January 31, 2023<January 31, 2023 Artist to Watch: English Teacher Prove They’re Top of the Class on “Song About Love” by Oliver Crook
January 30, 2023<January 30, 2023 Review: boygenius Are Back with “$20,” “Emily I’m Sorry,” & “True Blue” Off New Album, ‘the record’ by Nasim Elyasi
January 27, 2023<May 15, 2023 Atwood Magazine’s Weekly Roundup: January 27, 2023 by Atwood Magazine Staff
January 27, 2023<January 27, 2023 Today’s Song: Gatlin Wears Her Heart on Her Sleeve & Lets It All Go in New Single “Still Not Me” by Rachel Leong
January 26, 2023<May 18, 2023 Today’s Song: “Ohio Laundry Room” Is Abby Holliday’s Beautiful, Raw Reckoning with Grief, Love, & Death by Mitch Mosk
January 25, 2023<January 25, 2023 Today’s Song: Illiterate Light’s “Fuck LA” and the Endless Ache of Long Distance Love by Mitch Mosk
January 24, 2023<March 11, 2023 Editor’s Picks 85: Jake Isaac, Softcult, DAMOYEE, Constant Smiles, Adi Oasis, & Neon Dreams! by Mitch Mosk
January 24, 2023<January 24, 2023 Today’s Song: Fireworks Cope with Faith on “I Want to Start a Religion with You” by James Crowley
January 23, 2023<January 23, 2023 Today’s Song: Winkler’s “Call it Good Times” Makes the Best of Life’s Ups & Downs by Sophie Severs
January 20, 2023<January 20, 2023 Today’s Song: Sunday Lendis Builds a Beautiful & Wondrous Cathartic Cacophony “With Ease” by Mitch Mosk
January 20, 2023<May 15, 2023 Atwood Magazine’s Weekly Roundup: January 20, 2023 by Atwood Magazine Staff
January 19, 2023<January 19, 2023 Album Premiere: Boston’s Chris Walton Spills His Heart on Soul-Stirring Debut ‘Ruminating Thoughts’ by Mitch Mosk
January 19, 2023<March 11, 2023 Editor’s Picks 84: Vagabon, Quiet Houses, Somebody’s Child, Royel Otis, Florence Arman, & Matt Corby! by Mitch Mosk
January 18, 2023<January 17, 2023 Today’s Song: Daughter Embrace Connection in Return Single “Be on Your Way” by Rachel Leong
For the Love of Music
For the Love of Music
