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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

Atwood Magazine's 146th Editor's Picks!
Columns, Editor's Picks, Features, MusicFebruary 6, 2026<February 18, 2026

Editor’s Picks 146: Cherry Bomb, Chet Faker, Claire Rosinkranz, The 4411, Donovan Woods, & Bad Tiger!

Katie Tupper © Nathan Lau
Debut, Interviews, Music, Today's SongFebruary 6, 2026<February 6, 2026

“I Will Be Your Safe Ground”: Katie Tupper Unleashes Her Smoky, Smoldering, Saskatchewan Soul

Whitney Fenimore 'State of Being' © Alysse Gafkjen
Features, Interviews, Music, Track-by-TrackFebruary 5, 2026<February 11, 2026

“Raw, Unapologetic, & Hopeful”: Whitney Fenimore Reclaims Her Faith, Self, & Peace on ‘State of Being,’ an Indie Folk Debut From Her Inner World

Brown Horse © Georgia Ward
Features, Interviews, Music, Track-by-TrackFebruary 5, 2026<February 5, 2026

Norwich Alt-Country Standouts Brown Horse Turned ‘All the Right Weaknesses’ into Their Greatest Strength

Yumi Zouma © Mikayla Hubert
Interviews, Music, Today's SongFebruary 5, 2026<February 5, 2026

“I’m Better Now That You’re in My Life”: Yumi Zouma Find Love in the Everyday on “Phoebe’s Song,” an Indie Rock Daydream

untitled freak's Ali Genevich © Mars Alba
Artist to Watch, Debut, Interviews, MusicFebruary 4, 2026<February 4, 2026

“Pure Sporadic Emotion”: Ali Genevich’s untitled freak Debuts With Raw Intimacy and Unfiltered Self-Reckoning

Noah Kahan "The Great Divide" © Patrick McCormack
Music, Reviews, This Just InFebruary 3, 2026<February 7, 2026

“I Hope You Settle Down, I Hope You Marry Rich”: Noah Kahan Bridges “The Great Divide” With a Raw Reckoning on Distance, Regret, & the Cost of Growing Apart

mer marcum "Body" © Marc Guiffre
Interviews, Music, Today's SongFebruary 2, 2026<February 2, 2026

“I’m Finally Getting Clean”: mer marcum Finds Release Through Listening on “Body” (ft. Jia*), a Hushed, Slow-Burning Indie Folk Exhale

Atwood Magazine's 145th Editor's Picks!
Columns, Editor's Picks, Features, MusicJanuary 30, 2026<January 30, 2026

Editor’s Picks 145: Holly Humberstone, Konradsen, Blessing Jolie, MX LONELY, Lia Pappas-Kemps, & Louis Oliver!

Light Bird © Christina Visconti
Debut, Music, PremieresJanuary 29, 2026<January 29, 2026

“You had a good day girl, so why are you crying?”: Light Bird Honors the Cost of Becoming Her True Self on “Williamsburg Bridge”

Elijah Wolf © courtesy of the artist
Interviews, Music, Today's SongJanuary 29, 2026<January 29, 2026

“Wanted a Different Life, Born in a Different Town”: Elijah Wolf’s Weathered “Texaco Lights” Is an Ode to Small-Town America and the Inescapable Ache of Home

Michael Marcagi is a Midwest Kid © Jimmy Fontaine
Features, Interviews, Music, Track-by-TrackJanuary 28, 2026<January 28, 2026

“It’s in My Blood, It’s in My Bones”: Michael Marcagi Is – and Will Always Be – a ‘Midwest Kid’

Alice Merton 'Visions' © Elias Köhler
Features, Interviews, MusicJanuary 28, 2026<January 28, 2026

“If I’m Not Steering the Ship, No One Else Is”: Alice Merton Insists on Blind Faith and Self-Trust on ‘Visions,’ Her Defiant, Empowering, & Unapologetic Third Album

Tony DV © Alex Kennedy
Artist to Watch, Debut, Interviews, Music, Today's SongJanuary 28, 2026<January 28, 2026

“I Don’t Know Where I’m Going, and I Don’t Care”: Tony DV Is a “Buff Boy,” and You Can Be One, Too

Spanish Love Songs © Hannah Gray Hall
Features, Interviews, MusicJanuary 27, 2026<February 11, 2026

“Who Gives a F*** About Landing?”: Spanish Love Songs Are Making Music for People Who Are Still in It

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Recent Posts

  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning April 3, 2026
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem April 3, 2026
  • The Clockworks’ Sophomore Album ‘The Entertainment’ Is Where the Noise Softens and the Truth Slips Through April 3, 2026
  • MONSTA X Rework Their English Sound With a More Personal Edge on ‘Unfold’ April 3, 2026
  • “Chose Faith Instead of Facing the Past”: Brooklyn’s Myra Lee Erupt with “Magpie,” a Feverish, Slow-Burning Indie Rock Reintroduction April 2, 2026
  • “I Know How to Hurt Myself on You”: MUNA Turn Heartbreak into Kinetic Euphoria on “Dancing on the Wall” April 2, 2026
  • Editor’s Picks 151: The Temper Trap, Lola Blue, Mount St. Helen, Eliza Edens, Radium Dolls, & Local the Neighbour! April 1, 2026
  • Today’s Song: Stock Band Return with “Today’s Song,” an Indie Anthem That Checks All the Boxes April 1, 2026
  • “I Just Got My Heart Broken, But I Look F**kin’ Fabulous”: MEEK Breaks Out with “Fabulous,” a Loud, Unapologetic, & Utterly Irresistible Pop Anthem April 1, 2026
  • “I Needed to Make Something Beautiful as Things Fell Apart”: Maria Taylor Finds Renewal in the Ruins on ‘Story’s End’ April 1, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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