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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

CHARLOTTE - Charlotte Lawrence
Features, Interviews, MusicMarch 5, 2021<April 8, 2021

Interview: Charlotte Lawrence Bares All in Her Intimate & Breathtaking ‘Charlotte’ EP

Atwood Editor's Picks 46
Editor's Picks, Features, MusicMarch 4, 2021<March 14, 2021

Editor’s Picks 46: Samm Henshaw, TEE, Hannah Jadagu, Jacob Banks, Kenneth Whalum, & McKinley Dixon

Old Sea Brigade © Laura E. Partain
Interviews, Music, PremieresMarch 4, 2021<March 4, 2021

Interview: Old Sea Brigade Captures Love’s Tender Weight in “Nothing Clever” Off New Album ‘Motivational Speaking’

Dear Tomorrow - Jeauneil 10
Debut, Interviews, Music, Reviews, Track-by-TrackMarch 3, 2021<March 3, 2021

“Real, Relatable, & Refreshing”: Jeauneil Dives into His Smoldering Debut EP ‘Dear Tomorrow’

Katie Kuffel © Kendall Rock Photography
Music, PremieresMarch 3, 2021<March 3, 2021

Premiere: Singer/Songwriter Katie Kuffel Soars on Smoldering “Love Language”

Quarry © Sofia Boriosi
Music, Reviews, This Just InMarch 2, 2021<August 9, 2021

This Just In: Rise N’ Shine with Quarry’s Refreshing “Wake Me Up”

Jake Manzi © Olivia Barkett
Music, PremieresMarch 2, 2021<March 2, 2021

Premiere: Singer/Songwriter Jake Manzi Soars into View on Beautiful Single “Whatever My Heart Allows”

Don’t Throw Rocks at the Moon - Planet Giza
Black History Month, Music, Reviews, Track-by-TrackFebruary 27, 2021<March 3, 2021

Track-by-Track: Planet Giza Dive into Their Astral EP ‘Don’t Throw Rocks at the Moon’

Elah Hale © Jingyu Lin
Black History Month, Features, Interviews, MusicFebruary 27, 2021<March 4, 2021

Interview: Elah Hale Dives into the Buoyant Pop & Bad Romance of “Foolish”

Leon Waldo © 2021
Music, Reviews, Track-by-TrackFebruary 26, 2021<February 26, 2021

Track-by-Track: Leon Waldo Dives into His Smoldering & Stunning Sophomore LP ‘Secrets of the Melanin Monk.’

India Shawn © Rob Julin
Black History Month, Interviews, MusicFebruary 26, 2021<March 2, 2021

Interview: India Shawn Dives into Her Intimate & Empowering Single “Too Sweet” ft. Unknown Mortal Orchestra

Samson Ashe
Black History Month, MusicFebruary 26, 2021<February 26, 2021

London’s Samson Ashe Shares His Top Musical Influences for Black History Month

A New Child - Jackson Wooten 9.9
Debut, Features, Interviews, Music, Reviews, Track-by-TrackFebruary 26, 2021<February 26, 2021

“Moving, Ethereal, & Intimate”: Jackson Wooten Dives into his Breathtaking Debut Album ‘A New Child’

The American Negro - Adrian Younge
Black History Month, Features, Interviews, MusicFebruary 26, 2021<October 5, 2021

Interview: Adrian Younge Dives into His Powerful ‘The American Negro’ Project for Black History Month

Foxglove © Ian the Warlow
Music, PremieresFebruary 26, 2021<February 26, 2021

Premiere: Manchester’s Foxglove Soar with Sweet Fervor on “Give It Up”

Posts pagination
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Recent Posts

  • “You have to trust your taste”: Why Don’t We’s Corbyn Besson Turns Hesitation into Liberation on Debut Solo EP ‘HEAD FIRST’ January 16, 2026
  • “No Band Is an Island!”: Manchester’s Westside Cowboy Are Bringing ‘Britainicana’ to the Masses Through Shared Instinct and Loud, Joyful Noise January 16, 2026
  • “I Like the Way You Memorized My Number”: Yam Haus & Sydney Quiseng Find the Beauty of “Always Falling in Love” on Their Breathtaking Duet January 16, 2026
  • Editor’s Picks 143: FORAGER, Truman Sinclair, Tony DV, Searows, Elias Hix, & Ethan Regan! January 15, 2026
  • “A Tightrope Walk of Freedom and Shame”: Francis of Delirium Turns Regret & Raw Energy Loose on “Little Black Dress” January 15, 2026
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  • Lifting the Spirit of the Anishinaabe Experience Through Music: A Conversation with Ribbon Skirt’s Billy Riley January 14, 2026
  • “Say What You Mean”: spill tab Sits Inside the Ache on Her Quietly Devastating, Achingly Irresistible “Paranoia” (ft. boylife) January 14, 2026
  • “The Grass Ain’t Greener and the Fare Ain’t Cheap”: Cleo Reed Reckons with Labor, Survival, & American Life on ‘CUNTRY’ January 13, 2026
  • Track-by-Track: Black Dahlia’s ‘The Imposter’ Takes You on a Cosmic Journey from Paradise to Earth January 13, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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