October 8, 2024<October 8, 2024 Interview: Melbourne’s Folk Bitch Trio Emerge With an Unforgettable Name and a Beautiful Sound by Mitch Mosk
October 8, 2024<October 15, 2024 Interview: The Voidz Discuss Method & Madness on Their Latest Record, ‘Like All Before You’ by Nasim Elyasi
October 8, 2024<October 8, 2024 Interview: Ash Gordon Is Elevating the Stories of Drag Artists to the Surface With Her Boundary-Pushing Songwriting by Grace Holtzclaw
October 7, 2024<October 7, 2024 Interview: Royal She Hate Their Way into Our Hearts With “My Ex” by Chloe Robinson
October 7, 2024<November 2, 2024 “A letter to our younger selves”: Aquilo’s ‘A Quiet Invitation to a Hard Conversation’ Is a Breathtaking Triumph by Mitch Mosk
October 4, 2024<October 4, 2024 Soft Explosions: Merce Lemon on Making Her Restless & Raw Third Album, ‘Watch Me Drive Them Dogs Wild’ by Mitch Mosk
October 4, 2024<October 4, 2024 “Explosive, Eternal, & Understanding”: Ethansroom Embraces a ‘BIGGER LOVE’ on His Breathtakingly Bold Third Album by Mitch Mosk
October 4, 2024<October 4, 2024 “A bigger voice”: thủy Channels the Power of Intentionality, Redefines Cultural Identity, and Spreads her ‘wings’ on Latest Project by Isabella Le
October 4, 2024<October 4, 2024 Feature: Orla Gartland Is Everybody’s Superhero in Her Sophomore Album ‘Everybody Needs a Hero’ by Minna Abdel-Gawad
October 3, 2024<October 3, 2024 Track-by-Track: daysormay Embrace ‘MODERATION’ in Their Minimalist Masterpiece by Joe Beer
October 3, 2024<October 3, 2024 “A Play Within a Play”: Christian Lee Hutson Brings Fictional Characters to Life on ‘Paradise Pop. 10’ by Aaron Childree
October 1, 2024<October 2, 2024 “There’s something really beautiful about four simple chords and a story”: Nina Nesbitt on Reconnecting With Her Roots & Making ‘Mountain Music’ by Mitch Mosk
October 1, 2024<October 1, 2024 “Surrealism, Expressionism, & Tranquility”: Conner Youngblood on His Spellbinding Sophomore LP ‘Cascades, Cascading, Cascadingly’ by Mitch Mosk
October 1, 2024<October 1, 2024 Interview: With ‘For all my eyes have seen,’ Rowan Drake Is Compensated for His Grief by Noah Wade
September 30, 2024<September 30, 2024 “It’s the moments of silence and stillness that have the heaviest weight”: The Mysterines Shine a Light on the Dark Depths of ‘Afraid of Tomorrows’ by Mitch Mosk
For the Love of Music
For the Love of Music
