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Nicole Almeida

Nicole Almeida

Is a dogs and music enthusiast, and spends most of her free time discovering new music, writing out thoughts, or photographing anything and anyone. An avid fan of Lady Bird, A24, and anything Saoirse Ronan and/or Timothée Chalamet related. Started a cactus collection she loves to talk about (they have names), and has very strong opinions on very random subjects like soup.

Pizzagirl © John Latham
Features, Interviews, MusicNovember 30, 2018<November 30, 2018

Chronicles of High School and ‘80s Nostalgia: A Conversation with Pizzagirl

Christine and the Queens © Nicole Almeida
Concerts, Music, ReviewsNovember 19, 2018<November 19, 2018

Christine and the Queens Redefines the Live Music Experience at Philadelphia’s Union Transfer

SILVER © Emma Van Der Heide
Interviews, Music, PremieresOctober 31, 2018<October 31, 2018

Premiere: SILVER Turns Frustration into Colourful Fun with “Take It Away”

Your Smith © Gemma Warren
Features, Interviews, MusicOctober 30, 2018<October 30, 2018

Power in Reinvention and Identity: A Conversation with Your Smith

Katy Rea © Sara Laufer
Music, PremieresOctober 17, 2018<October 17, 2018

Premiere: Get Better with Katy Rea’s “Brain on Snacks”

The Japanese House © Jim Mangan
Music, Reviews, This Just InSeptember 28, 2018<October 30, 2018

This Just In: Finding Hope in Love in The Japanese House’s “Lilo”

Your Smith © Gemma Warren
Columns, Music, Today's SongSeptember 28, 2018<September 28, 2018

Today’s Song: Your Smith Makes Love a “Bad Habit”

FINNEAS © Luke Fenstemaker
Columns, Music, Today's SongSeptember 24, 2018<September 24, 2018

Today’s Song: FINNEAS Moves On and Burns the Evidence in “College”

Wafia © Zoe Lawrence
Columns, Music, Today's SongAugust 31, 2018<September 20, 2018

Today’s Song: Wafia Finds Closure on Empowering Anthem “I’m Good”

Nightly © Louis Browne
Features, Interviews, MusicAugust 24, 2018<August 24, 2018

Call Out Their Name: A Conversation with Nightly

Dizzy © Leeor Wild
Debut, Features, Interviews, MusicAugust 21, 2018<August 29, 2018

Ascending from Suburbia and Adolescence: A Conversation with Dizzy

Our Girl © Hollie Fernando
Debut, Features, Interviews, MusicAugust 20, 2018<August 20, 2018

Interview with Our Girl: Strangers Today, But Not for Long

Drinker © Lincol Lute
Debut, Features, Interviews, MusicAugust 13, 2018<August 13, 2018

Cultivating an Individual Catharsis: A Conversation with Drinker

Rotana © Topher Shrigley
Features, Interviews, MusicAugust 10, 2018<August 10, 2018

In the Business of Humanity: A Conversation with Rotana

Calpurnia 2018 © Nicole Almeida
Concerts, Music, ReviewsJuly 27, 2018<July 27, 2018

Calpurnia Revive Rock’n’Roll at Irving Plaza

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Recent Posts

  • Roundtable Discussion: A Review of The Last Dinner Party’s ‘From the Pyre’ March 12, 2026
  • Dreaming in Sound: Reifier on Identity, Dreams, and the Making of ‘The Unfolding’ March 12, 2026
  • Living in the Moment with Florentenes’ Roaring Indie Rock Anthem “Madeline” March 12, 2026
  • “A Middle Finger to Music as We Know It”: Nory Embraces Tension, Recklessness & Raw Truth on ‘F**K THAT THIS THE RHYTHM’ March 11, 2026
  • You’ve Got Me Hummin’: No Hassle to Hear Early Billy Joel Melodies in New Doc, ‘And So It Goes’ March 11, 2026
  • “An Elegy for L. Skell”: An Essay by Human Potential’s Andrew Becker March 11, 2026
  • “Make That Money, Baby, Dig Your Grave”: Happy Landing Tear into the Myth of the American Dream on “The American Way” March 11, 2026
  • Dolphins on Acid Are Rediscovering the Tried-and-True Path to Success in Their Own Surf-Fueled Way March 10, 2026
  • With ‘Pretour,’ Kim Petras Fights to Share Her Bold New “Pop Sound” March 10, 2026
  • “Echo Chamber, Promise Breaker”: Philine Sonny Unleashes Raw Fury on “Outrun,” a Ferocious Alt-Rock Reckoning March 10, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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