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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

MUNA "Dancing on the Wall" © Dean Bradshaw
Features, Music, ReviewsMay 12, 2026<May 12, 2026

“I Can Make You Want Anything”: MUNA Dance Through Heat, Upheaval, & Survival on ‘Dancing on the Wall,’ Their Most Impassioned & Unapologetic Statement Yet

Jacob Ungerleider © Francesca Blanchard
Interviews, Music, Music Videos, PremieresMay 12, 2026<May 12, 2026

“Half Alive and Scatterbrained”: Jacob Ungerleider Finds Wry, Wounded Beauty in the Language of Memory on “Letters of Your Name”

Whitney Whitney © Paige Strabala
Debut, Interviews, Music, Today's SongMay 12, 2026<May 12, 2026

“Messy, Emotional, and Real”: Whitney Whitney Dreams Up Better Love on “A Man Written By a Woman,” a Radiant Anthem for Higher Standards & Tender Romance

Julez and the Rollerz © Zach Adams
Interviews, Music, PremieresMay 11, 2026<May 11, 2026

“I’m as Strung Out as a Girl Can Get”: LA’s Julez and the Rollerz Crank Desire into a Feverish Rock ’n’ Roll Spectacle on “I Need Love”

Tiffany Stringer is The Lone Starlet © Ragan Henderson
Interviews, Music, Today's SongMay 11, 2026<May 11, 2026

“I Tried to Show the Truth”: Tiffany Stringer Breaks the Fourth Wall on “Damn Good Actress,” a Cinematic and Soulful Reckoning from ‘The Lone Starlet’

Atwood Magazine's 154th Editor's Picks!
Columns, Editor's Picks, Features, MusicMay 8, 2026<May 8, 2026

Editor’s Picks 154: Borderline, Fiona-Lee, verygently, Adrian Lyles, Winyah, & Kat Cunning!

The Head and the Heart
Debut, Features, Interviews, MusicMay 7, 2026<May 7, 2026

“It’s Like I Went from Black and White to Color”: The Head and The Heart on 15 Years of Harmony, Friendship, & Open Roads

Jon Bryant © Aamir Ullah
Interviews, Music, PremieresMay 7, 2026<May 7, 2026

“Take the Wheel. Take a Breath. Take Heart”: Jon Bryant and Rose Betts Shine on “Take Heart,” a Breathtaking Folk Reverie of Healing, Presence, & Brotherly Love

Mount St. Helen "Nineteen" © Finlay Yates
Interviews, Music, Today's SongMay 5, 2026<May 5, 2026

“You Break My Apathy”: Mount St. Helen Erupts on “Nineteen,” a Feverish Indie Rock Blaze of Memory, Desire, & Regret

Pierre Da Silva "Taboo" © Garreth Chan
Interviews, Music, Today's SongMay 4, 2026<May 4, 2026

“I Feel Freed”: Hackney’s Pierre Da Silva Surrenders to Temptation on “Taboo,” a Smoldering, Soul-Soaked Seduction

People I've Met (L-R: Moses Martin, Andrew Suster, and Orlando Wiltshire) © Mikayla LoBasso
Interviews, Music, Today's SongMay 1, 2026<May 6, 2026

“My Limerence Just Fell on You”: People I’ve Met Slowly Unravel into Aching Catharsis on “Loving One,” a Fragile, Intimate, & Soul-Stirring Reverie

Walker Reinhardt © Andrew Foss
Interviews, Music, PremieresApril 30, 2026<April 30, 2026

“No One’s Gonna Take What I’ve Found”: Walker Reinhardt Sends New Love Skyward on “Dreaming,” a Golden Pop Rush of Romance & Euphoria

Rosenthal (Jeppe Kiel Revsbech) © Mads Nordvig Borup
Debut, Interviews, Music, PremieresApril 30, 2026<April 30, 2026

“The Morning Skies Are for You”: Rosenthal Transforms Lost Love into Light on “Luna,” a Glistening Reverie of Gratitude & Memory

Ok Goodnight © Zack Spencer
Interviews, Music, Today's SongApril 30, 2026<April 30, 2026

“We Brought Out the Weight”: Ok Goodnight Roar Through Betrayal, Forgiveness, & Creative Rebirth on “22,” a Feverish Hard Rock Reckoning

Annabelle Dinda © Lia Whitman
Debut, Features, Interviews, MusicApril 29, 2026<April 29, 2026

“God Forbid She Shows Emotion”: Annabelle Dinda Stakes Her Claim on ‘Some Things Never Leave,’ a Fearless Debut Album About Memory, Identity, & Emotional Residue

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Recent Posts

  • Magdalena Bay Turn Kilby Block Party into a Mercurial World with Their Rain-Soaked Set May 28, 2026
  • “How Dare You?”: Isabelle Skye Turns a Traumatic Encounter into a Beautiful, Empowering Indie Pop Reckoning on “Subaru” May 27, 2026
  • “It’s You and the Stranger Who Wrote It”: Vansire Find Sunlit Solace on “For the Moment,” a Feel-Good Indie Pop Reprieve for Uncertain Times May 27, 2026
  • “I Want All Beautiful Things”: Emma Louise Finds Inner Strength on ‘Sunshine for Happiness’ May 27, 2026
  • Electrifying, Explosive, and Colorful: London’s Marigo Bay Arrives with Cathartic Debut LP ‘Racecars & Rockstars’ May 27, 2026
  • “These Songs Found Me”: Matt Hansen’s Debut Album ‘Orchid’ Says the Quiet Part Out Loud May 27, 2026
  • Editor’s Picks 155: Houndmouth, Fruit Bats, Nymphlord, Aquilo, corook, & Big Sleep! May 22, 2026
  • “Our Reality Is Noisy”: April + VISTA Make Comfort Music for a World on Fire with ‘Traditional Noise,’ a Cinematic & Boundary-Breaking Debut May 21, 2026
  • “All I Get from You Is Voicemail”: Ana Grosh Cries Out for Connection on “Call Me Back,” a Soul-Soaked Anthem for the After-Party Blues May 21, 2026
  • “If it stops being fun, what are we even doing?”: DELTONA Are Turning Country Music into One Big Tailgate with “Party’s in the Back” May 21, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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