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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

Satya © Lola Lankford
Debut, Features, Interviews, Music, PremieresJune 4, 2026<June 4, 2026

“This Time I Intend to Swim”: Satya Comes Home to Herself on ‘Yellow House,’ a Soul-Stirring Debut of Healing, Love, & Release

Atwood Magazine's 156th Editor's Picks!
Columns, Editor's Picks, Features, MusicJune 3, 2026<June 3, 2026

Editor’s Picks 156: Green Gardens, Casper Sage, MUANH, Filiah, Lockimara, & Widemouth!

Watashi Wa © Nate Young
Music, PremieresJune 3, 2026<June 3, 2026

“Truth Calls Us Back to Who We Were Made to Be”: Watashi Wa Meet Themselves Again on “I Am,” a Radiant Power-Pop Revival of Faith, Identity, & the Divine Spirit

chantel "Into Song Again" © Mitch Fielder
Debut, Music, Music Videos, PremieresJune 3, 2026<June 3, 2026

“I Sang to Fill the Emptiness”: London’s chantel Finds Their Voice on “Into Song Again,” a Tender, Tactile Debut Born of Grief, Belonging, & Return

Conor Miley "Peepshow" © Michael-David McKernan
Interviews, Music, Music Videos, PremieresJune 2, 2026<June 2, 2026

“It’s the Modern Way”: Conor Miley Tears Open the Theater of Outrage on “Peepshow,” a Roaring Indie Rock Reckoning for the Algorithmic Age

Jacob Brodovsky "Kids" © Matt Horseman
Interviews, Music, Music Videos, PremieresJune 2, 2026<June 2, 2026

“Tell the Kids We Tried”: Jacob Brodovsky Faces the Future with Love, Dread, & Grace on “Kids,” a Driving Indie Folk Reckoning

Fiona-Lee's Every Woman EP © Tatiana Pozuelo
Features, Interviews, Music, Today's SongJune 2, 2026<June 2, 2026

“I Want People to Know That They Have a Voice”: Fiona-Lee Says the Quiet Part Aloud on ‘Every Woman,’ an Unflinching EP of Survival, Reclamation, & Release

Kat Cunning "Sore Thumb" © Josh Kim
Interviews, Music, Today's SongJune 1, 2026<June 1, 2026

“The Thing About Having Nowhere to Sit, Is You Have to Stand Out”: Kat Cunning Finds Hard-Won Power in “Sore Thumb,” an Open-Hearted Anthem for Queers, Freaks, & Shapeshifters

BERENICE "Everybody Loves Italian Girls" © Lene Ray
Artist to Watch, Interviews, Music, PremieresMay 29, 2026<May 29, 2026

“Girls Like Us Like It Loud”: BERENICE Puts Her People Front & Center on “Everybody Loves Italian Girls,” an Irresistible Pop Anthem for Being Seen in Full

Maya Engen "Fool" © 2026
Debut, Features, Interviews, MusicMay 29, 2026<June 8, 2026

“I’m a Maximalist at My Core”: Maya Engen Arrives Breathtaking and Unafraid with “Fool,” a Soulfully Smoldering Debut That Finds Power in Feeling Everything

Wake The Wild © Jamal-Akil Marshall
Interviews, Music, Music Videos, PremieresMay 28, 2026<May 28, 2026

“When I Pull Your Body Close, It’s Like Ecstasy”: Wake the Wild Bring Dance-Floor Desire to Life in “Satisfaction,” a Sweat-Kissed Funk Reverie

ill peach © Lucy Sandler
Interviews, Music, Today's SongMay 28, 2026<May 28, 2026

“I Thought It Might Numb Something in Me”: ill peach Turn a Bad Night into Volatile Alt-Pop on “MOLLY’S NOT A FRIEND”

Isabelle Skye "Subaru" © Sinead Leigh
Interviews, Music, Music Videos, PremieresMay 27, 2026<May 28, 2026

“How Dare You?”: Isabelle Skye Turns a Traumatic Encounter into a Beautiful, Empowering Indie Pop Reckoning on “Subaru”

Vansire © Caroline Alkire
Columns, Music, Today's SongMay 27, 2026<May 27, 2026

“It’s You and the Stranger Who Wrote It”: Vansire Find Sunlit Solace on “For the Moment,” a Feel-Good Indie Pop Reprieve for Uncertain Times

Atwood Magazine's 155th Editor's Picks!
Columns, Editor's Picks, Features, MusicMay 22, 2026<May 22, 2026

Editor’s Picks 155: Houndmouth, Fruit Bats, Nymphlord, Aquilo, corook, & Big Sleep!

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Recent Posts

  • “All That I Wanted Was You”: Adrian Lyles Sets Love’s Wreckage Ablaze in an Achingly Intimate Reckoning with Heartbreak & Helplessness June 19, 2026
  • “Mixed Sentiments Surrounding June as Designated Month of Celebration”: An Essay by Terri Lyne Carrington June 19, 2026
  • Editor’s Picks 158: Games We Play, Weird Nightmare, Nora Kelly Band, Erotic Secrets of Pompeii, Tooth, & Riley! June 18, 2026
  • Break On Through: Examining the Content, Comportment, and Quantum Entanglement of The Doors June 18, 2026
  • Vansire Invite You to Take Solace: A Conversation on Love, Creativity, & Connection June 18, 2026
  • Fresh Northern Rockers Florentenes Are Impassioned and Authentic on “Undiscovered Colours” June 18, 2026
  • ‘WASTED POTENTIAL’: Skylar Grey on Her Nostalgic “Bubble Grunge” Album and Living the “Most Realized Version” of Her Life June 17, 2026
  • “A Coming-of-Age Anthem in Corporate Drag”: Nymphlord Blooms Through the Messy Magic of Becoming on “Garden” & Debut Album ‘Shedding Velvet’ June 17, 2026
  • “This Is an Ode to Eternity”: Fruit Bats Find Holy Visions in the Wreckage on ‘The Landfill’ June 16, 2026
  • Roundtable Discussion: A Review of Robyn’s ‘Sexistential’ June 16, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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