
Artist to Watch, Columns, Music, Today's SongSeptember 13, 2023<September 13, 2023

Artist to Watch: Cry Baby Usher in a New Era on “Pretend,” a Soul-Stirring Eruption of Noughties Nostalgia & Modern Charm

Ethansroom © Noah Tidmore
Music, PremieresSeptember 12, 2023<September 12, 2023

Premiere: ethansroom Learns to Let Go in “Laughing Out Loud,” a Dusty & Cinematic Indie Rock Reverie

Wilderado © Laura Webster
Columns, Music, Today's SongSeptember 12, 2023<September 12, 2023

Today’s Song: Wilderado Paint a Warm Western Landscape Somewhere “In Between” Right Here and Now

Looms © 2023
Music, PremieresSeptember 11, 2023<September 11, 2023

Premiere: Looms’ New Single “The Water” Depicts the Heavy Weight of a Sinking Friendship

Boyish © Stolen Besos (Maya)
Features, Interviews, Music, Track-by-TrackSeptember 8, 2023<September 8, 2023

Feature: Boyish Turn Teenage Trauma into Soul-Stirring Sound on ‘Little Demon Boy’

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© Atwood Magazine 2023 For the Love of Music
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