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Mitch Mosk

Mitch Mosk

Mitch is the Editor-in-Chief of Atwood Magazine and a 2014 graduate from Tufts University, where he pursued his passions of music and psychology. He currently works at Universal Music Group in New York City. In his off hours, Mitch may be found songwriting, wandering about one of New York's many neighborhoods, or writing an article on your next favorite artist for Atwood. Mitch's words of wisdom to fellow musicians and music lovers are thus: Keep your eyes open and never stop exploring. No matter where you go, what you do or who you are with, you can always learn something new and inspire something amazing. Say hi here: mitch[at]atwoodmagazine[dot]com

Sister. © 2023
Debut, Features, Interviews, MusicOctober 20, 2023<October 20, 2023

Maximalist, Homemade, & Joyful: A Guide to sister.’s Deeply Vulnerable Debut Album, ‘Abundance’

Emily Vaughn © 2023
Music, Music Videos, PremieresOctober 19, 2023<October 19, 2023

Premiere: Emily Vaughn’s “is anybody happy?” Is a Vulnerable, Raw Reckoning With Adult Anxiety

Matilda Lyn © 2023
Columns, Music, Today's SongOctober 19, 2023<October 19, 2023

Artist to Watch: Matilda Lyn’s “Fooled by September” Is a Fragile Ode to Fleeting Beauty

Signe Vange © Sara Galbiati
Music, Music Videos, PremieresOctober 19, 2023<October 19, 2023

Premiere: The Dreamy Warmth & Existential Ache of Signe Vange’s “Skyscraper” ft. Lise Westzynthius

Imogen Clark © Michelle Grace Hunder
Music, PremieresOctober 19, 2023<October 19, 2023

“If I want in, I gotta get out”: Imogen Clark Channels Angst, Energy, & Ambition into Her Spirited New Single

Gregory Alan Isakov © Glen Ross
Features, Interviews, MusicOctober 19, 2023<October 19, 2023

“Punching into a Daydream Factory”: Gregory Alan Isakov and the Quiet Warmth of ‘Appaloosa Bones’

Ricky Montgomery © Haley Appell
Features, Interviews, Music, Track-by-TrackOctober 18, 2023<October 17, 2023

Track-by-Track: Ricky Montgomery’s ‘Rick’ Is a Big, Bold Record With Big, Raw Feelings

B-Drop
Music, PremieresOctober 17, 2023<April 7, 2024

Premiere: B-Drop Worldwide Showcases VALÉ & Foxtide

Ursa Major Revelation © Ursula Strauss
Debut, Music, Premieres, Track-by-TrackOctober 17, 2023<October 17, 2023

EP Premiere: Ursa Major Revelation Debut With ‘Big Baby,’ a Seductive Futurepop Reverie

Sydney Sprague © Michael Carter
Features, Interviews, MusicOctober 16, 2023<October 16, 2023

Trauma, Gossip, & Raccoon Memes: Sydney Sprague Dives into the Depths of ‘somebody in hell loves you’

Rob Grant 'Lost at Sea' © Chuck Grant
Debut, Features, Interviews, MusicOctober 13, 2023<October 13, 2023

Interview: ‘Lost at Sea’ with Rob Grant, Lana Del Rey’s Ambient Music-Making Father

Robert Kretzschmar © Noel Richter
Debut, Features, Music, Premieres, Track-by-TrackOctober 12, 2023<October 12, 2023

Melancholy, Warmth, & Relaxation: Robert Kretzschmar’s Debut Album Is a Beautifully Tender Alt-Folk ‘Homecoming’

Katie Gregson-MacLeod © Harvey Pearson
Artist to Watch, Columns, Music, Today's SongOctober 12, 2023<October 12, 2023

Artist to Watch: Getting Vulnerable With Katie Gregson-MacLeod’s Aching Anthem, “Your Ex”

Jordan Lindley © Chelsea Rochelle
Music, PremieresOctober 12, 2023<April 24, 2024

Premiere: The Raw Ache, Weight, & Intimacy of Jordan Lindley’s Love Song, “Me & The Spiders”

Sister. © 2023
Columns, Music, Today's SongOctober 11, 2023<October 11, 2023

Today’s Song: The Raw Connection & Soul-Stirring Vulnerability of sister.’s “Abundance”

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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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