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Nasya Blackshear

Nasya Blackshear

I'm a recent graduate from UMass where I studied journalism and acted as Entertainment Editor for our student-run magazine, The Amherst Wire. Now you can find me writing wherever someone gives me the chance. In my downtime, I'm most likely writing silly tunes on my guitar, listening to music my friends made or scrolling through Tik Tok. You can find me on Twitter @nasblackshear or on Instagram @not.nass.

Bad Suns © Elizabeth Miranda
Features, Interviews, Music February 14, 2022 February 14, 2022

Interview: Bad Suns Show Life in a New Light on Cinematic 4th Album ‘Apocalypse Whenever’

Josh Radnor © Ella Hovsepianc
Debut, Interviews, Music July 21, 2021 July 15, 2021

Interview: Josh Radnor Steps Out on His Own with Debut EP ‘One More Then I’ll Let You Go’

Dodie © Parri Thomas
Debut, Features, Interviews, Music May 17, 2021 May 20, 2021

Feature: ‘Build a Problem’ Introduces a New Side of dodie: The Real One

Olivia Rodrigo © Stefan Kohli
Music, Reviews, This Just In April 1, 2021 April 8, 2021

Olivia Rodrigo’s “deja vu” Is Going to Turn Some Heads & Stir Some Pots

BAD CHILD © 2021
Interviews, Music March 1, 2021 March 1, 2021

‘Free Trial,’ Exploring Trauma, and Diving into Raw Emotions with BAD CHILD

Dayglow © Pooneh Ghana
Features, Interviews, Music February 23, 2021 February 23, 2021

Feature: Dayglow on Going Viral, Growth in a Digital Age, and What Comes Next

Olivia Rodrigo © Erica Hernandez
Music, Reviews January 25, 2021 January 25, 2021

Olivia Rodrigo Breaks Hearts and 2021 with Her Debut Single “drivers license”

Music, Reviews, Track-by-Track January 19, 2021 January 19, 2021

More Than Just a Boy Band: A Track-by-Track Review of Why Don’t We’s ‘The Good Times and the Bad Ones’

Bea Miller x Amine © Natt Lim @nattografi
Columns, Music, Today's Song January 14, 2021 January 13, 2021

Today’s Song: Bea Miller & Aminé Put a Groovy Spin on an Old Classic with “FEEL SOMETHING DIFFERENT”

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Recent Posts

  • Track-by-Track: Signe Vange’s Softly Stirring, Achingly Raw, & Beautifully ‘Human’ EP February 2, 2023
  • Track-by-Track: Cristóvam Delves into Emotive Catharsis & an Ever-Evolving Narrative with ‘Songs on a Wire’ February 2, 2023
  • Today’s Song: Julia Michaels’ “Sorry To Me Too” Is Vulnerable, Heartbreaking, & Filled with Self-Empowerment February 2, 2023
  • Editor’s Picks 86: Stephen Sanchez, Ken Yates, JOSEPH, Young Fathers, LULLANAS, & Hayfitz! February 1, 2023
  • Today’s Song: “Hold Yourself Together” Is Evelyn Frances’ Haunting Love Letter to New York City February 1, 2023
  • Feature: Fly Yeti Fly’s ‘Make a Ring’ Is a Record of Honest, Hopeful, & Dreamy Folk Wonder January 31, 2023
  • Artist to Watch: English Teacher Prove They’re Top of the Class on “Song About Love” January 31, 2023
  • Review: boygenius Are Back with “$20,” “Emily I’m Sorry,” & “True Blue” Off New Album, ‘the record’ January 30, 2023
  • Atwood Magazine’s 2023 Artists to Watch January 30, 2023
  • Feature: ‘Maryland House’ Is The Crystal Casino Band’s Unconditional Triumph January 27, 2023
© Atwood Magazine 2023 For the Love of Music
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