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Sofia Sar

Sofia Sar

Sofia is a recent graduate from the University of California, Berkeley where she earned a Bachelor of Science in business administration with a minor in music. Growing up in the San Francisco Bay Area she developed an appreciation for the arts and especially, music. From posting guitar covers on Instagram to now writing album reviews on her favorite artists, she is always looking for different ways to incorporate music into her life.

Good Morning © Pooneh Ghana
Features, Interviews, MusicApril 26, 2024<April 26, 2024

They’re “happy just being here”: Good Morning’s ‘Good Morning Seven’ Finds Music in Life’s Mundanity

He's in love: Jelani Aryeh © Silken Weinberg
Features, Interviews, MusicFebruary 22, 2024<February 22, 2024

“It’s always gonna be a natural process”: Jelani Aryeh on Growing With the Music

I'm in Love - Jelani Aryeh
Columns, Music, Today's SongFebruary 1, 2024<February 1, 2024

Today’s Song: Addicting and All-Consuming, “I’m in Love” Is Jelani Aryeh’s Anthem to the Frustrations of Young Love

Eyedress and The Marías © Elvia Vicuna
Columns, Music, Today's SongJanuary 9, 2024<January 9, 2024

Today’s Song: Eyedress Discovers His Place in “A Room Up in the Sky” ft. The Marías

Tim Atlas © Paigge
Columns, Music, Today's SongDecember 10, 2023<December 10, 2023

Today’s Song: Tim Atlas Falls for the Seasonal Crush in Daydreamy & Hazy “The Deceiving”

'Blanket' album art - Kevin Abstract
Music, ReviewsNovember 20, 2023<November 20, 2023

Album Review: Kevin Abstract’s ‘Blanket’ Finds Comfort in Change

MICHELLE © Jimmy Fontaine
Columns, Music, Today's SongNovember 10, 2023<November 10, 2023

Today’s Song: MICHELLE’s “GLOW” & “AGNOSTIC” Are the Latest Entries into Their Sonic Scrapbook

Kevin Abstract © Lucas Creighton
Columns, Music, Today's SongOctober 21, 2023<October 21, 2023

Today’s Song: Kevin Abstract’s “Blanket” Is Scary… But in a Good Way

Live For Me - Omar Apollo 8.4
Music, Our Take, ReviewsOctober 11, 2023<October 11, 2023

Our Take: Omar Apollo Shares the Voices of Vulnerability in ‘Live for Me’

Animal Collective © Hisham Akira Bharoocha 7.9
Music, Our Take, ReviewsOctober 2, 2023<October 2, 2023

Our Take: Animal Collective’s ‘Isn’t It Now?’ Is Sonically Divine While Remaining Thematically Human

Mitski © Ebru Yildiz
Columns, Music, Today's SongSeptember 18, 2023<September 18, 2023

Today’s Song: Mitski’s “Star b/w Heaven” Is a Symphonic Double Feature

Recent Posts

  • “I Love Weird Sounds with a Lot of Texture”: Fig Tape Serves Up ‘Forcefed Serenity,’ a Genre-Blurring Fever Dream December 5, 2025
  • Today’s Song: Vân Scott’s “Turn Off the Tears” Is an Expansive Anthem of Resilience & Unshakable Spirit December 5, 2025
  • “I’ve heard happiness starts here”: East London’s Lucia Rivero Finds Abundance in Absence on “Nowhere” December 4, 2025
  • “What a Beautiful Thing”: Dijon Triumphs with ‘Baby,’ an All-Consuming Fever Dream of Love, Devotion, & the “Mania of Domesticity” December 4, 2025
  • “Hope Isn’t This Constant Flame; It Flickers a Bit”: Amanda Bergman on Musical Acts of Protest, Refusing to Go Numb, and Staying Grounded in a World Coming Undone December 4, 2025
  • “There Is No Right Path”: Katelyn Tarver on Choosing Herself and Becoming the Example That Was Missing December 4, 2025
  • “We’re Coming Home Again”: Of Monsters and Men Reset, Reconnect, & Rediscover Themselves on the Communal Odyssey of ‘All Is Love and Pain in the Mouse Parade’ December 3, 2025
  • “I Want to Be Able to Speak Openly About What Hurts”: Marem Ladson Confronts Her Past & Finds Her Voice on “Cavity,” a Dreamy Indie Folk Reverie December 3, 2025
  • “I’m Not the Bootleg Version of Any Artist”: Gabriel Jacoby Stakes His Claim with Swagger, Sweat, and Southern Fire on ‘gutta child’ December 3, 2025
  • “Love Is Not the Antidote”: Dove Ellis Reckons with Love’s Limits on “Love Is,” an Aching & Unrestrained Unraveling December 3, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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