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Natalie Harmsen

Natalie Harmsen

Natalie has a journalism degree from Carleton University where she graduated with high distinction. When she isn't listening to music, she can be found lip-synching and dancing to it at the loudest possible volume.

Screenshot from Young the Giant's "Amerika" visualizer
Columns, Music, Today's SongMay 4, 2016<May 8, 2016

Today’s Song: Young the Giant Relax and Ignite on “Amerika”

Hein Cooper © Yani Clarke
Debut, Music, Our Take, ReviewsApril 27, 2016<April 27, 2016

Our Take: Hein Cooper’s Blissful Balladry on “The Art of Escape”

The Zolas
Music, Our Take, ReviewsApril 12, 2016<April 11, 2016

Our Take: The Zolas Fall in Love with Life on “Swooner”

Screenshot from Cape Cub's "Closer" music video
Columns, Debut, Music, Today's SongMarch 15, 2016<March 15, 2016

Today’s Song: The Hollow Fragility of Cape Cub’s “Closer”

The Crookes © India Hobson
Features, Music, Our Take, ReviewsMarch 2, 2016<March 11, 2016

Our Take: The Crookes Find Sweet Serendipity with “Lucky Ones”

Ra Ra Riot © Shervin Lainez
Columns, Music, Today's SongFebruary 11, 2016<February 11, 2016

Today’s Song: Ra Ra Riot is Roaring on “Absolutely”

Alessia Cara © Meredith Truax
Debut, Music, Our Take, ReviewsNovember 19, 2015<November 19, 2015

Our Take: Alessia Cara Is a Rebellious Wallflower On “Know-It-All”

Hippo Campus © Chris Sikich
Columns, Music, Today's SongNovember 9, 2015<November 10, 2015

Today’s Song: The Sweetness of “South” by Hippo Campus

Posts pagination
1 2 3

Recent Posts

  • “It’s Okay to Slow Down and Listen to Yourself”: Anna Shoemaker Builds a Life of Her Own on ‘Back to Pennsylvania,’ a Soul-Stirring Portrait of Homecoming, Self-Discovery, & Second Chances November 13, 2026
  • “A person in my own becoming”: Marie Dresselhuis Emphasizes the Innate Human Need for Connection and Imperfection in “Leave the Music” November 13, 2026
  • Track-by-Track: Livingmore Celebrate the Strange Beauty of Being Alive November 13, 2026
  • “Fun as Rebellion”: Babes in Canyon Laugh in the Face of the Apocalypse on “Look Outside,” a Feverish Indie Pop Joyride November 12, 2026
  • “I’ll Build a New World Brick by Brick”: Danny Malone Fights for His Future on “Better Things,” a Heart-Wrenching, Life-Affirming Anthem of Second Chances November 12, 2026
  • “There’s Heaven in the Suburbs”: Gang of Youths Bask in the Joy of Becoming on “Things Take Time,” a Golden-Hued Ode to Patience and Possibility November 11, 2026
  • “I’ll Miss You Forever and Ever”: Julia Logan Rides Love’s Bittersweet High on “Tidal Wave,” a Lush, Sun-Kissed Folk Pop Reverie November 11, 2026
  • Friendship, Laughter, & Harmony: Tiny Habits Set Themselves Free on ‘Keepers,’ a Colorful Portrait of Living and Loving Out Loud November 11, 2026
  • Anberlin Are Still Writing Their Own Story: On Change, Creative Trust, and ‘CURRENCY’ November 11, 2026
  • Why Is It So Hard for Great Musicians to Stay Together? Oysterhead, Supergroups, and the Perils of Creative Genius November 10, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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