• Home
  • About
  • Upcoming Album Releases
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services
Atwood Magazine - For the Love of Music For the Love of Music
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

Valley Hush © 2016
Debut, Features, Music, PremieresOctober 27, 2016<October 27, 2016

Exclusive Premiere: Valley Hush’s Catchy Debut Explores the Depths of Humanity and Sound

Josh Farrow © Alysse Gafkjen 2016
Debut, Features, Music, PremieresOctober 26, 2016<October 26, 2016

Exclusive Premiere: Josh Farrow’s ‘Trouble Walks with Me’ Bears a Heavy Heart and Americana Soul

Bear's Den © Andrew Whitton
Features, Interviews, MusicOctober 26, 2016<March 19, 2019

Therapy and Exploration: A Conversation with Bear’s Den

Lulu James "Falling" still
Features, Music, Music Videos, PremieresOctober 24, 2016<October 26, 2016

Exclusive Premiere: Lulu James Powers Through the Pain of Love on “Falling” Video

Rasputina perform "Holocaust of Giants"
Atwood x LiveSyphon, Columns, Features, Interviews, Music, VideoOctober 21, 2016<October 21, 2016

Atwood Magazine and LiveSyphon Present: Rasputina’s Spellbinding Cello Rock

Watching for Foxes
Features, Music, Premieres, VideoOctober 20, 2016<October 20, 2016

Exclusive Premiere: Watching for Foxes’ Fresh Start and Raw Wounds on “Prelude”

One Way Ticket - Midnight to Monaco
Features, Music, PremieresOctober 20, 2016<October 20, 2016

Exclusive Premiere: Recycle Jordan Dancifies Midnight to Monaco’s Nu-Wop Hit “One Way Ticket”

JonoJosh
Features, Music, PremieresOctober 19, 2016<October 26, 2016

Exclusive Premiere: JonoJosh Rides the Sonic Zeitgeist on Formative Debut ‘Outside’ EP

Ben Hobbs © Caitlin Mogridge
Features, Music, PremieresOctober 18, 2016<October 26, 2016

Exclusive Premiere: Ben Hobbs’ “Take The Blame” Is a Vulnerable, Ominous Anthem

Driftwood © Danielle Geristen
Features, Music, PremieresOctober 17, 2016<October 17, 2016

Exclusive Premiere: Driftwood’s “Too Afraid” Explores Attraction’s Pleasure and Pain

Oh Wonder © 2016
Atwood On Tour, Columns, Features, Interviews, MusicOctober 14, 2016<December 9, 2016

Humble, Honest, and Human: Catching Up with Oh Wonder

DD Allen © 2016
Debut, Features, Music, PremieresOctober 14, 2016<October 14, 2016

Exclusive Premiere: “Just Like The Old Days,” DD Allen’s Timeless Pursuit of Happiness

Rocket Quaffle - Couch Jackets
Features, Music, Music Videos, PremieresOctober 12, 2016<October 12, 2016

Exclusive Premiere: Couch Jackets’ “Rocket Quaffle” Is a Fun, Colorful Chaos

Zach Ashton
Features, Music, PremieresOctober 11, 2016<October 11, 2016

Exclusive Premiere: The Painstaking Patience of Zach Ashton’s “Borderline”

BRÅVES "Me The Thief" still
Columns, Music, Music Videos, Today's SongOctober 7, 2016<October 7, 2016

Today’s Song: Love is Love on BRÅVES’ Powerfully Passionate “Me The Thief”

Posts pagination
1 … 274 275 276 277 278 … 291

Recent Posts

  • “Change Lies at Your Footsteps”: Vienna Vienna Turns Overstimulation into Motion on “Idle Hands” December 20, 2025
  • “This Is What It Feels Like to Not Feel Anything”: Petey USA on Turning Private Thoughts into Shared Space & the Fictional Truths of ‘The Yips’ December 19, 2025
  • “We’re all just friends making music”: Brooklyn’s Anyhow Are an Emerging Indie Rock Duo Built on Collaboration, Trust, & Guitars December 19, 2025
  • Atwood Magazine Presents Mistletones: 2025’s Best New Holiday Songs, Pt. 1! December 19, 2025
  • “I Serve Me. I Take Care of Me. I Am My Keeper”: Medium Build on Surviving the Dream, Choosing Himself, & More Takeaways From a Career-Defining Year December 18, 2025
  • Interview: From Malawi to Massachusetts, The Kasambwe Brothers Are Strumming Their Way to Success December 18, 2025
  • “You Have Me Marked as Nice”: Ski Team Sits With Desire, Restraint, & the Mercy of Boundaries on “Santa” December 18, 2025
  • Atwood Magazine’s 2025 Albums of the Year December 18, 2025
  • “Raw, Experimental, & Definitive”: Low.bō Debuts with a Bruised, Intimate Alt-R&B Reckoning on ‘husk’ December 17, 2025
  • “Anger, Death, & Acceptance”: Adult Mom’s Stevie Knipe Gives Life’s Hardest Feelings a Voice on ‘Natural Causes’ December 17, 2025
ABOUT US
PITCHING US
Privacy policy
GET INVOLVED!

Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
Back to top
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
  • Home
  • About
  • Upcoming Album Releases
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services