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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

Chloe Moriondo © Kris Herrmann
Features, Interviews, MusicApril 9, 2020<April 9, 2020

Anxiety, Innocence, and Vulnerability: An Interview with Chloe Moriondo

frogi © Tyreke Monterio
Music, PremieresApril 8, 2020<April 8, 2020

Premiere: frogi’s Intimate “til I turn blue” Is a Breathtaking Bedroom Pop Love Song

Atwood Magazine Editor's Picks 32
Columns, Editor's Picks, Features, MusicApril 8, 2020<September 23, 2021

Editor’s Picks: April 8, 2020

Johnny Stimson © Bani Amir
Music, PremieresApril 8, 2020<April 7, 2020

Premiere: Johnny Stimson’s Homesick “Hard to Say Goodbye” Is a Slick, Undeniable R&B Groove

The Hour © 2020
Music, ReviewsApril 7, 2020<April 7, 2020

EP Review: UK Collective The Hour Spin a Dark, Cinematic Tapestry in ‘Father’ EP

Michael Baker 8.9
Interviews, Music, Our Take, Reviews, Track-by-TrackApril 7, 2020<December 15, 2020

Track-by-Track: Inside Michael Baker’s Achingly Beautiful Sophomore Album ‘Salt’

Selling Things - Brian Dunne
Features, Music, PremieresApril 7, 2020<May 15, 2020

Album Premiere: Brian Dunne’s Hopeful & Hopeless ‘Selling Things’ Is a New Timeless Classic

Suzy & The Lifeguard © Casey Curry
Music, PremieresApril 6, 2020<April 6, 2020

Premiere: Suzy & The Lifeguard’s “Loolluby” Is an Entrancing, Emotional Escape

A is for Arrows © Maria Jose Govea
Music, PremieresApril 6, 2020<April 6, 2020

Premiere: Toronto’s A Is for Arrows Glisten & Glow in Self-Assured Song “Go Slow”

FVLCRVM
Music, PremieresApril 3, 2020<April 3, 2020

Premiere: FVLCRVM’s Intoxicating & Cerebral “Meaning” Is an Electronic Force

Weirdo - NoMBe
Music, Reviews, This Just InApril 3, 2020<April 3, 2020

This Just In: NoMBe’s Beautiful “Weirdo” Is a Heartfelt, Seductive Ballad

Overcoats © Shervin Lainez
Features, Interviews, MusicApril 3, 2020<May 15, 2020

Finding Connection in Isolation: Overcoats’ Hopeful & Empowering Album ‘The Fight’

William Wild © Dillon Matthew
Features, Interviews, Music, Reviews, Track-by-TrackApril 2, 2020<April 6, 2020

Feature: Dive into William Wild’s Breathtakingly Beautiful, Transformative Album ‘Push Ups’

Twilight Driving © Sam Shaw
Music, PremieresApril 2, 2020<April 2, 2020

Premiere: Brighton’s Twilight Driving Return with Cinematic Anthem “Break Your Heart”

Atwood Magazine's Editor's Picks, April 1 2020
Does Anybody Remember Laughter?April 1, 2020<April 1, 2020

Editor’s Picks: April 1, 2020

Posts pagination
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Recent Posts

  • “I Wanted to Paint a Picture of 2026 America”: Tristan Tritt Reckons With a Fractured American Dream on “Living The Dream” August 24, 2026
  • “Pain Can Change Its Shape But It Never Disappears”: Chicago’s Edens Reckon With Memory & Time on “Empty Details,” a Propulsive Portrait of Lives in Motion August 24, 2026
  • “It’s in the Cracks. That’s Where the Light Pours In”: Brazil’s D’Clair Chooses Love in the Face of Doubt on “Lights,” a Dreamy Indie Folk Reverie August 24, 2026
  • Editor’s Picks 164: Kam Franklin, Laz Lo, SOFY, venbee, Lottie McLeod, & Damin Tyler! August 21, 2026
  • Sturgill Simpson: The Outlaw Who Outlawed Himself August 21, 2026
  • “These Little Things… They Kind of Do Stick With Me”: For Wild Pink’s John Ross, There’s No Such Thing as an Ordinary Day on Sixth Album ‘Still Coming Down’ August 21, 2026
  • Atwood Magazine’s Weekly Roundup: August 21, 2026 August 21, 2026
  • “We’re So Brave When We’re Little. Then, for Some Reason, We’re Taught That It’s Safer Not to Be”: Anna Graves Gets Back to Herself on ‘America’s Greatest Burnout’ August 21, 2026
  • “I Don’t Have to Stop Feeling Deeply”: IAN SWEET Surrenders to Life on the Spellbinding ‘Shiverstruck’ August 20, 2026
  • “We Can All Be Strange Together”: Charming Disaster on ‘The Double,’ Creative Synchronicity, and Following “What If?” Wherever It Leads August 20, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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