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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

Chris Wills and Revenge Wife © Carlos Cabrera-Mayol
Interviews, Music, Today's SongJune 25, 2026<June 25, 2026

“I Saw Your Face in Eternity”: Chris Wills & Revenge Wife Chase Love Across Lifetimes on “Love Live On,” a Spellbinding Ode to Devotion’s Everlasting Flame

Samuel S.C. © courtesy of the band
Music, PremieresJune 24, 2026<June 24, 2026

“I Need a Way to Come Undone”: Samuel S.C. Turn Restlessness into Release on “I Need a Moment,” a Rip-Roaring Indie Rock Reckoning

aleksiah © Jess Gleeson
Artist to Watch, Interviews, Music, Today's SongJune 24, 2026<June 24, 2026

“If You’re Not Happy, Leave!!!”: aleksiah Turns Self-Worth into Pop Perfection on “Bullsh*t, Baby!” & Her Irresistible Third EP ‘Good On Paper’

Aquilo © Harvey Pearson
Interviews, Music, Today's SongJune 23, 2026<June 23, 2026

“Arms Out Wide Like an Aeroplane”: Aquilo Capture Love’s Sweetness on “Under My Skin,” a Sun-Kissed Indie Pop Daydream

Lisa Molinaro © Mary Luczycki
Interviews, Music, Music Videos, PremieresJune 22, 2026<June 22, 2026

“I Don’t Owe You a Goddamn Thing”: Lisa Molinaro Claims the Sweetness for Herself on “Peach Fuzz,” a Feverish Indie Rock Eruption of Refusal & Release

Adrian Lyles © Cole Ferguson
Interviews, Music, Today's SongJune 19, 2026<June 19, 2026

“All That I Wanted Was You”: Adrian Lyles Sets Love’s Wreckage Ablaze in an Achingly Intimate Reckoning with Heartbreak & Helplessness

Atwood Magazine's 158th Editor's Picks!
Columns, Editor's Picks, Features, MusicJune 18, 2026<July 10, 2026

Editor’s Picks 158: Games We Play, Weird Nightmare, Nora Kelly Band, Erotic Secrets of Pompeii, Tooth, & Riley!

Nymphlord © Daniel Topete
Debut, Interviews, Music, Today's SongJune 17, 2026<June 17, 2026

“A Coming-of-Age Anthem in Corporate Drag”: Nymphlord Blooms Through the Messy Magic of Becoming on “Garden” & Debut Album ‘Shedding Velvet’

Fruit Bats’ Eric D. Johnson © Kelsey Gallagher
Features, Interviews, MusicJune 16, 2026<June 16, 2026

“This Is an Ode to Eternity”: Fruit Bats Find Holy Visions in the Wreckage on ‘The Landfill’

Young the Giant ‘Victory Garden’ © Josh Aikin
Features, Interviews, MusicJune 16, 2026<June 16, 2026

“Radical Empathy in This Time Is Its Own Form of Resistance”: Young the Giant on Cultivating Hope, Brotherhood, and Their Life-Affirming ‘Victory Garden’

Local the Neighbour "Hard" © 2026
Interviews, Music, Today's SongJune 15, 2026<June 15, 2026

“They Come with a Price”: Melbourne’s Local the Neighbour Confronts the Cost of Chasing a Dream on “Hard,” an Aching Indie Rock Confession

Atwood Magazine's 157th Editor's Picks!
Columns, Editor's Picks, Features, MusicJune 11, 2026<June 11, 2026

Editor’s Picks 157: James Smith, Fenne Lily, Rowena Wise, Alex Izenberg, Essence Martins, & The Army, The Navy

Gerrard © Lauren Kim
Debut, Interviews, Music, PremieresJune 11, 2026<June 11, 2026

“How Much Can You Divide Time?”: Gerrard Splits the Present Open on ‘ii. How Many Seconds in a Moment?,’ a Genre-Melting Debut of Memory, Rupture, & Release

verygently © Chase Denton
Interviews, Music, Today's SongJune 11, 2026<June 11, 2026

“Panic Attack, I’m an American Psycho”: verygently Sing Through Love’s Withdrawal on “STRONGER THAN THAT,” a Smoldering Indie Folk Reckoning

Cherry Bomb "Sorry You're Not Sorry" © Matty Vogel
Artist to Watch, Music, Music Videos, PremieresJune 10, 2026<June 10, 2026

“I Feel Everything”: Cherry Bomb Claims Her Own Salvation on “Sorry You’re Not Sorry,” a Feverish Disco-Pop Exorcism of Guilt, Glamour, & Release

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Recent Posts

  • Roundtable Discussion: A Review of Flea’s ‘Honora’ July 10, 2026
  • “Sometimes, Strength Looks Like Softness”: Nora Kelly Band Are Rewriting Alt-Country’s Tough-Guy Mythos With Wit, Twang, and Heart July 10, 2026
  • “Knowing What We’re Supposed to Be”: Sleeping With Sirens’ Nick Martin on the Cycle of Death and Renewal on ‘An Ending In Itself’ July 10, 2026
  • Editor’s Picks 160: Medium Build, BAILEN, Valley, Debbii Dawson, Petey USA, & Hank Heaven! July 10, 2026
  • “The Whole Title Is Just Me Trying To Show Up For My Feelings”: The Haunted Youth Confronts Masculinity With Vulnerability on ‘Boys Cry Too’ July 9, 2026
  • “Take a Leap of Faith, or You Can Be Brave”: Portland’s BendreTheGiant Turn a Moment of Crisis into a Spectacular Act of Empathy & Endurance July 9, 2026
  • “Twist the Key to a Brand New Start”: Baby Snakes & The Electric Co. Hit the Gas on Their Debut Single “Dark Horse,” a Cinematic Ode to Electric, Enduring Love July 9, 2026
  • “In the Sun I’m Laughing”: How Babe Rainbow Put a Fresh Twist on Old Tricks With “Acid and Honey,” a Six-Minute Psychedelic Symphony July 9, 2026
  • Atwood Magazine’s Weekly Roundup: July 8, 2026 July 8, 2026
  • “Being Liked Is Nice. Being Honest Is Better”: corook Steals Their Power Back on “Kleptomaniac,” a Buoyant Pop Anthem for Choosing Yourself July 8, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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