December 16, 2022<December 20, 2022 Atwood Magazine’s Best Concerts of 2022! by Atwood Magazine Staff
December 16, 2022<December 16, 2022 Atwood Magazine’s Weekly Roundup: December, 16, 2022 by Atwood Magazine Staff
December 15, 2022<December 15, 2022 “There’s no better time to be in a punk band”: Mannequin Pussy’s Marisa Dabice Talks Generational Anger, Music, & More by Michael Greco
December 15, 2022<March 11, 2023 Atwood Magazine’s Top Artist Discoveries of 2022 by Atwood Magazine Staff
December 14, 2022<December 28, 2023 Wembley Dreams: Young Shredder Jasmine Star on Guitar, TikTok, New Music & More by Andrew Daly
December 14, 2022<March 11, 2023 Atwood Magazine Presents Mistletones: 2022’s Best New Holiday Songs, Pt. 2 by Atwood Magazine Staff
December 14, 2022<December 14, 2022 Today’s Song: Day Wave Returns with New Track “Cold Like Me” on Deluxe Edition of 2nd LP ‘Pastlife’ by Beau Hayhoe
December 13, 2022<December 14, 2022 Track-by-Track: Lily Lane Returns with Exceptional Musicality on Sophomore LP ‘Queen of Hearts’ by Joe Beer
December 13, 2022<December 14, 2022 Interview with Boogie Belgique: A DJ Set Takes Orchestra Form, with Some Investigative Reporting Influence Tossed In by Josh Weiner
December 13, 2022<December 13, 2022 Today’s Song: Tones and I’s “Eyes Don’t Lie” Is a Powerful Ode to Moving On by Lauren Turner
December 12, 2022<December 12, 2022 Enjoy Some ‘Time Apart’: The Prescriptions Soar with Heartland Passion & Honest Charm on Intimate, Smoldering Sophomore LP by Mitch Mosk
December 12, 2022<December 12, 2022 Interview: Aidan Bissett Discusses His Fun, Fiery & Heartfelt Debut EP ‘I’m Alright If You’re OK’ by Kelly McCafferty Dorogy
December 9, 2022<March 11, 2023 Editor’s Picks 82: Ethel Cain, Christian Kuria, Sable, Kathleen, The Greeting Committee, & Blitz Vega! by Mitch Mosk
December 9, 2022<December 9, 2022 Atwood Magazine’s Weekly Roundup: December 9, 2022 by Atwood Magazine Staff
For the Love of Music
For the Love of Music
