• Home
  • About
  • Upcoming Album Releases
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services
Atwood Magazine - For the Love of Music For the Love of Music
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
Rachel Leong

Rachel Leong

LØLØ 'falling for robots & wishing i was one' © Steph Verschuren
Debut, Features, Interviews, MusicJune 7, 2024<June 7, 2024

“There’s something very freeing about oversharing with millions of strangers”: LØLØ Reflects on Her Unapologetically Confessional Debut, ‘falling for robots & wishing i was one’

Olivia Dean at Eventim Apollo, May 2024 © Rachel Min Leong
Concerts, Music, ReviewsMay 13, 2024<May 13, 2024

Radiant, Glowing, and Infectiously Fun: Olivia Dean Live at the Eventim Apollo, London

Luna Shadows © Lissyelle Laricchia
Columns, Music, Today's SongFebruary 20, 2024<February 20, 2024

“I’m missing the waves, I wanted to crash”: Luna Shadows’ “little rituals” Finds Liberation in Unabashed Deep Feeling

Samm Henshaw "Jumoké" © 2024
Features, Interviews, MusicJanuary 24, 2024<January 24, 2024

Interview: Samm Henshaw on “Jumoké,” Genre-Bending Musicianship, and Going With the Flow

Squirrel Flower's Ella Williams © Alexa Viscius
Music, ReviewsNovember 1, 2023<November 1, 2023

Review: Squirrel Flower Puts It All Out There in Shimmering Third Album, ‘Tomorrow’s Fire’

Flyte © Katie Silvester
Features, Interviews, MusicAugust 25, 2023<August 25, 2023

Interview: Flyte Announce Third Album & Discuss “Tough Love,” Marking Musical Expansion and New Takes on Songwriting

Rachel Min Leong
Columns, Meet Our WritersJuly 1, 2023<July 18, 2023

Meet Our Writers: Singapore’s Rachel Min Leong!

Abraham Alexander © Molly Dickson
Features, Interviews, MusicApril 17, 2023<April 30, 2023

“It’s more important to be open than it is to be ready”: Abraham Alexander on His Reflective & Powerful Debut Album ‘SEA/SONS’

Matt Corby © Billy Zammit
Features, Interviews, MusicApril 10, 2023<April 30, 2023

Matt Corby & ‘Everything’s Fine’: Growth, Introspection, and the Age of Social Media

phem © Jason Puma
Columns, Music, Today's SongApril 5, 2023<April 30, 2023

Today’s Song: phem Sheds Her Old Masks with Explosive New Single “slippery slope”

LØLØ © 2023
Columns, Music, Today's SongMarch 27, 2023<April 30, 2023

Today’s Song: LØLØ’s “5,6,7,8” (ft. girlfriends) Fills the Gaps of Nostalgia and Desire

SUPERGLUE - Ella Vos
Features, Interviews, MusicMarch 14, 2023<April 30, 2023

Interview: Ella Vos Shines with Feminine Reclamation in Third Album, ‘SUPERGLUE’

Akira Galaxy © Noah Witt
Columns, Debut, Music, Today's SongMarch 9, 2023<April 30, 2023

Today’s Song: Akira Galaxy Delivers an Ode to Lost Perspective in Captivating Debut, “Virtual Eyes”

Begonia © Calvin Lee Joseph
Features, Interviews, MusicFebruary 27, 2023<February 27, 2023

Interview: Begonia on Chasing Truth & Finding Calm in the Chaos in ‘Powder Blue’

Elanor Moss © Mon Levchenkova
Features, Interviews, MusicFebruary 22, 2023<February 22, 2023

Feature: Elanor Moss & the Universe of ‘Cosmic,’ Where Playful Honesty Meets Creative Experimentation

Posts pagination
1 2 3 4

Recent Posts

  • “I Love Weird Sounds with a Lot of Texture”: Fig Tape Serves Up ‘Forcefed Serenity,’ a Genre-Blurring Fever Dream December 5, 2025
  • Today’s Song: Vân Scott’s “Turn Off the Tears” Is an Expansive Anthem of Resilience & Unshakable Spirit December 5, 2025
  • “I’ve heard happiness starts here”: East London’s Lucia Rivero Finds Abundance in Absence on “Nowhere” December 4, 2025
  • “What a Beautiful Thing”: Dijon Triumphs with ‘Baby,’ an All-Consuming Fever Dream of Love, Devotion, & the “Mania of Domesticity” December 4, 2025
  • “Hope Isn’t This Constant Flame; It Flickers a Bit”: Amanda Bergman on Musical Acts of Protest, Refusing to Go Numb, and Staying Grounded in a World Coming Undone December 4, 2025
  • “There Is No Right Path”: Katelyn Tarver on Choosing Herself and Becoming the Example That Was Missing December 4, 2025
  • “We’re Coming Home Again”: Of Monsters and Men Reset, Reconnect, & Rediscover Themselves on the Communal Odyssey of ‘All Is Love and Pain in the Mouse Parade’ December 3, 2025
  • “I Want to Be Able to Speak Openly About What Hurts”: Marem Ladson Confronts Her Past & Finds Her Voice on “Cavity,” a Dreamy Indie Folk Reverie December 3, 2025
  • “I’m Not the Bootleg Version of Any Artist”: Gabriel Jacoby Stakes His Claim with Swagger, Sweat, and Southern Fire on ‘gutta child’ December 3, 2025
  • “Love Is Not the Antidote”: Dove Ellis Reckons with Love’s Limits on “Love Is,” an Aching & Unrestrained Unraveling December 3, 2025
ABOUT US
PITCHING US
Privacy policy
GET INVOLVED!

Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
Back to top
  • New Music Releases
  • Recent
  • Features
  • Interviews
  • Editor’s Picks
  • Reviews
    • Our Take
    • Debuts
    • Videos
    • Live
  • Columns
    • Premieres
    • Today’s Song
    • Weekly Roundup
    • Music You Should Know
    • Nostalgia Tracks
  • Home
  • About
  • Upcoming Album Releases
  • 2025 Artists to Watch
  • Get Involved
  • Pitching Us
  • Contact
  • Bio Services