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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

'A Dobritch Did As A Dobritch Should' - The Hackles
Music, Premieres, ReviewsNovember 5, 2019<November 5, 2019

Unveiling The Hackles’ Elegant Indie Folk Album ‘A Dobritch Did As A Dobritch Should’

Bora York © Bethany Shrock
Features, Music, PremieresNovember 5, 2019<November 5, 2019

Bora York Present Shimmering Heartbreak Pop in 3rd Album ‘Emotion Vertigo’

Serendipity "Flying"
Debut, Music, PremieresNovember 4, 2019<November 4, 2019

Premiere: Serendipity Captures the Fall in Raw, Vulnerable Unveiling “Flying”

Lilla Vargen
Music, PremieresOctober 31, 2019<October 31, 2019

Premiere: Lilla Vargen Embraces Connection & Meaning in Stunning “Why Wait”

In Memory - The Cordial Sins
Music, ReviewsOctober 31, 2019<March 2, 2025

The Cordial Sins Dive into Their High-Charged ‘In Memory’ EP

Sulene © Bao Ngo
Music, PremieresOctober 30, 2019<October 30, 2019

Premiere: Going “Out of Your Head” with Sulene’s Pulsing New Song

Mail The Horse © Shervin Lainez
Music, PremieresOctober 29, 2019<October 29, 2019

Premiere: Mail the Horse’s Bluesy “Kid Gloves” Is a Mantra on Toxic Masculinity

Lenkie © Matt Gajewski
Music, PremieresOctober 29, 2019<October 29, 2019

Premiere: Lenkie Embraces Unrequited Love in Second Single “Waterfall”

Scott Ruth © Taylor Mosby
Music, PremieresOctober 29, 2019<October 29, 2019

Premiere: Scott Ruth’s ‘Telephone’ EP Is Intimate Rock with a Heart of Gold

Fascinations Grand Chorus © Kelli McGuire
Debut, Music, PremieresOctober 28, 2019<October 28, 2019

Premiere: Bubblegum Pop Reigns in Fascinations Grand Chorus’ Debut Album ‘Presentations of Electrical Confectionery’

Marinho © Marta Olive
Debut, Features, Interviews, MusicOctober 24, 2019<October 24, 2019

Interview: Marinho Dives into her Intimately Vulnerable Debut Album ‘~’

Will Samson © Desiree Rousseau
Music, PremieresOctober 24, 2019<October 24, 2019

Premiere: Will Samson Blends Grief & Bliss into Ethereal New Song “Flowerbed”

Will Orchard © Julia Fiengold
Music, PremieresOctober 23, 2019<June 17, 2025

Premiere: “Turning Back Again” Marks a Sweet New Start for Will Orchard

Sawyer © Daniel Chaney
Music, PremieresOctober 23, 2019<October 23, 2019

EP Premiere: Sawyer Shine Bright in Buoyant & Bold EP ‘Less Than More Than’

Ro Bergman © Rene Hundertpfund
Debut, Music, PremieresOctober 23, 2019<October 23, 2019

EP Premiere: Ro Bergman Embarks on a ‘New Horizon’ in Dynamic Debut EP

Posts pagination
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Recent Posts

  • Editor’s Picks 143: FORAGER, Truman Sinclair, Tony DV, Searows, Elias Hix, & Ethan Regan! January 15, 2026
  • “A Tightrope Walk of Freedom and Shame”: Francis of Delirium Turns Regret & Raw Energy Loose on “Little Black Dress” January 15, 2026
  • “Spiritual, Subconscious, & Somber”: Theo Bleak Lets Hard Feelings Linger on ‘Bad Luck Is Two Yellow Flowers,’ a Quiet Meditation on Stillness and Longing January 14, 2026
  • Lifting the Spirit of the Anishinaabe Experience Through Music: A Conversation with Ribbon Skirt’s Billy Riley January 14, 2026
  • “Say What You Mean”: spill tab Sits Inside the Ache on Her Quietly Devastating, Achingly Irresistible “Paranoia” (ft. boylife) January 14, 2026
  • “The Grass Ain’t Greener and the Fare Ain’t Cheap”: Cleo Reed Reckons with Labor, Survival, & American Life on ‘CUNTRY’ January 13, 2026
  • Track-by-Track: Black Dahlia’s ‘The Imposter’ Takes You on a Cosmic Journey from Paradise to Earth January 13, 2026
  • “You Loved Me Like a Pornstar”: NYC’s Quarters Turn Desire into Reckoning on Their Cinematic “STAR” January 13, 2026
  • “You Can’t Learn Heartbreak From a Poem”: Zach Bryan’s ‘With Heaven on Top’ Is a Bruising, Deeply Human Companion to Modern American Life January 12, 2026
  • “Year Zero in the Summertime”: Father John Misty Lays Down “The Old Law” Between Faith, Failure, & Fevered Memory January 12, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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