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Sophie Severs

Sophie Severs

Sophie Severs (she/her) is a music journalist based in New York City. While much of her childhood was spent trying to play music, over the years she has come to the realization that the music industry is much better off when she is writing about it instead. And while writing is her main passion, outside of her life as a journalist, she enjoys hiking, stick and poke tattoos and playing guitar.

Claire Rosinkranz © Austin Cieszko
Features, Interviews, MusicJuly 19, 2022<July 12, 2022

Keeping it Real: How Claire Rosinkranz Stays Grounded within Today’s Whirlwind Industry

Matilda Mann © Dominique Froud
Columns, Music, Today's SongJuly 8, 2022<July 8, 2022

Today’s Song: Matilda Mann Gives Us a Glimpse of “Hell” with Her Newest Single

The Buckleys © Kimberley Vecsei
Columns, Music, Today's SongJuly 6, 2022<July 5, 2022

Today’s Song: “Oops I Love You,” The Buckleys’ Happy Little Accident

Julia Jacklin © Nick Mckk
Columns, Music, Today's SongJune 28, 2022<June 28, 2022

Today’s Song: Julia Jacklin Adds a Splash of Color into Our Lives with “I Was Neon”

JOBIE © 2022
Columns, Music, Today's SongJune 14, 2022<June 16, 2022

Today’s Song: JOBIE’s “All for One,” a Somber Lesson on Loving & Love Lost

Posts pagination
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Recent Posts

  • “A Eulogy and a Prayer”: Bella Cloud Lets Old Love Linger on “Spin,” a Breathtakingly Intimate Indie Folk Reverie May 13, 2026
  • Roundtable Discussion: A Review of Snail Mail’s ‘Ricochet’ May 13, 2026
  • “Everybody’s Missing Their Medullas”: Debbii Dawson Dances Through Modern Dread on “Where Have All the Good Men Gone?,” a Disco-Pop SOS for the Hero in Us All May 13, 2026
  • Track-by-Track: London’s Col Gerrard Traces Love, Doubt & Everything In-Between on His Self-Titled Debut May 13, 2026
  • “When You’re Everyone, Then You’re No One”: Brother Bird Reckons with People-Pleasing, Self-Erasure, & Survival on “Chameleon,” a Spellbinding Indie Folk Reverie May 13, 2026
  • “I Can Make You Want Anything”: MUNA Dance Through Heat, Upheaval, & Survival on ‘Dancing on the Wall,’ Their Most Impassioned & Unapologetic Statement Yet May 12, 2026
  • “We’re Pulling from Real Experiences Now”: Matt Jones and The Bobs Reflect on Creative Growth Through the Years May 12, 2026
  • “Half Alive and Scatterbrained”: Jacob Ungerleider Finds Wry, Wounded Beauty in the Language of Memory on “Letters of Your Name” May 12, 2026
  • “Messy, Emotional, and Real”: Whitney Whitney Dreams Up Better Love on “A Man Written By a Woman,” a Radiant Anthem for Higher Standards & Tender Romance May 12, 2026
  • “It’s Like Looking at an Old Photo”: The Moss Reflect on Fearing Change, Freedom, & ‘Big Blue Moon’ May 12, 2026
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Disclaimer: Atwood Magazine is a publication dedicated to celebrating fresh voices in music, culture, and the arts. The views and opinions expressed in our articles, reviews, and interviews are those of the individual writers and do not necessarily reflect the opinions of Atwood Magazine as a whole.

© Atwood Magazine 2024 For the Love of Music
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