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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

Ships Have Sailed © Wood Wall
Music, PremieresOctober 8, 2019<July 24, 2023

Premiere: Ships Have Sailed Embrace Vulnerability & Thin “Skin” in Heartfelt Ballad

Hayley Reardon © Allie Krause
Music, Music Videos, PremieresOctober 8, 2019<October 8, 2019

Premiere: Hayley Reardon Injects a Raw, Stirring Depth into New Single “Forgiveness”

Eden Iris © Jes Harlen
Music, PremieresOctober 7, 2019<October 7, 2019

Premiere: Eden Iris’ Bittersweet Ode to Loneliness “Birthday Baby”

An Orchestrated Impulse
Music, PremieresOctober 7, 2019<October 7, 2019

Exploring the Natural Balance with An Orchestrated Impulse’s “Pink Waves”

Tom Speight © Tom Leishman
Debut, Features, Interviews, MusicOctober 4, 2019<September 24, 2021

More Than a Little Love: Tom Speight Dives into His Stunning Debut Album ‘Collide’

Frances Luke Accord © Luke Jackson
Music, PremieresOctober 4, 2019<October 4, 2019

The Fresh Autumn Folk of Frances Luke Accord’s “Thank You, Derrick Watson”

The Madness - Nicotine Dolls
Debut, Music, Music Videos, PremieresOctober 3, 2019<October 3, 2019

Nicotine Dolls’ Feverish “The Madness” Is an Alt-Rock Dream

Paper Beat Scissors © Stacy Lee
Music, ReviewsOctober 3, 2019<October 3, 2019

Fragility, Nuance, & Grace: A Review of Paper Beat Scissors’ Dazzling ‘Parallel Line’

Bluebiird, Emily Osment © Adam Goldberg
Debut, Features, Interviews, MusicOctober 2, 2019<December 5, 2019

Feature: Emily Osment Soars as Bluebiird in Stirring Musical Debut

Campsie © Joshua Onabowu
Debut, Music, PremieresOctober 1, 2019<October 1, 2019

Premiere: London’s Campsie Debuts with Intimate Indie Pop Upheaval “I’m Gone”

Atwood Magazine Editor's Picks 23
Editor's Picks, Features, MusicOctober 1, 2019<October 16, 2019

Editor’s Picks: October 1, 2019

GRAE music © Lizzie O’Donnell
Features, Interviews, MusicSeptember 30, 2019<April 15, 2022

Passion, Anger, and Empowerment: Inside GRAE’s Anthemic “Woman’s World”

Brightside
Music, PremieresSeptember 30, 2019<September 30, 2019

Premiere: Pittsburgh’s Brightside Get the Blood Pumping with “Just Like Dancing”

Litany © Marieke Macklon // Love Letter
Music, Reviews, This Just InSeptember 30, 2019<May 20, 2021

This Just In: Litany’s Sweet N’ Spicy “Love Letter” Hurts Just Right

Lee Bowie © Rebecka Häggblom
Music, Music Videos, PremieresSeptember 27, 2019<September 27, 2019

Premiere: Lee Bowie Tempt & Entice with the Seductive Pop of “Tubes”

Posts pagination
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Recent Posts

  • Editor’s Picks 150: Fantastic Cat, Maya Engen, MUNA, Stephen Sanchez, Keni Titus, & The Undercover Dream Lovers! March 18, 2026
  • Every Single Song Is About You: CARR’s Sophomore Record ‘CARRGIRRL’ Is This Spring’s Most Relatable Soundtrack of Messy Decisions March 18, 2026
  • “Rather Be in Trenches with You”: CON THE ARTIST Finds Beauty in Love’s Messy Devotion on “Only You” March 18, 2026
  • “We Wanted to Make a Really Sexy Song”: Silverdeer Erupt with Pleasure and Power on “Open Mouth,” a Playful, Sweaty Celebration of Sexuality March 18, 2026
  • Roundtable Discussion: A Review of Bruno Mars’ ‘The Romantic’ March 17, 2026
  • “Music Is NOT a Waste of a Good Mind”: An Essay by Linda Marks for Women’s History Month March 17, 2026
  • “Staring Straight Down the Lens”: Soda Blonde Turn Shame into Power on “Suit & Tie,” a Liberating Alt-Pop Reckoning with Identity and Self-Worth March 17, 2026
  • Atwood Magazine’s Weekly Roundup: March 17, 2026 March 17, 2026
  • Delaney Bailey Isn’t Scared of Growth: The Expansive Pressure of ‘Concave’ and Evolving As an Artist March 16, 2026
  • “I’m a Bullet on an Arrow’s Path”: Grace Ives Flips the World the Middle Finger on “Stupid Bitches,” a Defiant Bedroom Pop Anthem March 16, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
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