March 18, 2025<March 18, 2025 Roundtable Discussion: A Review of Lady Gaga’s ‘MAYHEM’ by Atwood Magazine Staff
March 18, 2025<March 18, 2025 Today’s Song: Chappell Roan’s Sapphic Country Anthem “The Giver” Blends Her Wit, Charm, and Flirty Flair by Bárbara Martínez Campuzano
March 17, 2025<March 17, 2025 Today’s Song: HAIM’s “Relationships” Is a Breezy, Bold Return to Introspection and Groove by Danielle Holian
March 14, 2025<March 18, 2025 Editor’s Picks 114: Attention Bird Utopia, Your Smith, Bo Staloch, Matilda Mann, Courting, & ESKA! by Mitch Mosk
March 14, 2025<March 14, 2025 “H.W.F.M – A Song for Women in Wales & Everywhere”: An Essay by Mali Hâf for Women’s History Month by Guest Writer
March 14, 2025<March 25, 2025 “I Just Wanted to Be Wanted”: Soda Blonde’s “People Pleaser” Is a Bold Reckoning with Love, Validation & Self-Worth by Mitch Mosk
March 13, 2025<March 13, 2025 “We hit this magical frequency”: Emile Mosseri Breaks Down His Sophomore Album ‘tryin to be born’ by Mitch Mosk
March 13, 2025<March 13, 2025 Track-by-Track: The Veils Take Us on a Poetic Journey Through Love & Death in ‘Asphodels’ by Joe Beer
March 13, 2025<March 13, 2025 “MASA: Make America Shameful Again – Why the Music Industry Needs Its Own Reckoning”: An Essay by Jessica Vaughn for Women’s History Month by Guest Writer
March 13, 2025<March 13, 2025 Review: Horsegirl Sing for You on “Phonetics On and On” by Juls Patterson
March 13, 2025<March 13, 2025 “What a day for a daydream”: Arcy Drive’s Sun-Soaked Folk Rock Reverie, “Oak Tree (Daydream)” by Mitch Mosk
March 12, 2025<March 12, 2025 “I bleed so you’re winning”: emmersonHALL’s “Air” Is a Heavy, Cathartic, and Aching Exhale by Mitch Mosk
March 12, 2025<March 12, 2025 “The Crime of Being a Woman”: An Essay by Taylor Bickett for Women’s History Month by Guest Writer
March 12, 2025<March 12, 2025 Interview: Clara Mann Finds Hope in the Spaces Between on Shimmering Debut Album ‘Rift’ by Rachel Leong
March 12, 2025<March 12, 2025 “I’ve been waiting for this day for a long time”: Masayoshi Takanaka Plays First U.S. Show in 40 Years by Max Kalnitz
For the Love of Music
For the Love of Music
