April 27, 2022 April 27, 2022 Feature: Casey Dubie Shines Bright on Sophomore LP ‘Half-Hearted’, an Honest & Reflective Stream of Consciousness by Mitch Mosk
April 27, 2022 April 27, 2022 “Sincere, Refreshing, & Effortless”: Vicky Farewell’s Debut Album Is Sun-Soaked ‘Sweet Company’ by Mitch Mosk
April 26, 2022 April 26, 2022 Feature: Sophia Bel Opens Up on Her Stunningly Vulnerable, Transparent & Playful Debut ‘Anxious Avoidant’ by Mitch Mosk
April 26, 2022 May 15, 2022 “Small, Close, & Sentimental”: Inside Deer Scout’s Comforting Debut Album ‘Woodpecker’ by Mitch Mosk
April 21, 2022 April 21, 2022 Interview: Lizzy McAlpine Cuts Deep with Stunning Sophomore LP ‘five seconds flat’ by Nasim Elyasi
April 21, 2022 April 21, 2022 Track-by-Track: Inside Sandman Sleeps’ Stirring, Honest, & Climatic Debut Album, ‘Crisis Actor’ by Mitch Mosk
April 21, 2022 April 21, 2022 “Explosive, Colourful, & Nostalgic”: The Lazy Eyes Deliver a Kaleidoscopic Psych Rock Revue in Debut ‘SongBook’ by Mitch Mosk
April 21, 2022 April 20, 2022 “Passionate, Cathartic, & Loving”: Deanna Petcoff Soars on Stunning Debut ‘To Hell With You, I Love You’ by Mitch Mosk
April 19, 2022 April 19, 2022 “Pain, Hope, & Memoriam”: Gregory Ackerman Discusses His Beautifully Aching Sophomore Album ‘Still Waiting Still’ by Mitch Mosk
April 15, 2022 April 18, 2022 “Happy, Sad, & Nostalgic”: GRAE Dives Inside the ‘Whiplash’ of Her Dazzling, Undeniable Debut by Mitch Mosk
April 14, 2022 April 14, 2022 Interview: alt-J Dig into New Album ‘The Dream’ and the Undefinability of Music by Dimitra Gurduiala
April 14, 2022 April 13, 2022 Interview: A Conversation with Hayden James, an EDM Star Ready to Be ‘LIFTED’ to New Heights by Josh Weiner
April 14, 2022 April 13, 2022 Interview: LA’s Loui Sixteen Unleashes Her Wildly Thrilling Debut EP, ‘Ego Kills’ by Chloe Robinson
April 8, 2022 April 13, 2022 Dreaming Big & Celebrating the Mundane: Johnnyswim Dive into Their Eponymous 4th Album by Kelly McCafferty
April 7, 2022 April 7, 2022 Breaking Down Barriers in Country Music: Caitlyn Smith on Self-Producing New Album ‘High’ & Why Country Music Needs More Women Producers by Emily Frances Algar
For the Love of Music
For the Love of Music
