March 9, 2023<April 30, 2023 Today’s Song: Akira Galaxy Delivers an Ode to Lost Perspective in Captivating Debut, “Virtual Eyes” by Rachel Leong
March 9, 2023<April 30, 2023 “An Evolution of DMA’S”: Aussie Trio Discuss the Making of New Album, ‘How Many Dreams?’ by Guest Writer
March 9, 2023<April 30, 2023 Premiere: [mila] Defeat Toxic Obstacles with Energized Debut Single “Thuong Qua Is Vietnamese For I Love You” by Frankie Rose
March 8, 2023<March 10, 2023 Editor’s Picks 91: Marlene Oak, Aistè, Alaska Reid, Joy Oladokun, Bleach Lab, & BEL! by Mitch Mosk
March 8, 2023<April 30, 2023 Podcast: Tunes & Tumblers Features Transviolet and a Crashed Breath of Fresh Air by Atwood Magazine Staff
March 8, 2023<April 30, 2023 “Overcoming Mountains as a Woman in Music”: An Essay by Svetlana for International Women’s Day by Guest Writer
March 8, 2023<March 8, 2023 Celebrating Women in Music for International Women’s Day 2023! by Atwood Magazine Staff
March 8, 2023<April 30, 2023 Today’s Song: Billie Marten’s “Nothing But Mine” Is Wistful, Nostalgic, And Somehow, Hopeful by Kylie Gurewitz
March 7, 2023<April 30, 2023 Track-by-Track: Handsome Ghost Find the Beauty in the Cracks on ‘To the Place Where We Met Last,’ a Hauntingly Human EP by Mitch Mosk
March 7, 2023<April 30, 2023 A Soundtrack to Adventure: The National Parks’ ‘8th Wonder’ Is a Cinematic Road Trip Through Life, Love, & Nature by Mitch Mosk
March 7, 2023<April 30, 2023 Today’s Song: Tove Lo Sings About an Extreme Love in New Single “Borderline” by Dimitra Gurduiala
March 6, 2023<April 30, 2023 Today’s Song: Lauren Lakis Reaches Out Through the Darkness with Lush Single, “Take My Hand” by Beau Hayhoe
March 3, 2023<August 16, 2024 “Being fearless pays off”: Adi Oasis Blooms on Empowering, Soul-Soaked & Seductive Debut Album ‘Lotus Glow’ by Mitch Mosk
For the Love of Music
For the Love of Music
![[mila] © Hunter Lenoir](https://cdn-0.atwoodmagazine.com/wp-content/uploads/2023/03/mila-©-Hunter-Lenoir-1a-370x247.jpeg)
