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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

Riley Moore © 2018
Music, PremieresMarch 16, 2018<March 16, 2018

Premiere: “Wandering Man,” Riley Moore’s Americana Ode to the Nomad

Bright City Lights - Rebecca Haviland
Music, Music Videos, PremieresMarch 15, 2018<March 16, 2018

Video Premiere: Rebecca Haviland Finds Her Voice in “Bright City Lights”

LJ Gomez © Mari Hernandez
Music, PremieresMarch 15, 2018<March 15, 2018

Premiere: A Familiar Ache in LJ Gomez’s Poignant “Replay”

"Like a Drug" by Like Language © Aaron Green
Music, Music Videos, PremieresMarch 14, 2018<May 20, 2022

Video Premiere: The Anthemic Ache and Strain of Like Language’s “Like a Drug”

Tiger March © Dexy Valentine
Debut, Music, PremieresMarch 13, 2018<March 13, 2018

Premiere: The Shimmering Glitz of Tiger March’s “Hold Something”

Schultz & Forever © Sebastian Zieler
Debut, Features, Music, PremieresMarch 13, 2018<March 14, 2018

Album Premiere: The Intimate Revolt of Schultz & Forever’s Debut ‘Grand Guignol’

Carmanah © Helene Cyr
Music, Music Videos, PremieresMarch 13, 2018<March 13, 2018

Video Premiere: The Gentle Flow of Carmanah’s Beautifully Critical “Water Falling”

Baba Sonya © James Kilker
Music, PremieresMarch 13, 2018<March 13, 2018

Premiere: Baba Sonya’s Haunting “Jeremiah” Is a Mourner’s Tragic Lament

BoTalks © Lauren Allaina
Music, Reviews, This Just InMarch 9, 2018<March 9, 2018

Review: Embracing Exposed Emotions in BoTalks’ “Fuck It” ft. Caroline Pennell

© Tiger Darrow 2018
Music, PremieresMarch 9, 2018<March 9, 2018

Premiere: Tiger Darrow’s “Like Summer” Wallows in Bittersweet Heartache

Alex Lleo © 2018
Debut, Music, This Just InMarch 9, 2018<March 9, 2018

Review: Alex Lleo’s Debut “Bedroom Door” Is a Raw, Soul-Stirring Goodbye

Nikhil D'Souza © Andrew Whitton
Debut, Music, Music Videos, PremieresMarch 9, 2018<March 19, 2018

Premiere: Inhale the Beauty of Nikhil D’Souza’s Breathtaking “Silver and Gold”

Camp Crush - November Skin
Music, Music Videos, PremieresMarch 8, 2018<March 8, 2018

Video Premiere: Camp Crush’s Female Anthem “November Skin” Deconstructs Assumptions & Expectations

Plays with Fire - Cloud
Features, Music, Premieres, ReviewsMarch 8, 2018<March 8, 2018

Album Premiere: Cloud’s ‘Plays with Fire’ Dwells in the Dark Glow of Chaos

Hospital © Daria Malysheva
Features, Music, PremieresMarch 8, 2018<March 19, 2018

Premiere: Hospital’s Intimate “In the Evening” Pulses with Dark Urgency

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Recent Posts

  • The Runarounds Ask for Belief in Their Music First – “Arrhythmia (I Hope You Stay)” Still Points Toward Greater Potential February 20, 2026
  • Editor’s Picks 148: MARIS, Brigitte Calls Me Baby, midori jaeger, Brown Horse, Hayden Everett, & Happy Landing! February 19, 2026
  • Album Premiere: Drexler’s ‘Olympia-5’ Is a Montage of Memories, Charting the Process of Grief, Hope, & Reckoning February 19, 2026
  • “I Talk About You to Anybody Who’s Gonna Listen”: Donovan Woods Offers a Beautifully Devastating Act of Remembrance in a Stirring Folk Elegy February 19, 2026
  • ‘Big Changes’ Are Coming: Adam Sturgeon of Status/Non-Status on Identity, Responsibility, and Endurance in Modern Canada February 18, 2026
  • “I Know Myself Better Now”: Ásgeir Introduces ‘Julia’ as His Most Personal Album Yet February 18, 2026
  • “Sweet July, Could You Stay Here Forever?”: The 4411 Bottle the Ache of Growing Up in a Golden Indie Folk Ode to Friendship & Time February 18, 2026
  • “Let’s Slow Down and Be Brave”: Konradsen Embrace Enduring Love With “Efficiency,” a Smoldering Indie Folk Reverie February 17, 2026
  • “You say that it’s love, but you don’t even know me”: Grace VanderWaal’s “Prettier” Explores the Haunting Cost of Being Admired February 14, 2026
  • Editor’s Picks 147: Almost Heaven, Philine Sonny, Carter Vail, Haute & Freddy, Florentenes, & Endearments! February 13, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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