• Home
  • About
  • Upcoming Album Releases
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services
Atwood Magazine - For the Love of Music For the Love of Music
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
Nasim Elyasi

Nasim Elyasi

Nasim is a San Francisco-based writer. She loves music, words, and being outside. You can find her on the couch watching “No Reservations” with her cats, or anywhere there is live music.

James Vincent McMorrow © Rich Gilligan
Features, Interviews, MusicJune 21, 2024<June 23, 2024

“Rebuilding myself as a human being”: James Vincent McMorrow Returns Home with ‘Wide open, horses’

Bombay Bicycle Club © Tom Oxley
Features, Interviews, MusicFebruary 28, 2024<February 27, 2024

Finding Freedom in Our Fantasies: An Interview With Bombay Bicycle Club

Runnner © India Coombs
Features, Interviews, MusicFebruary 21, 2024<February 21, 2024

When Words Fail: A Conversation with Runnner

Marika Hackman © Steve Gullick
Features, Interviews, MusicJanuary 22, 2024<September 5, 2025

Happy for a While: Marika Hackman on Her Provocative & Piercing Fourth Album ‘Big Sigh’

Indio Downey © Elizabeth Miranda
Features, Interviews, MusicNovember 20, 2023<January 24, 2024

Interview: Indio Downey Shares His Lust for Rock n’ Roll in “Dume” and Debut EP, ‘Cigarettes in Bed’

Briston Maroney © Muriel Margaret
Features, Interviews, MusicSeptember 1, 2023<September 1, 2023

Interview: Briston Maroney on Life’s “Ultrapure” Moments

Palehound's El Kempner © Tonje Thilesen
Features, Interviews, MusicAugust 30, 2023<August 30, 2023

Keep Your ‘Eye on the Bat’: An Interview with Palehound’s El Kempner

The Japanese House © Jay Seba
Features, Interviews, MusicJuly 18, 2023<October 11, 2024

In the End It Always Does: A Conversation with The Japanese House

Blondshell © Nick Walker
Features, Interviews, MusicJune 22, 2023<January 30, 2024

Clawing Her Way Out: A Conversation With Blondshell

Hippo Campus © Shervin Lainez
Music, ReviewsApril 29, 2023<April 30, 2023

EP Review: Indie Rock Outlaws Hippo Campus Return with ‘Wasteland’

The Japanese House © Max Barnett
Columns, Music, Today's SongMarch 22, 2023<January 30, 2024

Today’s Song: The Japanese House Rewrites History with New Single “Boyhood”

boygenius (L-R: Phoebe Bridgers, Lucy Dacus & Julien Baker) © Harrison Whitford
Columns, Music, Reviews, Today's SongJanuary 30, 2023<January 30, 2023

Review: boygenius Are Back with “$20,” “Emily I’m Sorry,” & “True Blue” Off New Album, ‘the record’

Marketa Irglova © Lena Bushart
Features, Interviews, MusicJanuary 5, 2023<January 17, 2023

Interview: Markéta Irglová’s Roots Go Deep on Beautifully Vulnerable Album ‘Lila’

Samia © Sophia Matinazad
Columns, Music, Today's SongOctober 26, 2022<October 25, 2022

Today’s Song: Samia Returns on Angel Wings with “Kill Her Freak Out”

Are You Kidding Me????? - Henry Hall
Features, Interviews, MusicSeptember 30, 2022<September 30, 2022

Interview: Henry Hall Embraces His Neurotic Side in ‘Are You Kidding Me?????’ EP

Posts pagination
1 2 3 4

Recent Posts

  • “I Love Weird Sounds with a Lot of Texture”: Fig Tape Serves Up ‘Forcefed Serenity,’ a Genre-Blurring Fever Dream December 5, 2025
  • Today’s Song: Vân Scott’s “Turn Off the Tears” Is an Expansive Anthem of Resilience & Unshakable Spirit December 5, 2025
  • “I’ve heard happiness starts here”: East London’s Lucia Rivero Finds Abundance in Absence on “Nowhere” December 4, 2025
  • “What a Beautiful Thing”: Dijon Triumphs with ‘Baby,’ an All-Consuming Fever Dream of Love, Devotion, & the “Mania of Domesticity” December 4, 2025
  • “Hope Isn’t This Constant Flame; It Flickers a Bit”: Amanda Bergman on Musical Acts of Protest, Refusing to Go Numb, and Staying Grounded in a World Coming Undone December 4, 2025
  • “There Is No Right Path”: Katelyn Tarver on Choosing Herself and Becoming the Example That Was Missing December 4, 2025
  • “We’re Coming Home Again”: Of Monsters and Men Reset, Reconnect, & Rediscover Themselves on the Communal Odyssey of ‘All Is Love and Pain in the Mouse Parade’ December 3, 2025
  • “I Want to Be Able to Speak Openly About What Hurts”: Marem Ladson Confronts Her Past & Finds Her Voice on “Cavity,” a Dreamy Indie Folk Reverie December 3, 2025
  • “I’m Not the Bootleg Version of Any Artist”: Gabriel Jacoby Stakes His Claim with Swagger, Sweat, and Southern Fire on ‘gutta child’ December 3, 2025
  • “Love Is Not the Antidote”: Dove Ellis Reckons with Love’s Limits on “Love Is,” an Aching & Unrestrained Unraveling December 3, 2025
ABOUT US
PITCHING US
Privacy policy
GET INVOLVED!

Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
Back to top
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
  • Home
  • About
  • Upcoming Album Releases
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services