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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

Shelter & Sound © 2026
Debut, Interviews, Music, PremieresSeptember 8, 2026<September 8, 2026

“I’m Salvation, You’re My Frailty”: Shelter & Sound Turn the Heart Against Itself on Debut Single “Frailty,” a Spellbinding Alt-Rock Eruption

Big Sleep © Eoin Byrne
Interviews, Music, Today's SongSeptember 8, 2026<September 7, 2026

“Looking for the Light in Dark Places”: Dublin’s Big Sleep Embrace Life’s Holy Shows Through Beautifully Unruly Indie Rock

Atwood Magazine's 166th Editor's Picks!
Columns, Editor's Picks, Features, MusicSeptember 7, 2026<September 7, 2026

Editor’s Picks 166: Kareen Lomax, Oskar Haag, Gang of Youths, Babehoven, Cavetown, & Hannah Cole!

Features, Interviews, MusicSeptember 4, 2026<September 22, 2026

“It Feels Like My Comeback to Myself”: Medium Build Makes Himself at Home on ‘King of Having Fun,’ a Celebration of Life on His Own Terms

Eliza Edens © Emilio Herce
Columns, Interviews, Music, Today's SongSeptember 3, 2026<September 3, 2026

“I Wanna Love My Death Drive”: Eliza Edens Flirts with the Limit on “Death Drive,” a Charged Indie Rock Reckoning with Chaos & Self-Acceptance

The Army, The Navy © Lucy Black
Interviews, Music, Today's SongSeptember 2, 2026<September 2, 2026

“Tolerance Is Different From Love”: The Army, The Navy Let the “Walls” Cave In on a Shiver-Inducing Indie Folk Reckoning With Self-Worth

Alabama Shakes © Bobbi Rich 10
Music, ReviewsSeptember 2, 2026<September 2, 2026

“I’m Building a Kingdom in My Soul”: Alabama Shakes Set the Air on Fire Again on ‘I Must Be Dreaming,’ a Soul-Shaking, Triumphant Return

Gabriel Dinero © Javier Orobio
Artist to Watch, Music, ReviewsSeptember 2, 2026<September 2, 2026

“You Can Delete the Photos and Still Keep Making Space for Them”: Gabriel Dinero Confronts the Ghosts of Lost Love on “Apariciones”

Borderline © Tom Grut
Interviews, Music, Today's SongSeptember 1, 2026<September 1, 2026

“Take the Roof Off and Sing Along”: Borderline Channel Collapse into Catharsis on “Watching It Burn,” an Arena-Sized Anthem of Ruin & Release

Michael Marcagi at Mountains of Music 2026 © Lockman
Features, Festival, MusicAugust 31, 2026<September 8, 2026

“It’s the Intimacy and the Geography”: Why Vail’s Mountains of Music Belongs on Every Music Lover’s Festival List

Atwood Magazine's 165th Editor's Picks!
Columns, Editor's Picks, Features, MusicAugust 28, 2026<August 28, 2026

Editor’s Picks 165: VANITY, Mansdaughter, Keo, Black Lounge, M.O.T.H.E.R., Emma Ogier & Eden Joel!

chandol © Kevin Lien
Debut, Interviews, Music, PremieresAugust 28, 2026<August 28, 2026

“This Is What It Was Supposed to Feel Like All This Time”: chandol’s Charley Yang Steps Fully Into Himself on ‘Mercurial,’ a Debut Reckoning with Memory & Change

Tiger Lewis © Caity Krone
Interviews, Music, Today's SongAugust 28, 2026<August 28, 2026

“I Love Out Loud. People Aren’t Used to That”: Tiger Lewis Roars Into His Own on “Too Easy,” a Blistering Love Song About Letting Your Guard Down

Lottie McLeod © Carrie McLeod
Interviews, Music, Today's SongAugust 27, 2026<September 28, 2026

“Fun, Awkward, & Joyful”: Lottie McLeod Rides Love’s Highs and Heartaches on “Wednesdays at the Waterloo,” an Indie Pop Daydream

Anna Moon & the Stars © 2026
Interviews, Music, Music Videos, PremieresAugust 27, 2026<August 27, 2026

“Sometimes Healing Feels a Lot Like Dying Before It Starts to Feel Like Freedom”: Anna Moon & the Stars Roars Back to Life on “Oh my god! It’s a resurrection”

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Recent Posts

  • “The Truth as the Mission”: The Suffers’ Kam Franklin Puts Trauma, Desire, & Defiance on the Record with ‘Land of the Neon Sun,’ Her Uncompromising Solo Debut October 1, 2026
  • Agitate, Educate, Organize: A Look Back at That Petrol Emotion’s 1987 Single “Big Decision” October 1, 2026
  • No More Forgive and Forget: Sabrina Sterling Takes Justice into Her Own Hands on ‘An American Crime’ October 1, 2026
  • Angus & Julia Stone Turn Lipstick Marks and Bathroom Walls into Songs of Memory & Connection on ‘Karaoke Bar’ September 30, 2026
  • “Leave Any Sense of Ego at the Door”: Post Sex Nachos Are Your Favorite Rock Band September 30, 2026
  • Roundtable Discussion: A Review of Vince Staples’ ‘Cry Baby’ September 30, 2026
  • Album Review: The Aching Luminescence of Ghostly Kisses’ ‘Across the Pond’ September 30, 2026
  • “I Would Push Up Daisies for You”: The Madelines Go All In on “Amy,” a Restless Debut Brimming with Indie Rock Firepower September 30, 2026
  • “This Record Is a Departure into My Real Life”: Aubory Bugg Embraces Life’s Messy Changes on Her Breathtakingly Beautiful Indie Folk Debut September 29, 2026
  • “The Final Three Songs Are Like Being Shot Three Times”: Sibling Duo Wasia Project Yearn for Closeness on ‘Nocturne,’ a Late-Night Debut About Loneliness & Connection September 29, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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  • New Music Releases
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