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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

Shannen James © Ellena Paskevicius
Debut, Features, Interviews, Music, Track-by-TrackFebruary 2, 2024<February 2, 2024

“A Warm Hug”: Shannen James’ Spirited Debut ‘Patchwork’ Is a Stunning, Sun-Kissed Soundtrack to Life

Juice Webster © Ryan Kenny
Features, Interviews, Music, Track-by-TrackFebruary 1, 2024<February 1, 2024

Feature: Juice Webster’s Diaristic Debut ‘JULIA’ Is Raw, Emotionally Charged, Cathartic & Exposed

Handsome Ghost's self-titled third album, released in August 2023
Features, Interviews, Music, Track-by-TrackFebruary 1, 2024<February 1, 2024

A Document of Life Itself: Handsome Ghost’s Achingly Introspective Alt-Folk Reverie

The Bygones © Brett Warren
Music, Music Videos, PremieresFebruary 1, 2024<February 1, 2024

“I’m glad I knew you”: The Bygones Process Grief & Gratitude in “Glad,” a Rich, Radiant Folk Reverie

Humbird © Juliet Farmer
Music, PremieresFebruary 1, 2024<February 1, 2024

Premiere: Humbird’s Soul-Stirring “Right On” Aches With Tender Folk & a Timeless Warmth

Sleeping Jesus © Harrison McCormick
Features, Interviews, Music, Track-by-TrackJanuary 31, 2024<January 31, 2024

Track-by-Track: Sleeping Jesus Channel Midwestern Magic into ‘Hollywood Smile,’ Their Wistful, Sentimental, & Hopeful Sophomore Album

Del Water Gap & Holly Humberstone © Angela Riccardi & Charlotte Alex
Columns, Music, Today's SongJanuary 31, 2024<January 31, 2024

“Let’s keep living how we’re living”: Del Water Gap & Holly Humberstone’s “Cigarettes & Wine” Is a Dreamy, Romantic Rendezvous

Bloomsday © Sam Weisenthal
Interviews, MusicJanuary 31, 2024<January 31, 2024

Interview: Grief & Memory Converge on Bloomsday’s Achingly Beautiful “Where I End and You Begin”

CMAT © Sarah Doyle
Features, Interviews, MusicJanuary 30, 2024<January 30, 2024

“Healing is not linear”: CMAT Is Exposed & Unleashed on ‘Crazymad, For Me,’ Her Bold and Brilliant Breakup Album

junodream © Barney Curran
Debut, Features, Interviews, Music, Track-by-TrackJanuary 30, 2024<January 30, 2024

“Space, Alienation, & Wonder”: London’s junodream Unpack the Human Experience on ‘Pools of Colour,’ Their Soul-Stirring Debut Album

Marlene Larsen © XUS Photography
Columns, Debut, Music, Today's SongJanuary 29, 2024<January 29, 2024

“Happy birthday to me”: France’s Marlene Larsen Channels Inner Turmoil into Her Empowering, Spirited Alt-Rock Anthem “Birthday”

Black Polish © Alexandra Petruck
Debut, Features, Interviews, Music, Track-by-TrackJanuary 26, 2024<January 26, 2024

“Save me please”: Black Polish’s Bold, Brutal, & Breathtaking Debut Album ‘Forest (Monsters Live In The Trees)’

NewDad © Alice Backham
Debut, Features, Interviews, Music, Track-by-TrackJanuary 26, 2024<January 26, 2024

Track-by-Track: NewDad Unpack the “Sad, Noisy Rock” World of ‘MADRA,’ Their Cathartic & Heavy-Hitting Debut Album

néomí © Sophie Paris
Features, Interviews, MusicJanuary 25, 2024<January 25, 2024

“It’s the extreme reactions in life that can be traumatic”: néomí’s New Year Starts in a Space of Empathy, Compassion, and Unflinching Honesty

Signe Vange © Sara Galbiati
Columns, Music, Today's SongJanuary 25, 2024<January 25, 2024

Today’s Song: The Gentle, Sun-Kissed Grace of Signe Vange’s “Canada”

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