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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

Still Blank © Travis Bailey
Artist to Watch, Columns, Interviews, Music, Today's SongSeptember 30, 2025<September 30, 2025

The Kids “Ain’t Quite Right”: Still Blank Emerge from the Dark with a Haunting Alt-Rock Fever Dream

Ellur "Missing Kid" © Sarah Oglesby
Artist to Watch, Interviews, MusicSeptember 27, 2025<September 27, 2025

“This Sinking Feeling, I Know It So Well”: Ellur Channels Anxiety into Anthemic Indie Rock on “Missing Kid”

Couch © Billy Landers x Prophet Media
Artist to Watch, Interviews, Music, Today's SongSeptember 26, 2025<September 26, 2025

Artist to Watch: Boston’s Couch Embrace ‘Big Talk,’ Brash Emotions, & Bold Sounds in “What Were You Thinking”

for your entertainment - Savanna Leigh
Music, PremieresSeptember 25, 2025<September 26, 2025

“Aim for the highs and learn from the lows”: Savanna Leigh Finds Freedom on “for your entertainment,” an Indie Pop Anthem of Chaos & Becoming

Coral Moons "Apartment" © Amber Layton
Features, Interviews, Music, PremieresSeptember 25, 2025<September 25, 2025

“Am I Just Counting the Seconds?”: Coral Moons Confront Anxiety & Existence on “Apartment,” an Emotionally Charged Indie Rock Reckoning

runo plum "Lemon Garland" © Alexa Viscius
Artist to Watch, Columns, Interviews, Music, Today's SongSeptember 24, 2025<September 24, 2025

“Give Me Company, Barefoot and Muddy”: runo plum on the Magic of Friendship and Her Tender Folk Fantasy “Lemon Garland”

Little Dog Star © 2025
Artist to Watch, Interviews, MusicSeptember 19, 2025<September 19, 2025

Artist to Watch: Little Dog Star Debuts with “It’s You,” a Radiant Anthem of Love, Longing, & London

The Tullamarines © Jack Fenby
Artist to Watch, Interviews, MusicSeptember 18, 2025<September 18, 2025

“If I Say I Love Myself, I’m Lying”: Adelaide’s The Tullamarines on Making Sad-Happy Songs & Finding Strength in Vulnerability

Siibii and Aysanabee "Body to Body" © Vera Oh
Music, Music Videos, PremieresSeptember 17, 2025<September 17, 2025

“Your Love Is Medicine”: Siibii and Aysanabee Premiere “Body to Body,” a Soul-Stirring Anthem of Sacred Intimacy, Healing, & Reclamation

Jake & Shelby © Emmy Meleika
Columns, Music, PremieresSeptember 3, 2025<September 3, 2025

“I Don’t Wanna Be Fragile”: Jake & Shelby Bare Their Souls in “Fragile,” an Achingly Intimate Indie Pop Confessional

Luca Wilding "Leonine" © Aisha Schliessler
Columns, Music, Music Videos, PremieresSeptember 3, 2025<September 17, 2025

“Oh Man, He Must Be Free”: Luca Wilding Explores the Duality of Memory in “Leonine,” a Dreamy Indie Folk Song of Grief, Light, & Liberation

Goldie Boutiliere © Greg Swales
Artist to Watch, Interviews, MusicSeptember 3, 2025<September 3, 2025

“Gangster in a Gown”: Goldie Boutilier Steps into Her Prime as ‘Goldie Montana,’ an Outlaw Era of Grit, Glamour, & Bad Decisions

Nicki Bluhm © Lauren Massie
Music, PremieresSeptember 2, 2025<September 2, 2025

“I’m Just Along for the Ride”: Nicki Bluhm Premieres “Tumbleweed,” a Radiant, Soulful Ode to Surrender & the Present Moment

Jack Garratt 'Pillars' © Wolf James
Features, Interviews, MusicSeptember 2, 2025<October 6, 2025

“There Are Red Flags All Over the Place”: Jack Garratt’s Big Risks Pay Off on ‘Pillars,’ an Unflinching Album of Love, Scars, & Survival

Lindsey Rose Black © Lauren Bennet
Columns, Music, Today's SongSeptember 1, 2025<September 1, 2025

“You Can’t Take the Cunt, Honey, Out of Country”: Lindsey Rose Black Is Unleashed in a Bold, Queer Feminist Fever Dream

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Recent Posts

  • “I Love Weird Sounds with a Lot of Texture”: Fig Tape Serves Up ‘Forcefed Serenity,’ a Genre-Blurring Fever Dream December 5, 2025
  • Today’s Song: Vân Scott’s “Turn Off the Tears” Is an Expansive Anthem of Resilience & Unshakable Spirit December 5, 2025
  • “I’ve heard happiness starts here”: East London’s Lucia Rivero Finds Abundance in Absence on “Nowhere” December 4, 2025
  • “What a Beautiful Thing”: Dijon Triumphs with ‘Baby,’ an All-Consuming Fever Dream of Love, Devotion, & the “Mania of Domesticity” December 4, 2025
  • “Hope Isn’t This Constant Flame; It Flickers a Bit”: Amanda Bergman on Musical Acts of Protest, Refusing to Go Numb, and Staying Grounded in a World Coming Undone December 4, 2025
  • “There Is No Right Path”: Katelyn Tarver on Choosing Herself and Becoming the Example That Was Missing December 4, 2025
  • “We’re Coming Home Again”: Of Monsters and Men Reset, Reconnect, & Rediscover Themselves on the Communal Odyssey of ‘All Is Love and Pain in the Mouse Parade’ December 3, 2025
  • “I Want to Be Able to Speak Openly About What Hurts”: Marem Ladson Confronts Her Past & Finds Her Voice on “Cavity,” a Dreamy Indie Folk Reverie December 3, 2025
  • “I’m Not the Bootleg Version of Any Artist”: Gabriel Jacoby Stakes His Claim with Swagger, Sweat, and Southern Fire on ‘gutta child’ December 3, 2025
  • “Love Is Not the Antidote”: Dove Ellis Reckons with Love’s Limits on “Love Is,” an Aching & Unrestrained Unraveling December 3, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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