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Nicole Almeida

Nicole Almeida

Is a dogs and music enthusiast, and spends most of her free time discovering new music, writing out thoughts, or photographing anything and anyone. An avid fan of Lady Bird, A24, and anything Saoirse Ronan and/or Timothée Chalamet related. Started a cactus collection she loves to talk about (they have names), and has very strong opinions on very random subjects like soup.

Tove Lo © Moni Haworth
Columns, Music, Today's SongJune 3, 2019<June 5, 2019

Today’s Song: In “Glad He’s Gone” Tove Lo is the Perfect BFF

Mark Diamond © Aleigh Michelle
Features, Interviews, MusicApril 29, 2019<April 29, 2019

The Hummingbird and The Flower: A Conversation with Mark Diamond

LÉON © Nicole Almeida
Concerts, Music, ReviewsApril 24, 2019<April 24, 2019

Live Review: LÉON Brings Her World to Life at The Foundry in Philadelphia

Jake Wesley Rogers © Jakob Wandel
Music, PremieresMarch 21, 2019<March 21, 2019

Premiere: “Little Queen” is Jake Wesley Rogers’ Spiritual Reckoning

Rose Gray © Harris Dickinson
Features, Interviews, MusicMarch 5, 2019<March 5, 2019

In Search of the Good Life: A Conversation with Rose Gray

The Japanese House Lilo
Features, Interviews, MusicMarch 1, 2019<March 20, 2019

Feature: Falling for The Japanese House

James Blake 2019 © Nicole Almeida
Concerts, Music, ReviewsFebruary 28, 2019<February 28, 2019

Live: James Blake’s Ravishing Minimalism Captivates Philadelphia

Mallrat © Michelle Pitris
Features, Interviews, MusicFebruary 14, 2019<February 14, 2019

On UFOs and Trusting Your Instinct: A Conversation with Mallrat

CMBYN Mystery of Love Header
Essays, MusicFebruary 8, 2019<February 26, 2019

Opinion: The Award-Worthy Visual Poetry in Sufjan Stevens’ “Mystery of Love”

Blaenavon © Luke Farley
Columns, Music, Today's SongFebruary 4, 2019<February 5, 2019

Today’s Song: Blaenavon’s “Catatonic Skinbag” Is a Self-Deprecative Triumph

filous © Harry Deadman
Interviews, MusicJanuary 31, 2019<February 1, 2019

Finding Connection in Collaborations: A Conversation with filous

Sunflower Bean © Andy De Luca
Music, Reviews, This Just InJanuary 25, 2019<January 28, 2019

Review: ‘King of the Dudes’ Will Make Sunflower Bean Live Forever

Angelo de Augustine - Tomb Cover Art
Music, ReviewsJanuary 22, 2019<January 22, 2019

Review: Angelo de Augustine Turns Heartbreak & its Collateral Damage into Beauty in ‘Tomb’

Alison Sudol © Marlene Marino
Features, Interviews, MusicJanuary 8, 2019<January 8, 2019

Can You Hear Me Now? A Conversation with Alison Sudol

Concerts, Music, ReviewsDecember 27, 2018<January 2, 2019

The Japanese House Returns, and Stuns, at Music Hall of Williamsburg

Posts pagination
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Recent Posts

  • “I’m as Strung Out as a Girl Can Get”: LA’s Julez and the Rollerz Crank Desire into a Feverish Rock ’n’ Roll Spectacle on “I Need Love” May 11, 2026
  • “I’m Coming Out the Gate Completely Honest”: Jessie Mazin Transforms Chaos into Connection on Debut EP ‘untitled.jpeg’ May 11, 2026
  • “Most of What Is Good Only Comes from the Bad”: Matt Corby on the Highs, Lows, & Sitting in the Discomfort on ‘Tragic Magic’ May 11, 2026
  • “I Tried to Show the Truth”: Tiffany Stringer Breaks the Fourth Wall on “Damn Good Actress,” a Cinematic and Soulful Reckoning from ‘The Lone Starlet’ May 11, 2026
  • A Mirrorball for Modern Times: Duran Duran Reignite the Dancefloor with “Free to Love” ft. Nile Rodgers May 11, 2026
  • Editor’s Picks 154: Borderline, Fiona-Lee, verygently, Adrian Lyles, Winyah, & Kat Cunning! May 8, 2026
  • Atwood Magazine’s Weekly Roundup: May 8, 2026 May 8, 2026
  • Roundtable Discussion: A Review of BTS’ ‘ARIRANG’ May 8, 2026
  • “We’ve Been Alone in This Long Enough”: An Essay by Aubrie Sellers May 8, 2026
  • Daniel Arison Turns Emotional Whiplash into Something Deeply Personal on “Sad” May 8, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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