November 18, 2022<November 18, 2022 Today’s Song: Francesca Blanchard’s “Je sais plus quoi te dire” Is a Caricatural, Playful Take on Rejection by Frankie Rose
November 15, 2022<November 15, 2022 Today’s Song: Singer/Songwriter TJ Stafford Displays a Sensitive Side in “The World’s Gonna Love Me” by Chloe Robinson
November 11, 2022<May 18, 2023 Today’s Song: The Raw Vulnerability of Dizzy’s “Barking Dog” by Frankie Rose
November 10, 2022<November 3, 2022 Today’s Song: “Love Will Get You There” in Inhaler’s Latest Track by Isabella Le
November 8, 2022<November 1, 2022 Today’s Song: Local Natives’ Kelcey Ayer Returns as Jaws of Love with Heartbreakingly Beautiful “Rainbow Baby” by Beau Hayhoe
November 7, 2022<October 30, 2022 Today’s Song: Linebeck’s Catchy “Waste My Time” Is a Cinematic & Hazy Dream Pop Tempest by Mitch Mosk
November 4, 2022<November 3, 2022 Today’s Song: blink-182’s “EDGING” Kickstarts a New Era with High Spirits by Isabella Le
November 3, 2022<October 30, 2022 Former Jungle Vocalist ANDRO Opens Up in Soul-Stirring “Natural,” a Buoyant & Brooding Embrace of Intimacy by Mitch Mosk
November 2, 2022<November 2, 2022 Today’s Song: Loviet’s Searing “Wide Eyes” Is an Emotionally Charged Love Letter with Teeth by Mitch Mosk
November 1, 2022<October 30, 2022 Olivia Dean’s “Danger” Ignites Lush Soundscapes & Self-Empowerment While Falling Straight into Love by Rachel Leong
October 31, 2022<October 29, 2022 London’s Sophie Faith Aches in All the Right Ways on Soulful & Smoldering “Heart Is on My Sleeve” by Mitch Mosk
October 30, 2022<October 29, 2022 Phoebe Bridgers & Elliott Smith Come to Life in Kalina Tyne’s Brutally Honest Indie Folk Anthem by Mitch Mosk
October 29, 2022<October 29, 2022 Post-Hardcore Supergroup L.S. Dunes Debut with “Permanent Rebellion,” a Feverish Uproar of Sonic Fury & Volcanic Energy by Mitch Mosk
October 26, 2022<October 25, 2022 Today’s Song: Samia Returns on Angel Wings with “Kill Her Freak Out” by Nasim Elyasi
October 25, 2022<October 26, 2022 Today’s Song: Cherishing Life’s Memories Through Rosemary & Garlic’s Achingly Beautiful “Television” by Mitch Mosk