• Home
  • About
  • Upcoming Album Releases
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services
Atwood Magazine - For the Love of Music For the Love of Music
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

"Zen Squid" - Uni Ika Ai still
Features, Music, Music Videos, PremieresDecember 13, 2016<December 13, 2016

Exclusive Premiere: The Meditative Darkness of Uni Ika Ai’s “Zen Squid”

ISLAND © Flore Diamant
Features, Interviews, MusicDecember 12, 2016<December 12, 2016

Engulfed in Emotional Energy: A Conversation with ISLAND

still from Lucidalabrador's "Zelia" music video
Features, Music, Music Videos, PremieresDecember 7, 2016<December 8, 2016

Exclusive Premiere: Lucidalabrador’s “Zelia” Explores Nostalgia and Memory’s Blur

Smith & Thell © 2016
Features, Interviews, MusicDecember 6, 2016<December 6, 2016

Pop, Folk, and Some Kind of ABC: A Conversation with Smith & Thell

Cotton Mather © Valerie Fremin
Features, Music, PremieresDecember 2, 2016<December 2, 2016

Exclusive Premiere: Cotton Mather Chases Love’s Dream on “Girl with a Blue Guitar”

The Young Wild © Sergey Kolivayko
Features, Music, PremieresDecember 2, 2016<December 9, 2016

Exclusive Premiere: On “In the Wild,” The Young Wild Face Loss and the Unknown

Monsoon perform "Shotgun Wedding"
Atwood x LiveSyphon, Features, Music, Premieres, VideoDecember 2, 2016<December 2, 2016

Exclusive Premiere: Athens’ Monsoon Pack a Sonic Punch on “Shotgun Wedding”

Lewis Lane © Josh Robertson
Features, Music, PremieresDecember 1, 2016<December 1, 2016

Exclusive Premiere: Lewis Lane Ignites with a Thirst on “Runaway Love”

Because © Shannon Wolf
Debut, Features, Music, PremieresNovember 30, 2016<November 30, 2016

Exclusive Premiere: Because Takes Flight on Magical Debut “Lock-Out Time”

"3AM" still - Parker Lane
Features, Music, Music Videos, PremieresNovember 29, 2016<June 27, 2018

Exclusive Premiere: Real Love on Parker Lane’s Vulnerable “3AM”

Charge the Atlantic © 2016
Features, Music, PremieresNovember 28, 2016<November 28, 2016

Exclusive Premiere: The Soul Sincerity of Charge the Atlantic’s “Something You Feel”

Conversing with Oceans © 2016
Debut, Features, Music, PremieresNovember 25, 2016<November 25, 2016

Exclusive Premiere: Conversing with Oceans Tackles Time on Dreamy “Past. Present. Future.” EP

DeModa © 2016
Features, Music, PremieresNovember 23, 2016<November 28, 2017

Exclusive Premiere: The Synthetic Warmth of DeModa’s “Friend” FRND Remix

Blak Emoji © Nicole Brody
Debut, Features, Music, PremieresNovember 21, 2016<November 21, 2016

Exclusive Premiere: Blak Emoji’s “Velvet Ropes & Dive Bars,” a Snapshot of Modern Romance

Baby Queens © 2016
Features, Music, Music Videos, PremieresNovember 18, 2016<November 18, 2016

Exclusive Premiere: Baby Queens’ “Unite” Evokes Love and the Human Connection

Posts pagination
1 … 272 273 274 275 276 … 291

Recent Posts

  • “Change Lies at Your Footsteps”: Vienna Vienna Turns Overstimulation into Motion on “Idle Hands” December 20, 2025
  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’ December 19, 2025
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars December 19, 2025
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1! December 19, 2025
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year December 18, 2025
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success December 18, 2025
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa” December 18, 2025
  • Atwood Magazine’s 2025 Albums of the Year December 18, 2025
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’ December 17, 2025
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’ December 17, 2025
ABOUT US
PITCHING US
Privacy policy
GET INVOLVED!

Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
Back to top
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
  • Home
  • About
  • Upcoming Album Releases
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services