November 20, 2023<November 20, 2023 Track-by-Track: Charli Adams Bares Her Soul in ‘nothing to be scared of,’ a Confessional, Cathartic & Fearless EP by Mitch Mosk
November 20, 2023<November 28, 2023 Interview: K-Pop Group CRAVITY Share Their Comeback Process, Favorite Dishes, & A Message to LUVITY by Freya Rinaldi
November 20, 2023<January 24, 2024 Interview: Indio Downey Shares His Lust for Rock n’ Roll in “Dume” and Debut EP, ‘Cigarettes in Bed’ by Nasim Elyasi
November 19, 2023<November 19, 2023 Today’s Song: Longtime Friends BIJOU & Drezo Launch Debut Collaboration “Goons” by Josh Weiner
November 17, 2023<November 19, 2023 Feature: AWOLNATION Lean into the Sweet Authenticity of ‘Candy Pop’ by Anthony Kozlowski
November 17, 2023<November 19, 2023 Interview: K-RnB Artists Jimmy Brown & Rovv Discuss Their Sober Tour, Artistic Goals, & the Creation of Their Album ‘Like the First Time’ by Freya Rinaldi
November 17, 2023<November 17, 2023 Track-by-Track: Richard Walters Soars on ‘Murmurate,’ a Record of Reconnection and the New Normal by Mitch Mosk
November 15, 2023<November 15, 2023 Track-by-Track: Lindsay Lou’s Tender Tempest ‘Queen of Time’ Unpacks Grief, Healing, Self-Knowledge & More by Mitch Mosk
November 14, 2023<November 14, 2023 Interview: G Flip Embraces the Kit on ‘DRUMMER,’ Their Hard-Hitting, Drum-Centric Sophomore Album by Mitch Mosk
November 14, 2023<November 14, 2023 “I wish that we could stay right here forever”: Katastro’s Heartfelt Anthem “Good Time” Is a Beautiful Tribute to Late Singer Andy Chaves by Mitch Mosk
November 10, 2023<November 10, 2023 Cosmic Crying Affirmations: Angie McMahon Dives into the Raw Depths of Sophomore LP ‘Light, Dark, Light Again’ by Mitch Mosk
November 10, 2023<November 10, 2023 Interview: Stephanie Poetri Talks About Being a Homebody, Indonesian Food She Misses, & Her Songwriting Process by Freya Rinaldi
November 10, 2023<November 13, 2023 Exploratory, Nostalgic, & Cinematic: OTNES Bares Her Soul on Debut Album ‘SHOW THEM WHAT’S INSIDE!’ by Mitch Mosk
November 9, 2023<November 9, 2023 Interview: Sophie Holohan’s Self-Deprecating “Till I Die” Is an Anthem for Recovering Perfectionists Everywhere by Mitch Mosk
November 9, 2023<December 6, 2023 Musical Decomposition: Roger Eno’s Breathtakingly Beautiful ‘the skies, they shift like chords’ by Mitch Mosk
For the Love of Music
For the Love of Music
