October 4, 2024<October 4, 2024 “A bigger voice”: thủy Channels the Power of Intentionality, Redefines Cultural Identity, and Spreads her ‘wings’ on Latest Project by Isabella Le
October 4, 2024<October 4, 2024 Feature: Orla Gartland Is Everybody’s Superhero in Her Sophomore Album ‘Everybody Needs a Hero’ by Minna Abdel-Gawad
October 4, 2024<October 4, 2024 Suburbia Gets Loud: RAT BOY Serenade Essex in Classic Indie Punk Style on ‘SUBURBIA CALLING’ by Liv Goodbody
October 3, 2024<October 4, 2024 Live Review: Crumb Invited Montreal into Their Perfectly Curated Bubble for a Show That Enchanted & Bewildered by Oliver Crook
October 3, 2024<October 3, 2024 Track-by-Track: daysormay Embrace ‘MODERATION’ in Their Minimalist Masterpiece by Joe Beer
October 3, 2024<October 3, 2024 Mon Rovîa’s “crooked the road.” Is a Dreamy Blanket of Musical & Emotional Warmth by Mitch Mosk
October 3, 2024<October 3, 2024 “A Play Within a Play”: Christian Lee Hutson Brings Fictional Characters to Life on ‘Paradise Pop. 10’ by Aaron Childree
October 2, 2024<October 2, 2024 “This is this end of every song we sing”: The Cure Dabble in Miracles & Meaning With New Single “Alone” by Emma Rayder
October 1, 2024<October 4, 2024 Atwood Magazine’s Weekly Roundup: October 1, 2024 by Atwood Magazine Staff
October 1, 2024<October 2, 2024 “There’s something really beautiful about four simple chords and a story”: Nina Nesbitt on Reconnecting With Her Roots & Making ‘Mountain Music’ by Mitch Mosk
October 1, 2024<October 1, 2024 Review: Maya Ixta’s Debut EP ‘Diary Entries’ Takes Us on a Vulnerable Musical Journey by Mitch Mosk
October 1, 2024<October 1, 2024 “Surrealism, Expressionism, & Tranquility”: Conner Youngblood on His Spellbinding Sophomore LP ‘Cascades, Cascading, Cascadingly’ by Mitch Mosk
October 1, 2024<October 1, 2024 Review: Life’s So Fun at Forest Hills Stadium’s First-Ever All Things Go Music Festival by Julia Dzurillay
October 1, 2024<October 1, 2024 Interview: With ‘For all my eyes have seen,’ Rowan Drake Is Compensated for His Grief by Noah Wade
October 1, 2024<October 1, 2024 “I love the way it feels to be a hater”: Infinity Song Serve Up the Perfect Singalong for Your Inner Critic in “Hater’s Anthem” by Stephanie Bento
For the Love of Music
For the Love of Music
