July 30, 2026<July 30, 2026 “Being in a State of Transit Shakes Things Up”: Parlour Magic Bring a World of Influence Home with the Absorbing Synthpop of ‘The Embassy’ by Josh Weiner
July 29, 2026<July 29, 2026 “If You Can’t Laugh, Then You’ll Cry”: My Giddy Aunt Rally Against Collapse on “Always Something Falling Apart,” a Protest Anthem for an Uncertain Future by Mitch Mosk
July 29, 2026<July 31, 2026 “A Bow of Optimism”: Al Nicol Bathes Hope in Sweet, Soul-Stirring Light on “Blue Stained Glass” ft. lighthearted by Mitch Mosk
July 28, 2026<July 28, 2026 “A Bit Frantic and Sometimes Sweet”: Brisbane’s Radium Dolls Bottle Heartbreak, Pressure, & Raw Release into Sweaty Rock ‘n’ Roll by Mitch Mosk
July 28, 2026<July 28, 2026 “I Want to Be the Creator of a New Sound”: Bec O’Malley Doesn’t Need Nashville to Make Country Music by Aileen Goos
July 27, 2026<July 28, 2026 “I Love the Idea of Making Hard Left Turns”: Petey USA on the Art of Making the Other Mistake, the Freedom of Not Thinking Too Hard, and the Push-Pull of Trying to “Kiss the City” by Mitch Mosk
July 26, 2026<July 26, 2026 “I Make Pay Attention Music”: Yalee Looks Back on a Life Measured in “Paper Cups Paper Plates” by Chloe Robinson
July 24, 2026<July 24, 2026 “There Are These Treasures Inside My Songs”: Candice Hoyes on Preserving Black Stories Through Music and the Living Archive of Her Debut Solo Album, ‘Expecting’ by Lily O'Delia
July 23, 2026<July 23, 2026 “The Fear and Joy of Being Seen”: Oberlin Folk Duo Frontlawn Hold Love and Loss Close on Debut Singles “Jenny Says” and “Commack” by Mitch Mosk
July 23, 2026<July 31, 2026 “I Don’t Wanna Just Be Your Girl”: Jupiter Winter Seizes Her Moment on “Golden Boy,” a Dreamy Indie Pop Reclamation of Ambition by Mitch Mosk
July 23, 2026<July 23, 2026 “I’m Writing This for Me“: Lukas Graham Returns to His Familial Roots With ‘Good Times,’ a Soulful Embrace of Slowing Down and Being Present by Isabella Appell
July 22, 2026<July 22, 2026 “Last Year Is Still All Over Me”: Soft Loft Reckon With Old Ghosts, Bad Timing, and the Gamble of Growing Up Through Restless, Radiant Indie Pop by Mitch Mosk
July 22, 2026<August 8, 2026 “It Seems Too Personal When We’re Not Friends”: Brooke Annibale’s Achingly Sweet “Birthday” Captures the Awkward Afterlife of Friendship by Mitch Mosk
July 21, 2026<July 23, 2026 “The Music Is the Softest Part of Me”: Fenne Lily on Saying “Uh Huh” to Love – Even When It Hurts by Mitch Mosk
July 21, 2026<July 21, 2026 “Can Someone Please Help Me Out?”: Saudi Oil Make Panic Public on “Wires,” a Jagged, Feverish Riot From NYC’s Frayed Nerves by Mitch Mosk
For the Love of Music
For the Love of Music
