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Sofia Sar

Sofia Sar

Sofia is a recent graduate from the University of California, Berkeley where she earned a Bachelor of Science in business administration with a minor in music. Growing up in the San Francisco Bay Area she developed an appreciation for the arts and especially, music. From posting guitar covers on Instagram to now writing album reviews on her favorite artists, she is always looking for different ways to incorporate music into her life.

Good Morning © Pooneh Ghana
Features, Interviews, MusicApril 26, 2024<April 26, 2024

They’re “happy just being here”: Good Morning’s ‘Good Morning Seven’ Finds Music in Life’s Mundanity

He's in love: Jelani Aryeh © Silken Weinberg
Features, Interviews, MusicFebruary 22, 2024<February 22, 2024

“It’s always gonna be a natural process”: Jelani Aryeh on Growing With the Music

I'm in Love - Jelani Aryeh
Columns, Music, Today's SongFebruary 1, 2024<February 1, 2024

Today’s Song: Addicting and All-Consuming, “I’m in Love” Is Jelani Aryeh’s Anthem to the Frustrations of Young Love

Eyedress and The Marías © Elvia Vicuna
Columns, Music, Today's SongJanuary 9, 2024<January 9, 2024

Today’s Song: Eyedress Discovers His Place in “A Room Up in the Sky” ft. The Marías

Tim Atlas © Paigge
Columns, Music, Today's SongDecember 10, 2023<December 10, 2023

Today’s Song: Tim Atlas Falls for the Seasonal Crush in Daydreamy & Hazy “The Deceiving”

'Blanket' album art - Kevin Abstract
Music, ReviewsNovember 20, 2023<November 20, 2023

Album Review: Kevin Abstract’s ‘Blanket’ Finds Comfort in Change

MICHELLE © Jimmy Fontaine
Columns, Music, Today's SongNovember 10, 2023<November 10, 2023

Today’s Song: MICHELLE’s “GLOW” & “AGNOSTIC” Are the Latest Entries into Their Sonic Scrapbook

Kevin Abstract © Lucas Creighton
Columns, Music, Today's SongOctober 21, 2023<October 21, 2023

Today’s Song: Kevin Abstract’s “Blanket” Is Scary… But in a Good Way

Live For Me - Omar Apollo 8.4
Music, Our Take, ReviewsOctober 11, 2023<October 11, 2023

Our Take: Omar Apollo Shares the Voices of Vulnerability in ‘Live for Me’

Animal Collective © Hisham Akira Bharoocha 7.9
Music, Our Take, ReviewsOctober 2, 2023<October 2, 2023

Our Take: Animal Collective’s ‘Isn’t It Now?’ Is Sonically Divine While Remaining Thematically Human

Mitski © Ebru Yildiz
Columns, Music, Today's SongSeptember 18, 2023<September 18, 2023

Today’s Song: Mitski’s “Star b/w Heaven” Is a Symphonic Double Feature

Recent Posts

  • The Runarounds Ask for Belief in Their Music First – “Arrhythmia (I Hope You Stay)” Still Points Toward Greater Potential February 20, 2026
  • Editor’s Picks 148: MARIS, Brigitte Calls Me Baby, midori jaeger, Brown Horse, Hayden Everett, & Happy Landing! February 19, 2026
  • Album Premiere: Drexler’s ‘Olympia-5’ Is a Montage of Memories, Charting the Process of Grief, Hope, & Reckoning February 19, 2026
  • “I Talk About You to Anybody Who’s Gonna Listen”: Donovan Woods Offers a Beautifully Devastating Act of Remembrance in a Stirring Folk Elegy February 19, 2026
  • ‘Big Changes’ Are Coming: Adam Sturgeon of Status/Non-Status on Identity, Responsibility, and Endurance in Modern Canada February 18, 2026
  • “I Know Myself Better Now”: Ásgeir Introduces ‘Julia’ as His Most Personal Album Yet February 18, 2026
  • “Sweet July, Could You Stay Here Forever?”: The 4411 Bottle the Ache of Growing Up in a Golden Indie Folk Ode to Friendship & Time February 18, 2026
  • “Let’s Slow Down and Be Brave”: Konradsen Embrace Enduring Love With “Efficiency,” a Smoldering Indie Folk Reverie February 17, 2026
  • “You say that it’s love, but you don’t even know me”: Grace VanderWaal’s “Prettier” Explores the Haunting Cost of Being Admired February 14, 2026
  • Editor’s Picks 147: Almost Heaven, Philine Sonny, Carter Vail, Haute & Freddy, Florentenes, & Endearments! February 13, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

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