September 25, 2024<September 26, 2024 “I have always been drawn to the in-between stuff”: Porches on His Supersaturated and Sonorous LP, ‘Shirt’ by Nasim Elyasi
September 23, 2024<September 23, 2024 “Something’s Gotta Break”: Bo Staloch Lets Go of Fear in “Santa Fe,” His Spirited Folk Rock Singalong by Mitch Mosk
September 23, 2024<September 23, 2024 Track-by-Track: Juliet Ivy Soundtracks Existential Girlhood With Soul-Baring EP ‘tiny but scary’ by Mitch Mosk
September 20, 2024<October 5, 2024 Track-by-Track: Wilderado Embrace Intentionality on ‘Talker,’ Their Spirited & Soul-Stirring Sophomore Album by Mitch Mosk
September 20, 2024<September 20, 2024 “I’m proud of how uncompromising it is”: Noga Erez on Her Monster Alt-Pop Album, ‘The Vandalist’ by Christine Buckley
September 19, 2024<September 19, 2024 “Trying to Find My Way”: Musogabi Reaches for the Stars in His Debut Album ‘Cassiopeia’ by Sophie Severs
September 19, 2024<September 29, 2024 Interview: Sally Mango on Musical Liberation, Growth and New Eras in ‘Homemade’ by Rachel Leong
September 18, 2024<September 18, 2024 Feature: Lily Kershaw Unpacks Depression, ‘Pain & More’ on Her Honest, Intimate, & Revealing Third Album by Mitch Mosk
September 17, 2024<September 17, 2024 “Being One With What You Make”: Ashton Irwin of 5 Seconds of Summer Traverses Passion, Philosophy, and Artistic Identity on ‘BLOOD ON THE DRUMS’ by Isabella Le
September 16, 2024<September 16, 2024 “There’s beauty and fascination in depression and darkness, but at the same time, there’s lightness and levity”: Cults Discuss Their New Album, ‘To the Ghosts’ by Marc Maleri
September 13, 2024<September 27, 2024 “The most personal is the most universal”: COIN’s ‘I’m Not Afraid of Music Anymore’ Is a Triumph of Love, Vulnerability, & Self-Acceptance by Mitch Mosk
September 13, 2024<September 13, 2024 “Everything’s here and nothing’s lost”: Snow Patrol Continue to Write Their Legacy on Spellbinding ‘The Forest Is The Path’ by Aaron Childree
September 13, 2024<September 13, 2024 Interview: Charli Adams’ Inner Light Shines on “Airlifter,” an Anthem of Love, Friendship, & Showing Up for Others by Mitch Mosk
September 13, 2024<September 13, 2024 Track-by-Track: Earthquake Lights Explore Self-Reflection in ‘Signs of Life’ by Joe Beer
September 12, 2024<September 12, 2024 Interview: Maddie Regent Is Both a “Recovering Overachiever” and a Conscious Pop Star on the Rise by Noah Wade
For the Love of Music
For the Love of Music
