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Nic Nichols

Nic Nichols

Nic Nichols is a Los Angeles based writer and musician. She spends most of her time playing guitar and trying to bring the plants she's neglected back to life.

Forest Claudette © Lissyelle Laricchia
Interviews, MusicFebruary 16, 2024<February 16, 2024

“I’m Trying to Come Out from Within”: Forest Claudette Channels Vulnerability & Queer Identity into “Kobe Beef”

Another Door - maeve & quinn
Debut, Music, PremieresSeptember 7, 2023<September 7, 2023

Premiere: maeve & quinn Explore Dynamic Friendship & Selfhood in Debut Album ‘Another Door’

LEONE © Jeff Buckholz
Music, Premieres, Track-by-TrackAugust 17, 2023<August 17, 2023

Premiere: Queer Alt-Rock Band LEONE Show Their Full Hand in Sophomore EP ‘GTFOH’

Indigo De Souza © Angella Chloe 9.6
Music, Our Take, ReviewsJuly 6, 2023<July 6, 2023

Our Take: Indigo De Souza Reaches Enlightenment in ‘All of This Will End’

EMELINE © Andrea Riba
Features, Interviews, MusicJanuary 4, 2023<January 5, 2023

“It Felt Like a Birth”: EMELINE on Her Explosive Debut and Latest Single, “Venting to Strangers”

Wolf Alice Performing at The Wiltern in Los Angeles © Nic Nichols
Concerts, Music, ReviewsNovember 23, 2022<November 23, 2022

Live Review: Wolf Alice Close Their North American ’22 Tour in Los Angeles

Suki Waterhouse © Émilie Richard-Froozan
Features, Interviews, MusicNovember 10, 2022<November 10, 2022

Coolest Girl in the World: Suki Waterhouse Talks Nostalgia, Tour, and Her ‘Milk Teeth’ EP

Midnights - Taylor Swift 9.1
Music, Our Take, ReviewsOctober 28, 2022<March 11, 2023

Our Take: Taylor Swift Stops Time with 10th Album ‘Midnights’

'Shame' album art - Fable
Features, Interviews, MusicOctober 25, 2022<October 25, 2022

Interview: Fable on Her Debut Album ‘Shame’ and the Fall of a Generation

Hold on Baby - King Princess album artwork 8.3
Music, Our Take, ReviewsOctober 12, 2022<October 12, 2022

Our Take: King Princess Proves She Deserves Her Crown with ‘Hold on Baby’

Suki Waterhouse "Nostalgia" © Émilie Richard-Froozan
Columns, Music, Music Videos, Today's SongOctober 5, 2022<October 4, 2022

Today’s Song: Suki Waterhouse Travels Back in Time with Romantic & Wistful “Nostalgia”

Bad Thing - Miya Folick
Columns, Music, Today's SongSeptember 21, 2022<September 21, 2022

Today’s Song: Miya Folick Grows Up Again in “Bad Thing” Off New EP ‘2007’

Indigo De Souza © Charlie Boss
Columns, Music, Today's SongAugust 30, 2022<August 30, 2022

Today’s Song: Indigo De Souza Finds Her Own Balance in “Hold U”

Recent Posts

  • “I’ve heard happiness starts here”: East London’s Lucia Rivero Finds Abundance in Absence on “Nowhere” December 4, 2025
  • “What a Beautiful Thing”: Dijon Triumphs with ‘Baby,’ an All-Consuming Fever Dream of Love, Devotion, & the “Mania of Domesticity” December 4, 2025
  • “Hope Isn’t This Constant Flame; It Flickers a Bit”: Amanda Bergman on Musical Acts of Protest, Refusing to Go Numb, and Staying Grounded in a World Coming Undone December 4, 2025
  • “There Is No Right Path”: Katelyn Tarver on Choosing Herself and Becoming the Example That Was Missing December 4, 2025
  • “We’re Coming Home Again”: Of Monsters and Men Reset, Reconnect, & Rediscover Themselves on the Communal Odyssey of ‘All Is Love and Pain in the Mouse Parade’ December 3, 2025
  • “I Want to Be Able to Speak Openly About What Hurts”: Marem Ladson Confronts Her Past & Finds Her Voice on “Cavity,” a Dreamy Indie Folk Reverie December 3, 2025
  • “I’m Not the Bootleg Version of Any Artist”: Gabriel Jacoby Stakes His Claim with Swagger, Sweat, and Southern Fire on ‘gutta child’ December 3, 2025
  • “Love Is Not the Antidote”: Dove Ellis Reckons with Love’s Limits on “Love Is,” an Aching & Unrestrained Unraveling December 3, 2025
  • “So What This, So What That”: Plain Mister Smith Turns Zen, Humor, & Human Messiness into Indie Rock Exhilaration on “Andy Warhol” December 2, 2025
  • “Bold, Honest, & Alive”: Louie Blue on Crafting the Warm, Moody, Instinct-Driven World of ‘Blood & Bones’ December 2, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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