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Sophie Severs

Sophie Severs

Sophie Severs (she/her) is a music journalist based in New York City. While much of her childhood was spent trying to play music, over the years she has come to the realization that the music industry is much better off when she is writing about it instead. And while writing is her main passion, outside of her life as a journalist, she enjoys hiking, stick and poke tattoos and playing guitar.

Renny Conti © Gabe Long
Columns, Music, Today's SongSeptember 19, 2025<September 19, 2025

Today’s Song: Renny Conti Calls a Spade a Spade in “Valley Ford”

Port Ross © Lucie Day
Interviews, Music, PremieresAugust 28, 2025<August 28, 2025

“For My Young Death”: Port Ross’ Heartfelt Reckoning with Mortality

Gemma Laurence © Charlotte Schweiger
Columns, Features, Interviews, Music, Today's SongApril 23, 2025<April 23, 2025

Interview: Gemma Laurence Grants Amnesty to Her Past and Looks Forward in “Bloodlines”

Pictoria Vark © Aleiagh Hynds
Features, Interviews, MusicJanuary 30, 2025<January 30, 2025

‘Nothing Sticks’: Pictoria Vark on Savoring the Moments That Count

Musogabi © Micky Yun
Debut, Features, Interviews, MusicSeptember 19, 2024<September 19, 2024

“Trying to Find My Way”: Musogabi Reaches for the Stars in His Debut Album ‘Cassiopeia’

Alisa Amador 'Multitudes' © Sasha Pedro
Debut, Features, Interviews, MusicJune 7, 2024<June 7, 2024

Interview: Tapping into Wonder, Alisa Amador Embraces Her ‘Multitudes’

Ellie Irwin © @sikinunday
Features, Interviews, MusicApril 19, 2024<April 19, 2024

Interview: Ellie Irwin Battles With Love, Loss, and the “Pill That Won’t Go Down”

Raffaella © Danica Robinson
Features, Interviews, MusicJanuary 26, 2024<January 26, 2024

Interview: Raffaella Takes Center Stage in ‘LIVE, RAFF, LOVE (ACT II)’

Humm © Kate Feast
Columns, Music, Today's SongOctober 23, 2023<October 23, 2023

Today’s Song: Humm Embrace the Clarity of Solitude Within “Danced Alone (who I am when I’m in love)”

Doris Club © Jasmine Rutledge
Editorials, Interviews, Music, ReviewsSeptember 29, 2023<September 29, 2023

Doris Club Channels Her “Intuitive, Irrational, Melancholic” Self Within Stunning Ode to Her Mother, ‘There’s Still Time (Side A)’

corner club © Vincent Po
Columns, Music, Today's SongSeptember 9, 2023<September 11, 2023

Today’s Song: corner club Ponder Mortality and the Love We Leave Behind in “when i die”

Jawny © Michael Tyrone Delaney
Debut, Features, Interviews, MusicMay 30, 2023<June 9, 2023

Interview: Why JAWNY Continues to Leave Us “Wide-Eyed, Tongue-Tied”

Pictoria Vark © Evan Parness
Features, Interviews, MusicMay 16, 2023<May 16, 2023

Interview: Making Peace with the Past & Looking to the Future with Pictoria Vark

Sadye © SJ Spreng
Columns, Debut, Music, Today's SongMay 4, 2023<May 4, 2023

Today’s Song: Sadye Explores the Pitfalls of Blind Faith in “Biblical”

Sophie Severs
Columns, Meet Our WritersApril 29, 2023<May 6, 2023

Meet Our Writers: Boston’s Sophie Severs!

Posts pagination
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Recent Posts

  • “I’m Just Trying to Get My Head Right”: FIDLAR’s Max Kuehn Finds Forward Motion on “Slide” & Sophomore LP ‘All for Nothing’ December 13, 2025
  • Tales from the Garden: Seven Lions Is Making and Breaking the Formula December 12, 2025
  • Atwood Magazine’s Best Concerts of 2025! December 12, 2025
  • Interview: Clover County on the ‘Finer Things,’ Romanticising Life, and Rediscovering Her Whimsy December 12, 2025
  • “Rev It, Brake It, Love Ya, Mean It”: Savannah Conley Cuts Loose on “Love You Mean It,” a Fun, Feverish Indie Rock Rebirth December 12, 2025
  • “I Haven’t Heard That Sound Yet”: Copenhagen’s Barbro Premieres “What Men Do,” a Softly Smoldering Indie Folk Reckoning of Unlearning & Quiet Resistance December 11, 2025
  • “Dark, Romantic, & Disorienting”: Dead Gowns Channels Desire and Grief into an Indie Folk Storm on Debut Album ‘It’s Summer, I Love You, and I’m Surrounded by Snow’ December 11, 2025
  • “Fragile, Euphoric, & True”: Nick & June Craft a Cinematic Rebirth on ‘New Year’s Face,’ an Intimate Meditation on Who We Were, Who We Are, and Who We Might Become December 11, 2025
  • Review: Underbrook Burst onto the Scene with Explosive Pop-Punk Debut EP ‘Was Happiness Too Boring for You?’ December 11, 2025
  • “Sit Back Baby, Let It Go”: néomí Embraces the Art of Release in a Soul-Stirring Mantra of Softness, Surrender, & Self-Love December 11, 2025
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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