• Home
  • About
  • New Music Calendar
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services
Atwood Magazine - For the Love of Music For the Love of Music
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
Nasim Elyasi

Nasim Elyasi

Nasim is a San Francisco-based writer. She loves music, words, and being outside. You can find her on the couch watching “No Reservations” with her cats, or anywhere there is live music.

Porches © Jason Al-Taan
Features, Interviews, MusicSeptember 25, 2024<September 5, 2025

“I have always been drawn to the in-between stuff”: Porches on His Supersaturated and Sonorous LP, ‘Shirt’

Still Woozy 'Loveseat' © Alex Kennedy
Features, Interviews, MusicJuly 2, 2024<September 5, 2025

“Maybe the music is the saving grace”: Still Woozy’s Sven Gamsky Gets Comfortable with ‘Loveseat’

Lake Street Dive © Shervin Lainez
Features, Interviews, MusicJune 27, 2024<June 29, 2024

Interview: Lake Street Dive Discuss the Joyful Rebellion of ‘Good Together,’ Their Spirited & Spontaneous Eighth Album

James Vincent McMorrow © Rich Gilligan
Features, Interviews, MusicJune 21, 2024<June 23, 2024

“Rebuilding myself as a human being”: James Vincent McMorrow Returns Home with ‘Wide open, horses’

Bombay Bicycle Club © Tom Oxley
Features, Interviews, MusicFebruary 28, 2024<February 27, 2024

Finding Freedom in Our Fantasies: An Interview With Bombay Bicycle Club

Runnner © India Coombs
Features, Interviews, MusicFebruary 21, 2024<February 21, 2024

When Words Fail: A Conversation with Runnner

Marika Hackman © Steve Gullick
Features, Interviews, MusicJanuary 22, 2024<September 5, 2025

Happy for a While: Marika Hackman on Her Provocative & Piercing Fourth Album ‘Big Sigh’

Indio Downey © Elizabeth Miranda
Features, Interviews, MusicNovember 20, 2023<January 24, 2024

Interview: Indio Downey Shares His Lust for Rock n’ Roll in “Dume” and Debut EP, ‘Cigarettes in Bed’

Briston Maroney © Muriel Margaret
Features, Interviews, MusicSeptember 1, 2023<September 1, 2023

Interview: Briston Maroney on Life’s “Ultrapure” Moments

Palehound's El Kempner © Tonje Thilesen
Features, Interviews, MusicAugust 30, 2023<August 30, 2023

Keep Your ‘Eye on the Bat’: An Interview with Palehound’s El Kempner

The Japanese House © Jay Seba
Features, Interviews, MusicJuly 18, 2023<October 11, 2024

In the End It Always Does: A Conversation with The Japanese House

Blondshell © Nick Walker
Features, Interviews, MusicJune 22, 2023<January 30, 2024

Clawing Her Way Out: A Conversation With Blondshell

Hippo Campus © Shervin Lainez
Music, ReviewsApril 29, 2023<April 30, 2023

EP Review: Indie Rock Outlaws Hippo Campus Return with ‘Wasteland’

The Japanese House © Max Barnett
Columns, Music, Today's SongMarch 22, 2023<January 30, 2024

Today’s Song: The Japanese House Rewrites History with New Single “Boyhood”

boygenius (L-R: Phoebe Bridgers, Lucy Dacus & Julien Baker) © Harrison Whitford
Columns, Music, Reviews, Today's SongJanuary 30, 2023<January 30, 2023

Review: boygenius Are Back with “$20,” “Emily I’m Sorry,” & “True Blue” Off New Album, ‘the record’

Posts pagination
1 2 3 4 5

Recent Posts

  • “It’s all waiting there for you”: Harry Styles Captures the Beauty of Music Discovery & Offers an Outlook on Life Itself on “Carla’s Song” April 7, 2026
  • “You Can Reject the Script That’s Handed to You”: The Undercover Dream Lovers’ Matt Koenig Is Living Life on His Own Terms (And You Can, Too) April 6, 2026
  • Roundtable Discussion: A Review of Harry Styles’ ‘Kiss All The Time. Disco, Occasionally.’ April 6, 2026
  • Joshua Quimby Is Redefining What It Means to Be Country April 6, 2026
  • Melanie Martinez’s ‘HADES’: A Descent into Pop’s Most Unsettling Underworld April 6, 2026
  • The Magical Renaissance of U2: A Reflection on ‘Days of Ash’ and ‘Easter Lily’ April 6, 2026
  • “Not what you said, but how you said it”: Charlie Lim Lays Himself Bare on “Nobody’s Home,” a Gut-Wrenching Portrait of Grief and Emotional Reckoning April 3, 2026
  • “SWEET LOVE”: Stephen Sanchez Falls Head Over Heels into a Feel-Good, Heart-on-Sleeve Retro-Pop Anthem April 3, 2026
  • The Clockworks’ Sophomore Album ‘The Entertainment’ Is Where the Noise Softens and the Truth Slips Through April 3, 2026
  • MONSTA X Rework Their English Sound With a More Personal Edge on ‘Unfold’ April 3, 2026
ABOUT US
PITCHING US
Privacy policy
GET INVOLVED!

Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
Back to top
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
  • Home
  • About
  • New Music Calendar
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services