July 30, 2025<July 30, 2025 Slipping Down the “Drains” with mary in the junkyard: British Band-to-Watch on Chaos, Connection, & Catharsis by Mitch Mosk
July 30, 2025<July 29, 2025 Today’s Song: Chet Faker Transports Listeners to the “Far Side of the Moon” on His Latest Single by Ashley Littlefield
July 29, 2025<July 29, 2025 Artist to Watch: Liam Bauman’s “Old Friends” Is a Raw, Unfiltered Reckoning with Grief, Guilt, & Emotional Fallout by Mitch Mosk
July 29, 2025<July 29, 2025 Today’s Song: Gigi Perez’s “Twister” Is a Swirling Mystical Ballad Confronting New Worlds and Auto-Tune by Andrew Lamson
July 28, 2025<July 28, 2025 Reneé Rapp’s “Why Is She Still Here?” Is a Seductive Reckoning with Being Second Best by Ari White
July 27, 2025<July 30, 2025 Today’s Song: Jade Bird Reveals What “Dreams” Are Made of by Uplifting Heartbreak into Optimism by Ashley Littlefield
July 26, 2025<July 26, 2025 Dasha Strips It Down in the Song for the Girl Who Never Gave Up, “Oh, Anna!” by Danielle Holian
July 25, 2025<August 7, 2025 Editor’s Picks 129: total tommy, Park National, Zzz., Florentenes, mary in the junkyard, & DR DR! by Mitch Mosk
July 25, 2025<August 4, 2025 Atwood Magazine’s Weekly Roundup: July 25, 2025 by Atwood Magazine Staff
July 25, 2025<July 25, 2025 Today’s Song: “Crashing The Car” and Falling into Love with Blair Davie’s Intimate New Single by Aileen Goos
July 24, 2025<July 24, 2025 “I’m a weird girl who makes weird music for weird people”: Inside Debbii Dawson’s Magical Musical World by Mitch Mosk
July 24, 2025<July 24, 2025 Dream Logic and Delicate Ache: Kaleah Lee’s “Fever” Is a Liminal Lullaby by Nicolle Knapová
July 23, 2025<July 24, 2025 Interview: NoSo’s Baek Hwong on Finding Power, Comfort, and Liberation Through Vulnerable Pop Songs by Mitch Mosk
July 23, 2025<July 23, 2025 Today’s Song: sombr’s “We Never Dated” Hurts in All the Quiet Ways of Unspoken Love by Ari White
July 22, 2025<July 22, 2025 “I was born to fly, but baby, I would die to run”: mgk’s Genre-Blending Magic Continues with “vampire diaries” by Danielle Holian