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Nicole Almeida

Nicole Almeida

Is a dogs and music enthusiast, and spends most of her free time discovering new music, writing out thoughts, or photographing anything and anyone. An avid fan of Lady Bird, A24, and anything Saoirse Ronan and/or Timothée Chalamet related. Started a cactus collection she loves to talk about (they have names), and has very strong opinions on very random subjects like soup.

girl in red © Isak Jensen
Columns, Music, Today's SongSeptember 14, 2020<September 14, 2020

Today’s Song: girl in red’s Essential and Euphoric “rue”

Dream Wife © Sarah Piantadosi
Features, Interviews, MusicSeptember 4, 2020<September 4, 2020

A Little Dare: A Conversation with Dream Wife

Silly Boy Blue © Manu Fauque
Columns, Music, Today's SongSeptember 4, 2020<September 4, 2020

Today’s Song: Call Your Ex and Sing Silly Boy Blue’s “Hi, It’s Me Again”

Blush - Maya Hawke
Debut, Music, ReviewsAugust 24, 2020<August 24, 2020

Review: The Growing Pains of Maya Hawke’s Debut Album ‘Blush’

Softee © Alex Hass
Features, Interviews, Music, Music VideosAugust 14, 2020<August 14, 2020

A Hazy, Creative, and Colourful Collaboration: A Conversation with Softee and Eliza Scanlen

somegirlnamedanna © Catie Laffoon
Debut, Features, Interviews, MusicAugust 3, 2020<August 3, 2020

hello, this is somegirlnamedanna: On Honesty, Escapism, and Kitchen Tables

Dizzy © Pooneh Ghana
Features, Interviews, MusicJuly 31, 2020<August 11, 2020

All The Other Ways a Heart Can Break: A Conversation with Dizzy

Sufjan Stevens © 2020
Music, ReviewsJuly 29, 2020<July 29, 2020

Review: The Dissolution of Blind Faith, Then an Awakening in Sufjan Stevens’ “America” & “My Rajneesh”

Eliza & The Delusionals © Luke Henery
Features, Interviews, MusicMay 4, 2020<May 4, 2020

Feeling it All, and Then More: A Conversation with Eliza & The Delusionals

Features, Interviews, MusicApril 22, 2020<September 29, 2020

Reintroducing Maya Hawke: A Conversation about ‘Blush’, Poetry, and Identity

Jasmine Jethwa © Jenna Coombs
Debut, Features, Interviews, MusicMarch 18, 2020<April 16, 2020

In the Eye of the Hurricane: An Interview with Jasmine Jethwa

Cailin Russo © Naserin Bogado
Features, Interviews, MusicFebruary 27, 2020<February 27, 2020

Making the Most Out of ‘The Drama’: A Conversation with Cailin Russo

Beulahbelle © Connor Ellmann
Columns, Debut, Music, Today's SongFebruary 20, 2020<February 20, 2020

Today’s Song: Beulahbelle Fade In and Out of Love in Debut “Raleigh”

Columns, Music, Today's SongJanuary 31, 2020<January 31, 2020

Today’s Song: Soccer Mommy Pulls Back the Curtain on “circle the drain”

The 1975 © Nicole Almeida
Concerts, Music, ReviewsNovember 20, 2019<November 20, 2019

Live Review: It’s Time to Rebel with The 1975

Posts pagination
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Recent Posts

  • Mad Cool Festival 2026: Ten Years of Music and World Community July 31, 2026
  • Atwood Magazine’s Weekly Roundup: July 31, 2026 July 31, 2026
  • Roundtable Discussion: A Review of RAYE’s ‘THIS MUSIC MAY CONTAIN HOPE.’ July 31, 2026
  • The Man Behind the Music: How Jason Crisp Became One of Rock’s Most Trusted Guitar Techs July 31, 2026
  • “It’s Only Ever Been You”: Tom Iansek’s #1 Dads Celebrates Love with Sun-Soaked Devotion in “Already Something” July 31, 2026
  • “Music Is Meant to Feel Human”: Berlin’s Paul Holland Melts Time into a Dreamy Haze on His Spellbinding Debut ‘SUNFLOWER’ July 30, 2026
  • “Hey Steve, Who Broke Your Heart?”: Medium Build Humanizes the Emotionally Unavailable Man on “Home Depot” July 30, 2026
  • “It’s Easy to Lose Sight of What’s Real”: Essence Martins Reclaims Presence on “Can We All Slow Down,” a Soul-Stirring Reminder to Reconnect with the World July 30, 2026
  • “I No Longer Have the Privilege to Be Ambiguous”: Genesis Owusu Is Rallying Against a World in Disarray with ‘REDSTAR WU & THE WORLDWIDE SCOURGE’ July 30, 2026
  • “Being in a State of Transit Shakes Things Up”: Parlour Magic Bring a World of Influence Home with the Absorbing Synthpop of ‘The Embassy’ July 30, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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