February 18, 2026<February 18, 2026 “Sweet July, Could You Stay Here Forever?”: The 4411 Bottle the Ache of Growing Up in a Golden Indie Folk Ode to Friendship & Time by Mitch Mosk
February 17, 2026<February 17, 2026 “Let’s Slow Down and Be Brave”: Konradsen Embrace Enduring Love With “Efficiency,” a Smoldering Indie Folk Reverie by Mitch Mosk
February 14, 2026<February 14, 2026 “You say that it’s love, but you don’t even know me”: Grace VanderWaal’s “Prettier” Explores the Haunting Cost of Being Admired by Danielle Holian
February 13, 2026<February 12, 2026 “You’re Only Human, Honey”: Holly Humberstone Embraces Love’s Highest Highs & Hardest Truths on “To Love Somebody,” a Glistening, Gut-Punch Anthem by Mitch Mosk
February 12, 2026<February 12, 2026 Don’t Take Their “Love to Go”: Edgehill Declare Their Hearts Aren’t Disposable on Fan Favorite Anthem by Miranda Urbanczyk
February 11, 2026<February 16, 2026 “This Is the Eleventh Hour”: Lia Pappas-Kemps Fires the Flare on “Towers,” a Smoldering Reckoning at the Breaking Point by Mitch Mosk
February 10, 2026<February 10, 2026 “Kill More Monsters”: MX LONELY Banish Their Demons on “Return to Sender,” an Unflinching Alt-Rock Exorcism by Mitch Mosk
February 9, 2026<February 9, 2026 “Time Can Really Run Away”: Louis Oliver Debuts with a Sweeping Piano Ballad Full of Heart, Soul, and Presence by Mitch Mosk
February 8, 2026<February 8, 2026 “As the Lights Smeared”: Rolling Blackouts Coastal Fever Chase the Afterglow on “Sunburned in London” by Ashley Littlefield
February 7, 2026<February 7, 2026 “In the silence between the notes”: Charlotte de Witte Hypnotizes Dark Dancefloors with “The Realm” by Ashley Littlefield
February 6, 2026<February 6, 2026 “I Will Be Your Safe Ground”: Katie Tupper Unleashes Her Smoky, Smoldering, Saskatchewan Soul by Mitch Mosk
February 5, 2026<February 5, 2026 “I’m Better Now That You’re in My Life”: Yumi Zouma Find Love in the Everyday on “Phoebe’s Song,” an Indie Rock Daydream by Mitch Mosk
February 4, 2026<February 4, 2026 Melanie Martinez’s “POSSESSION” Is a Candy-Coated Descent into HADES by Danielle Holian
February 3, 2026<February 2, 2026 Snail Mail’s “Dead End” Makes Heartbreak a Bit More Bearable by Julia Dzurillay
February 2, 2026<February 2, 2026 “I’m Finally Getting Clean”: mer marcum Finds Release Through Listening on “Body” (ft. Jia*), a Hushed, Slow-Burning Indie Folk Exhale by Mitch Mosk
For the Love of Music
For the Love of Music
