January 20, 2022<February 1, 2022 A Casual Ramble: Albums of The Year 2021 Racket Edition by Ben Niesen
January 19, 2022<January 19, 2022 Today’s Song: Seeking Closure on Katie Tupper’s Graceful & Gutting New Single “Danny” by Mitch Mosk
January 15, 2022<January 14, 2022 Today’s Song: Daisy the Great’s Dreamy “Glitter” Sees the Beauty in Our Mess by Mitch Mosk
January 14, 2022<January 14, 2022 Today’s Song: Erika Tham Ignites on Empowering & Seductive Second Single, “Shhh” by Mitch Mosk
January 13, 2022<January 13, 2022 Today’s Song: San Fermin and The Districts Explore Emptiness with “Nothingness” by Nasim Elyasi
January 12, 2022<January 12, 2022 Today’s Song: Long Beach’s Joshy Soul Gets His Funk On in Fresh Single “New Lover” by Mitch Mosk
January 12, 2022<February 7, 2022 Editor’s Picks 52: The Killers, Keir, Indoor Fins, FACESOUL, Oh Wonder, & fanclubwallet by Mitch Mosk
January 11, 2022<January 11, 2022 Today’s Song: Victoria Dodson’s “Goodnight” Is Buoyant, Bittersweet Bliss by Mitch Mosk
January 10, 2022<January 7, 2022 Today’s Song: Hippo Campus Celebrate Rebirth with “Semi Pro” by Nasim Elyasi
January 7, 2022<January 7, 2022 Today’s Song: ella jane Indulges in Suspense & Seduction on Indie Pop Anthem “Calling Card” by Mitch Mosk
December 21, 2021<November 30, 2022 Atwood Magazine Presents Mistletones: 2021’s Best New Holiday Songs by Atwood Magazine Staff
December 20, 2021<December 20, 2021 Book Review: Questlove Rolls Back the Years & Adds Context in Riveting ‘Music Is History’ by Oliver Crook
December 20, 2021<August 31, 2022 Today’s Song: MisterWives Triumph with Resilient Independent Single “Stepped on a Bee” and The Best Live Show You’ll See by Kelly McCafferty Dorogy
December 17, 2021<December 17, 2021 Atwood Magazine’s Weekly Roundup: 2021’s Hidden Gems by Atwood Magazine Staff
December 17, 2021<December 17, 2021 Today’s Song: The O’My’s & Alex Banin Capture the Heartache of Letting Go in Soulful “Realistic” by Mitch Mosk