September 14, 2022<September 13, 2022 Today’s Song: Explore the Strength in Vulnerability with Jenny Kern’s “I Should Lose You” by Joe Beer
September 13, 2022<September 14, 2022 Artist to Watch: UK Indie Rockers Mellor Roar on Stunning, Sardonic “Battle Hardened” Off Forthcoming Debut by Mitch Mosk
September 13, 2022<September 12, 2022 Today’s Song: Healing in Retrospect with Bonny Light Horseman’s “Summer Dream” by Collin Leonard
September 12, 2022<September 12, 2022 Today’s Song: Love & Lust in Vivi Rincon’s “can’t breathe” by Kelly McCafferty Dorogy
September 9, 2022<September 29, 2022 Editor’s Picks 72: easy life & BENEE, PRONOUN, Darling Farm, Bleach Lab, Abby Holliday, & Jake Wesley Rogers! by Mitch Mosk
September 9, 2022<September 9, 2022 Artist to Watch: Toronto’s Loviet Returns with Bold, Breathtaking “Broken Lips” by Mitch Mosk
September 9, 2022<September 29, 2022 Atwood Magazine’s Weekly Roundup: September 9, 2022 by Atwood Magazine Staff
September 8, 2022<October 24, 2022 “Enough about me now…”: The 1975’s “Part of the Band” Is a Homecoming From an Ego Trip by Collin Leonard
September 7, 2022<April 30, 2023 Podcast: Tunes and Tumblers Cheers to flor and an Emergency Blanket by Atwood Magazine Staff
September 7, 2022<September 7, 2022 Today’s Song: Arctic Monkeys’ “There’d Better Be a Mirrorball” Is a Gentle Step in a New Direction by Lilly Eason
September 6, 2022<September 5, 2022 Today’s Song: “Pharmacist” Signals an Impressive, Long-Awaited Return for Alvvays by Beau Hayhoe
September 5, 2022<May 24, 2024 Today’s Song: Games We Play Delivers a Rebel Anthem with “Get a Job” by Kelly McCafferty Dorogy
September 2, 2022<September 1, 2022 Today’s Song: Kira McSpice Gives Herself Over to “Mirth” by Sophie Prettyman-Beauchamp
September 2, 2022<September 1, 2022 Atwood Magazine’s Weekly Roundup: September 2, 2022 by Atwood Magazine Staff
September 1, 2022<September 1, 2022 Today’s Song: The Intense Empowerment of Editors’ “Kiss” by David Buyze
For the Love of Music
For the Love of Music
