October 23, 2024<October 23, 2024 “We Do Whatever We Want. We Are Independent… And We Just Don’t Care”: Fun, Energetic, & Unashamedly Themselves, Joey Valence & Brae Coast With ‘NO HANDS’ by Jake Fewx
October 22, 2024<October 22, 2024 “Pure, Honest, & Fun”: Stevie Bill Bares All on ‘I was a platinum blonde,’ a Record of Guts, Growth, and Hair by Mitch Mosk
October 22, 2024<October 22, 2024 Live Review: Bleachers Bring a Taste of the Garden State to the Hollywood Hills by Guest Writer
October 22, 2024<October 22, 2024 Rock Operas, Shakespeare, & Graceland: Spencer Sutherland on the Sparkling, Immersive World of ‘The Drama’ by Rachel Leong
October 21, 2024<October 23, 2024 Atwood Magazine’s Weekly Roundup: October 21, 2024 by Atwood Magazine Staff
October 21, 2024<October 23, 2024 Interview: South London’s Kemi Ade Goes from Victim, to Villain, to Artist-to-Watch in “Gaslight” by Mitch Mosk
October 21, 2024<October 21, 2024 “At Times It Seems You’ve Been Known to Tell”: An Interview With Caleb Landry Jones by Aidan Moyer
October 21, 2024<October 21, 2024 “I just assumed the people around me knew more”: Genevieve Stokes on Finally Coming into Her Own on Debut Album ‘With a Lightning Strike’ by Alexandra Jhamb Burns
October 21, 2024<October 21, 2024 Review: Slip into a Euphoric Reverie with Suki Waterhouse’s ‘Memoir of a Sparklemuffin’ by Brianna Corrine
October 21, 2024<October 21, 2024 Live Review: Twang and Tension Intertwine for Chaparelle by Marissa DeLeon
October 19, 2024<October 19, 2024 Daisy the Great Deliver for “All the People” in Dynamic & Dreamy ‘Spectacle: Daisy the Great vs. Tony Visconti’ by Mitch Mosk
October 18, 2024<October 25, 2024 Introducing Sydney Quiseng: Echosmith’s Frontwoman on Her New Solo Career by Emily Frances Algar
October 18, 2024<October 18, 2024 “Psychedelic Family Roadtrip”: Nick Ward Dives into Himself on Debut Album ‘House With the Blue Door’ by Mitch Mosk
October 18, 2024<October 18, 2024 “The mission of my music is to heal with others”: A Conversation With Mon Rovîa by Mitch Mosk
October 18, 2024<October 18, 2024 “It’s about tenderness and toughness”: The Duality of Audrey Nuna’s Sophomore Album, ‘TRENCH’ by Christine Buckley
For the Love of Music
For the Love of Music
